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Author: L. O. Aranye Fradenburg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
How was statecraft performed five centuries ago? Louise Fradenburg explores the evolution of arts of rule in Scotland under the reigns of James III and James IV, revealing the broad spectacle of a late medieval court on the brink of the Renaissance.
Author: L. O. Aranye Fradenburg
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 416
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Book Description
How was statecraft performed five centuries ago? Louise Fradenburg explores the evolution of arts of rule in Scotland under the reigns of James III and James IV, revealing the broad spectacle of a late medieval court on the brink of the Renaissance.
Author: Rosalind K. Marshall
Publisher: Birlinn Ltd
ISBN: 1788851846
Category : History
Languages : en
Pages : 337
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Book Description
The lives of the Scottish queens, both those who ruled in their own right, and also the consorts, have largely been neglected in conventional history books. One of the earliest known Scottish queens was none other than the notorious Lady MacBeth. Was she really the wicked woman depicted in Shakespeare's famous play? Was St Margaret a demure and obedient wife? Why did Margaret Logie exercise such an influence over her husband, David II, and have we underestimated James VI's consort, Anne of Denmark, frequently written off as a stupid and wilful woman? These are just a few of the questions addressed by Dr Marshall in her entertaining, impeccably researched book.
Author: Janet Thormann
Publisher: punctum books
ISBN: 1685710204
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Chaucer's Comic Providence presents readings of five of Chaucer's Canterbury Tales that dramatize sexual division and the lack of rapport between the sexes. These readings are founded on the psychoanalytic thinking of Jacques Lacan in his rereading of Freud and are motivated by Thormann's conviction that Chaucer understood what psychoanalysis would come to study as an unconscious operating in the subject that is independent of conscious control and desire. For psychoanalysis, the subject is interminably engaged with unconscious sexual difference and with what Lacan saw as the absence of sexual rapport. Chaucer's Comic Providence analyzes Chaucer's plots of sexual adventures, mishaps, and surprise to show how the five tales dramatize the lack of symmetry and absence of accord between the sexes. Ultimately, Thormann's interest here is in the ways these five narratives represent and deal with sexual division, in their means of handling what, in any case, cannot be avoided or mastered. Consequently, the resolutions of the narratives sponsor an ethics of desire: they affirm sexual pleasure and acknowledge misprision and limitation, but they do not compromise, close down, or finish with incompatibility, contraction, and limitation. Her reading, then, claims that Chaucer's poetry already reveals the unconscious that Freud is credited with discovering. As well, Chaucer not only anticipates Lacan's pronouncement that "the unconscious is structured like a language," but also his emphasis on unconscious sexual difference and the absence of rapport between the sexes. With few exceptions, while there has been much consideration of gender in Chaucer's stories, contemporary criticism of Chaucer has remained inimical or, at the least, largely indifferent, to psychoanalysis, yet because it considers both difference and continuity, change and perpetuation, and because it incorporates psychic processes, motives, functions, and dynamics operating outside of conscious awareness, psychoanalysis offers a wider range for analysis of Chaucer's tales than does gender theory alone. Chaucer's Comic Providence also addresses the unexpected, surprising, and providentially comic resolutions of Chaucer's tales, the concomitant abeyance of sexual conflicts, and the links between emergence and abeyance, which issue in the hope of a beneficent future.
Author: Laurie Atkinson
Publisher: Boydell & Brewer
ISBN: 1843846926
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
An investigation of English and Scottish dream visions written on the cusp of the "Renaissance", teasing out distinctive ideas of authorship which informed their design. The fifteenth and sixteenth centuries have long been acknowledged as a period of profound change in ideas of authorship, in which a transition from a "medieval" to a "modern" paradigm took place. In England and Scotland, changing approaches to Chaucer have rightly been considered as a catalyst for the elevation of English as a literary language and the birth of an English literary history. There is a tendency, however, when moving from Chaucer's self-professed poetic followers of this time to the philological approach associated with William Caxton and the 1532 Works, to pass over the literary careers of the English and Scots poets belonging to the intervening half-century: John Skelton, William Dunbar, Stephen Hawes, and Gavin Douglas. This volume redresses that neglect. Its close and comparative readings of these poets' stimulating but critically neglected dream visions and related first-person narratives reveal a spectrum of ideas of authorship: four distinct engagements with tradition and opportunity, united by their utilisation of a particular form. It regards authorship as a topic of invention, a discourse for appropriation, which is available to but not inevitable in late medieval and early modern writing. Overall, it facilitates newly focussed study of an often obscured literary-historical period, one with a heightened interest in the authors of the past - Chaucer, Lydgate, Petrarch, Virgil - but also an increasingly acute perception of the conditions of authorship in the present.
