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Author: Giovanni Battista Cipriani
Publisher: Forgotten Books
ISBN: 9781390837001
Category : Art
Languages : fr
Pages : 40
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Book Description
Excerpt from Cipriani's Rudiments Of Drawing Par ces principes quiconque a du penchant pour les arts, et vent en tirer du profit, de l'honneur, et de l' argent doit commencer dès sa tendre jeunesse à suivre cette hon-norable carriere Qu' il choisisse un maître qui ne soit pas exécuteur fantastique ni un précepteur sciencé; mais un homme qui comprenne l' harmonie -et la méthode, je veux dire l'école du beau En prémier lieu ce que l'on doit propo ser à la jeunesse, ce n'est que de copier de parfaits modeles des yeux des sourcils des nez, des oreilles des mains, qui ne soyent pas d'in vention de fantaisie bourrue, mais une copie de la Nature Qu'on ne choisisse toute statue, ou toute peinture, rien que celle qui est excel lente aux yeux des maîtres peintres Il ne convient pas de s' éloigner des Grecs L'école Crque enseigna à la Romaine, et par ces deux sources coulerent ces eaux avantageuses qui désaltercrent le fameux Les sages Peintres nous conseillent de dire aux jeunes étudians pour donner de la vigoeur à leur premieres démarches qu'il est inutile de déssiner nuit et jour ini-parfaitement, faute d'avoir sous les yeux de par faits exemplaires. Il est constant que l'art a inventé _l'_éçole du nud mais avant que d' entrer dans cette Accadémie, il; est important que la main soifauparavant dégag'ée pour dessiner les parties exposées en tout' à nos yeux. C' est un groupe, qui veut auparavant des notions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Giovanni Battista Cipriani
Publisher: Forgotten Books
ISBN: 9781390837001
Category : Art
Languages : fr
Pages : 40
Get Book Here
Book Description
Excerpt from Cipriani's Rudiments Of Drawing Par ces principes quiconque a du penchant pour les arts, et vent en tirer du profit, de l'honneur, et de l' argent doit commencer dès sa tendre jeunesse à suivre cette hon-norable carriere Qu' il choisisse un maître qui ne soit pas exécuteur fantastique ni un précepteur sciencé; mais un homme qui comprenne l' harmonie -et la méthode, je veux dire l'école du beau En prémier lieu ce que l'on doit propo ser à la jeunesse, ce n'est que de copier de parfaits modeles des yeux des sourcils des nez, des oreilles des mains, qui ne soyent pas d'in vention de fantaisie bourrue, mais une copie de la Nature Qu'on ne choisisse toute statue, ou toute peinture, rien que celle qui est excel lente aux yeux des maîtres peintres Il ne convient pas de s' éloigner des Grecs L'école Crque enseigna à la Romaine, et par ces deux sources coulerent ces eaux avantageuses qui désaltercrent le fameux Les sages Peintres nous conseillent de dire aux jeunes étudians pour donner de la vigoeur à leur premieres démarches qu'il est inutile de déssiner nuit et jour ini-parfaitement, faute d'avoir sous les yeux de par faits exemplaires. Il est constant que l'art a inventé _l'_éçole du nud mais avant que d' entrer dans cette Accadémie, il; est important que la main soifauparavant dégag'ée pour dessiner les parties exposées en tout' à nos yeux. C' est un groupe, qui veut auparavant des notions. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Giovanni Battista Cipriani
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Giovanni Battista 1727-1785 Cipriani
Publisher: Legare Street Press
ISBN: 9781019770481
Category :
Languages : en
Pages : 0
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Book Description
Drawing is a foundational skill for many artistic disciplines, and in this classic handbook, Giovanni Battista Cipriani shares his expert insights and techniques. From the basics of line and form to more advanced topics such as perspective and composition, Cipriani covers all the essential elements of drawing. This updated edition includes additional material from fellow artist Francesco Bartolozzi. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Giovanni Battista 1727-1785 Cipriani
Publisher: Wentworth Press
ISBN: 9781363010493
Category : History
Languages : en
Pages : 44
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author:
Publisher:
ISBN:
Category : Human figure in art
Languages : en
Pages : 2
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Book Description
Author:
Publisher:
ISBN:
Category : Drawing books
Languages : en
Pages : 7
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Book Description
Author: Sotheby & Co. (London, England).
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 1442
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Book Description
Author: Jennifer Montagu
Publisher: Yale University Press
ISBN: 9780300058918
Category : Art
Languages : en
Pages : 260
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Book Description
In 1688, Charles Le Brun, a French academician, delivered a lecture on expression that was so popular it was published in sixty-three separate editions and influenced all discussion of the subject throughout Europe for over a century. This book reconstructs and translates the text of the lecture (badly garbled in all previous versions), explores the context in which it was conceived, delivered, received, and finally rejected, and reproduces the images that accompanied the lecture.
Author: Christie, Manson & Woods
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 414
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Book Description
Author: Bruce Redford
Publisher: Getty Publications
ISBN: 0892369248
Category : Art
Languages : en
Pages : 240
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Book Description
Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.
