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Author: Catherine Wesselinoff
Publisher: Taylor & Francis
ISBN: 1000933903
Category : Philosophy
Languages : en
Pages : 210
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Book Description
This book provides original descriptive accounts of two schools of thought in the philosophy of beauty: the 20th-century “Anti-Aesthetic” movement and the 21st-century “Beauty Revival” movement. It also includes a positive defence of beauty as a lived experience extrapolated from Beauty-Revival position. Beauty was traditionally understood in the broadest sense as a notion that engages our sense perception and embraces everything evoked by that perception, including mental products and affective states. This book constructs and places in parallel with one another the Anti-Aesthetic and Beauty-Revival movements. In the author’s view, Anti-Aestheticism is devoted to a decisive negation of beauty—denying its importance as a philosophical notion and its significance as a lived experience. It suggests that beauty is a merely sensual experience, which can be used, at best, as a distraction from justice and, at worst, as an instrument of evil. Alternatively, the Beauty-Revival movement advances arguments for beauty as an experience that extends primarily to sensual experience, but which also calls forth mental products and cognitive and affective states evoked by that experience. After reconstructing these two positions, the author elaborates on the notion of beauty as a lived experience through three key moments which occur in the process of our experiencing beautiful objects. These moments are (a) the conditions that constitute an experience of beauty, (b) the attitudinal features most likely to lead to the experience of beauty, and (c) the results of the experience of beauty. The Revival of Beauty will be of interest to scholars and advanced students working in aesthetics, history of philosophy, and art history.
Author: A. N. Roquelaure
Publisher:
ISBN: 9780751540925
Category :
Languages : en
Pages : 273
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Book Description
Step beyond the wall of your own imagination to the place where erotic enchantment lies... When Sleeping Beauty awakes at the Prince's kiss it is the beginning of our story, not the end. Once the prisoner of a spell, locked in the sleep of innocence - now she is the prisoner of sensual love, held fast by the magic of desire. Claimed by the Prince as the slave of his passions, Sleeping Beauty learns that tenderness and cruelty, pleasure and pain, longing and fulfilment are all one in the awesome kingdom of love. Beauty she is - but she is sleeping no more...
Author: A. N. Roquelaure
Publisher: Penguin
ISBN: 1440657556
Category : Fiction
Languages : en
Pages : 257
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Book Description
From Anne Rice, author of Beauty's Kingdom, the third book in the erotic Sleeping Beauty series Before E.L. James' Fifty Shades of Grey and Sylvia Day's Bared to You,, there was Anne Rice’s provocative take on the timeless fairy tale “Sleeping Beauty. “ In the final volume of Anne Rice's deliciously tantalizing erotic trilogy, Beauty's adventures on the dark side of sexuality make her the bound captive of an Eastern Sultan and a prisoner in the exotic confines of the harem. As this voluptuous adult fairy tale moves toward conclusion, all Beauty's encounters with the myriad variations of sexual fantasy are presented in a sensuous, rich prose that intensifies this exquisite rendition of Love's secret world, and makes the Beauty series and incomparable study of erotica. In it, Anne Rice, writing as A.N. Roquelaure, makes the forbidden side of passion a doorway into the hidden regions of the psyche and the heart.
Author: A. N. Roquelaure
Publisher: Penguin
ISBN: 0525427996
Category : Enslaved persons
Languages : en
Pages : 370
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Book Description
After the death of Queen Eleanor, Beauty and Laurent are implored to take the throne and uphold the ways of complete sensual surrender that have made Eleanor's realm a legend.
Author: A.N. Roquelaure
Publisher: Hachette UK
ISBN: 1405522038
Category : Fiction
Languages : en
Pages : 159
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Book Description
An erotic novel of discipline, love and surrender from master storyteller Anne Rice. This sequel to The Claiming of Sleeping Beauty resumes Beauty's explicit, teasing exploration of the psychology of human desire and seduction. Now Beauty, having indulged in a secret and forbidden infatuation with the rebellious slave Prince Tristan, is sent away. Sold at auction, she will soon experience the tantalizing punishments of 'the village,' as her education in love, cruelty, dominance, submission and tenderness is turned over to the brazenly handsome Captain of the Guard. Once again Anne Rice's classic tale of pleasure and pain dares to explore the most primal and well-hidden desires of the human heart. This is the second of Anne Rice's classic Sleeping Beauty trilogy.
Author: A.N. Roquelaure
Publisher: Hachette UK
ISBN: 1405522054
Category : Fiction
Languages : en
Pages : 178
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Book Description
An erotic novel of discipline, love and surrender from master storyteller Anne Rice. In the traditional fairy tale of 'Sleeping Beauty' the spell cast upon the lovely young princess can only be broken by the kiss of a prince. However, in the world of Anne Rice, this legendary curse is broken not with a kiss, but with sexual initiation. The Prince's reward for ending the hundred years of enchantment is Beauty's complete and total enslavement to him. Sleeping Beauty awakes to a world of seduction, desire and love. In the first of a three part retelling of the Sleeping Beauty story, Anne Rice explores the unspoken implications of this lush, suggestive fairy tale, opening up a world of erotic yearning and fantasy which is perfect for fans of Fifty Shades of Grey. This is the first of Anne Rice's classic Sleeping Beauty trilogy.