Author: Marion Turner
Publisher: Oxford University Press
ISBN: 0199207895
Category : History
Languages : en
Pages : 224
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Book Description
This book offers a completely new reading of Chaucer. While most critics have seen his work as essentially socially optimistic and congenial, Marion Turner argues that Chaucer was profoundly concerned with conflict and social antagonism. Chaucer's texts are examined alongside a wide variety of poetry and historical documents from the period.
Author: Matthew Boyd Goldie
Publisher: John Wiley & Sons
ISBN: 0470752122
Category : Literary Criticism
Languages : en
Pages : 344
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Book Description
This collection of fourteenth- and fifteenth-century documents is designed for students of Chaucer and Middle English literature. It makes readily available accounts of key historical events and descriptions of pertinent cultural phenomena. Brings together in one volume fourteenth- and fifteenth-century historical and cultural texts. Documents shed light on the themes and styles that appear in Chaucer and other Middle English literature. Contains twelve important images from the period. Concise introductions and bibliographies accompany all documents.
Author: Sarah Carpenter
Publisher: Routledge
ISBN: 1000088820
Category : Drama
Languages : en
Pages : 353
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Book Description
These essays of Sarah Carpenter have been selected to reflect her career’s close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public ‘performances’ of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change. (CS1090)
Author: Merry E. Wiesner-Hanks
Publisher: Routledge
ISBN: 1317100891
Category : Literary Criticism
Languages : en
Pages : 440
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Book Description
How did gender figure in understandings of spatial realms, from the inner spaces of the body to the furthest reaches of the globe? How did women situate themselves in the early modern world, and how did they move through it, in both real and imaginary locations? How do new disciplinary and geographic connections shape the ways we think about the early modern world, and the role of women and men in it? These are the questions that guide this volume, which includes articles by a select group of scholars from many disciplines: Art History, Comparative Literature, English, German, History, Landscape Architecture, Music, and Women's Studies. Each essay reaches across fields, and several are written by interdisciplinary groups of authors. The essays also focus on many different places, including Rome, Amsterdam, London, and Paris, and on texts and images that crossed the Atlantic and the Mediterranean, or that portrayed real and imagined people who did. Many essays investigate topics key to the ’spatial turn’ in various disciplines, such as borders and their permeability, actual and metaphorical spatial crossings, travel and displacement, and the built environment.
Author: Allen J. Frantzen
Publisher: University of Chicago Press
ISBN: 0226260852
Category : History
Languages : en
Pages : 352
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Book Description
In the popular imagination, World War I stands for the horror of all wars. The unprecedented scale of the war and the mechanized weaponry it introduced to battle brought an abrupt end to the romantic idea that soldiers were somehow knights in shining armor who always vanquished their foes and saved the day. Yet the concept of chivalry still played a crucial role in how soldiers saw themselves in the conflict. Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies. Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.
Author: Bryony Coombs
Publisher: Edinburgh University Press
ISBN: 1399510045
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
Explores the links between patronage, identity and Franco-Scottish relations in the late medieval and early modern periods This monograph is the first book-length study of Franco-Scottish relations and the visual arts in the late-medieval and early modern periods Offers new interdisciplinary approaches to Franco-Scottish history, that challenge traditional accounts where there has been a failure to investigate visual material Based on extensive archival research and making use of unknown and little-known visual and archival evidence, this work examines material from collections held in Scotland, France, the Netherlands, and Italy Applies innovative interdisciplinary approaches, combining patronage studies and a consideration of artistic agency. It develops new methodologies combining art historical methods with insights drawn from political, military, and architectural histories and manuscript studies Forms a significant contribution to our understanding of the history of Scotland’s place in Europe and the significance of its historic ties to France in particular This monograph provides the first substantial analysis of the visual arts commissioned by Scots in France prior to Mary Queen of Scots. It examines how Scottish identity was represented and promoted through patronage of the visual arts. Tying together previously unpublished archival documents with under-researched visual and material culture, this monograph examines how Scots used patronage to establish their place in French society thus furthering the reputation of the royal house of Scotland, and progressing their own social, political, and diplomatic aims. Incorporating analysis of grand architectural projects, such as the foundation of the Sainte-Chapelle at Vic-le-Comte, and studies of extraordinary manuscripts such as the Monypenny Breviary and the military manuals of Bérault Stuart, this work highlights recurring themes within architectural history, art history, and material culture studies. By addressing broader questions of Scotland's historic relations with Europe, it makes a necessary contribution to modern day concerns.