Author: Catherine Wesselinoff
Publisher: Taylor & Francis
ISBN: 1000933903
Category : Philosophy
Languages : en
Pages : 210
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Book Description
This book provides original descriptive accounts of two schools of thought in the philosophy of beauty: the 20th-century “Anti-Aesthetic” movement and the 21st-century “Beauty Revival” movement. It also includes a positive defence of beauty as a lived experience extrapolated from Beauty-Revival position. Beauty was traditionally understood in the broadest sense as a notion that engages our sense perception and embraces everything evoked by that perception, including mental products and affective states. This book constructs and places in parallel with one another the Anti-Aesthetic and Beauty-Revival movements. In the author’s view, Anti-Aestheticism is devoted to a decisive negation of beauty—denying its importance as a philosophical notion and its significance as a lived experience. It suggests that beauty is a merely sensual experience, which can be used, at best, as a distraction from justice and, at worst, as an instrument of evil. Alternatively, the Beauty-Revival movement advances arguments for beauty as an experience that extends primarily to sensual experience, but which also calls forth mental products and cognitive and affective states evoked by that experience. After reconstructing these two positions, the author elaborates on the notion of beauty as a lived experience through three key moments which occur in the process of our experiencing beautiful objects. These moments are (a) the conditions that constitute an experience of beauty, (b) the attitudinal features most likely to lead to the experience of beauty, and (c) the results of the experience of beauty. The Revival of Beauty will be of interest to scholars and advanced students working in aesthetics, history of philosophy, and art history.
Author: Daniel Meyer-Dinkgräfe
Publisher: Cambridge Scholars Press
ISBN: 1904303595
Category : Aesthetics, Modern
Languages : en
Pages : 182
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Book Description
In recent years, philosophical debate of the concept of beauty has seen a remarkable renaissance. The twelve essays presented in this book provide a broad basis for a thorough reassessment of the European traditions of beauty in the arts (fine arts, performing arts, media arts) and in literature and film, not as a return to some distant, and allegedly ideal past, but as a constructive means of realising the potential of the arts for the 21st century.
Author: Aida Yuen Wong
Publisher: Hong Kong University Press
ISBN: 9888083899
Category : Social Science
Languages : en
Pages : 201
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Book Description
Visualizing Beauty examines the intersections between feminine ideals and changing socio-political circumstances in China, Japan, and Korea during the first half of the twentieth century. Eight essays present a broad range of visual products that informed concepts of beauty and womanhood, including fashion, interior design magazines, newspaper illustrations, and paintings of and by women. Studying "Traditional Woman" and "New Woman" as historical categories, this anthology contemplates the complex relations between feminine subjectivity and the promotion of modernity, commerce, and colonialism.
Author: Shirley Anne Tate
Publisher: Routledge
ISBN: 1317174011
Category : Social Science
Languages : en
Pages : 188
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Book Description
Previous work discussing Black beauty has tended to concentrate on Black women's search for white beauty as a consequence of racialization. Without denying either the continuation of such aesthetics or their enduring power, this book uncovers the cracks in this hegemonic Black beauty. Drawing on detailed ethnographic research amongst British women of Caribbean heritage, this volume pursues a broad discussion of beauty within the Black diaspora contexts of the Caribbean, the UK, the United States and Latin America through different historical periods to the present day. With a unique exploration of beauty, race and identity politics, the author reveals how Black women themselves speak about, negotiate, inhabit, work on and perform Black beauty. As such, it will appeal not only to sociologists, but anyone working in the fields of race, ethnicity and post-colonial thought, feminism and the sociology of the body.
Author: Anri Yasuda
Publisher: Columbia University Press
ISBN: 0231558511
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
The notion of beauty is inherently elusive: aesthetic judgments are at once subjective and felt to be universally valid. In Beauty Matters, Anri Yasuda demonstrates that by exploring the often conflicting yet powerful pull of aesthetic sentiments, major authors of the late Meiji (1868–1912) and Taishō (1912–1926) periods illuminated themes and perspectives that resonated broadly in modern Japanese society. This approach presents an alternative to conventional accounts in which Japanese literature before the modernist turn of the 1920s has tended to be defined by an insular focus on subjective representation and autobiographical realism. Yasuda investigates how Natsume Sōseki, Mori Ogai, Mushanokōji Saneatsu and his peers at Shirakaba magazine, and Akutagawa Ryūnosuke sought to identify the aesthetic properties of literature through comparisons with the visual arts. They also considered the position of Japanese cultural sensibilities within the Eurocentric imperial world order. Their stories featuring painters and paintings weigh the fundamental challenge of representing anything when the conditions of knowledge are in flux, and their stories about cross-cultural encounters display both hope and ambivalence about the prospect of cosmopolitanism. Yasuda shows how thinking about beauty and art enabled these authors to surpass purely “literary” concerns. By tracing the wide-reaching significance of aesthetic affect in literary thought, Beauty Matters destabilizes received conceptions of literature’s parameters and affirms literature’s continued potential to intervene in cultural discourses in Japan and beyond.
