Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 470
Book Description
Cinemaya
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 470
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 470
Book Description
Deep Focus
Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 268
Book Description
Encyclopedia of Chinese Film
Author: Zhiwei Xiao
Publisher: Routledge
ISBN: 1134745540
Category : Reference
Languages : en
Pages : 500
Book Description
The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.
Publisher: Routledge
ISBN: 1134745540
Category : Reference
Languages : en
Pages : 500
Book Description
The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cultural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years. This Encyclopedia meets the needs, equally, of * the film studies scholar * the student of Chinese culture * the specialist in Chinese film * the curious viewer wanting to know more. Additional features include: * comprehensive cross-references and suggestions for further reading * a list of relevant websites * a chronology of films and a classified contents list * three indexes - (one of film and tv titles with directors names and year of release, one of names including actors, writers, directors and producers and one of studios, all with pinyin romanizations) * a glossary of pinyin romanizations, Chinese characters and English equivalents to aid the specialist in moving between Chinese titles and English translations.
Asian Cinema
Author:
Publisher:
ISBN:
Category : Asians in motion pictures
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category : Asians in motion pictures
Languages : en
Pages : 350
Book Description
The Cinema of North Africa and the Middle East
Author: Gönül Dönmez-Colin
Publisher: Wallflower Press
ISBN: 9781905674107
Category : History
Languages : en
Pages : 316
Book Description
"Twenty-four essays on individual selected films, many by scholars and writers based in the region. It explores established film cultures such as those of Turkey and Iran, and also nascent cinemas such as those of Israel, Palestine and Syria. ... Selected films include Cairo Station (Egypt, 1958), Umat (Turkey, 1970), The Runner (Iran, 1989) ... Once upon a time, Beriut (Lebanon, 1994), Chronicle of a disappearance (Palestine, 1996), Circle of dreams (Israel, 2000), Ten (Iran, 2002) and Uzak (Turkey, 2003)."--Page 4 of cover.
Publisher: Wallflower Press
ISBN: 9781905674107
Category : History
Languages : en
Pages : 316
Book Description
"Twenty-four essays on individual selected films, many by scholars and writers based in the region. It explores established film cultures such as those of Turkey and Iran, and also nascent cinemas such as those of Israel, Palestine and Syria. ... Selected films include Cairo Station (Egypt, 1958), Umat (Turkey, 1970), The Runner (Iran, 1989) ... Once upon a time, Beriut (Lebanon, 1994), Chronicle of a disappearance (Palestine, 1996), Circle of dreams (Israel, 2000), Ten (Iran, 2002) and Uzak (Turkey, 2003)."--Page 4 of cover.
Modern Chinese Literature
Author:
Publisher:
ISBN:
Category : Chinese literature
Languages : en
Pages : 318
Book Description
Publisher:
ISBN:
Category : Chinese literature
Languages : en
Pages : 318
Book Description
Turkish Cinema
Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 1861895836
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
Publisher: Reaktion Books
ISBN: 1861895836
Category : Performing Arts
Languages : en
Pages : 271
Book Description
Films often act as a prism that refracts the issues facing a nation, and Turkish cinema in particular serves to encapsulate the cultural and social turmoil of modern-day Turkey. Acclaimed film scholar Gönül Dönmez-Colin examines here the way that national cinema reveals the Turkish quest for a modern identity. Marked by continually shifting ethnic demographics, politics, and geographic borders, Turkish society struggles to reconcile modern attitudes with traditional morals and centuries-old customs. Dönmez-Colin examines how contemporary Turkish filmmakers address this struggle in their cinematic works, positing that their films revolve around ideas of migration and exile, and give voice to previously subsumed “denied identities” such as that of the Kurds. Turkish Cinema also crucially examines how these films confront taboo subjects such as homosexuality, incest, and honor killings, issues that have only become viable subjects of discussion in the new generation of Turkish citizens. A deftly written and thought-provoking study, Turkish Cinema will be invaluable for scholars of Middle East studies and cinephiles alike.
At Full Speed
Author: Ching-Mei Esther Yau
Publisher: U of Minnesota Press
ISBN: 9780816632350
Category : Performing Arts
Languages : en
Pages : 360
Book Description
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
Publisher: U of Minnesota Press
ISBN: 9780816632350
Category : Performing Arts
Languages : en
Pages : 360
Book Description
Breathtaking swordplay and nostalgic love, Peking opera and Chow Yun-fat's cult followers -- these are some of the elements of the vivid and diverse urban imagination that find form and expression in the thriving Hong Kong cinema. All receive their due in At Full Speed, a volume that captures the remarkable range and energy of a cinema that borrows, invents, and reinvents across the boundaries of time, culture, and conventions. At Full Speed gathers film scholars and critics from around the globe to convey the transnational, multilayered character that Hong Kong films acquire and impart as they circulate worldwide. These writers scrutinize the films they find captivating: from the lesser known works of Law Man and Yuen Woo Ping to such film festival notables as Stanley Kwan and Wong Kar-wai, and from the commercial action, romance, and comedy genres of Jackie Chan, Peter Chan, Steven Chiau, Tsui Hark, John Woo, and Derek Yee to the attempted departures of Evans Chan, Ann Hui, and Clara Law. In this cinema the contributors identify an aesthetics of action, gender-flexible melodramatic excesses, objects of nostalgia, and globally projected local history and identities, as well as an active critical film community. Their work, the most incisive account ever given of one of the world's largest film industries, brings the pleasures and idiosyncrasies of Hong Kong cinema into clear close-up focus even as it enlarges on the relationships between art and the market, cultural theory and the movies.
A Critical Cinema 3
Author: Scott MacDonald
Publisher: Univ of California Press
ISBN: 9780520209435
Category : Experimental films
Languages : en
Pages : 500
Book Description
This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
Publisher: Univ of California Press
ISBN: 9780520209435
Category : Experimental films
Languages : en
Pages : 500
Book Description
This sequel to A Critical Cinema offers a new collection of interviews with independent filmmakers that is a feast for film fans and film historians. Scott MacDonald reveals the sophisticated thinking of these artists regarding film, politics, and contemporary gender issues. The interviews explore the careers of Robert Breer, Trinh T. Minh-ha, James Benning, Su Friedrich, and Godfrey Reggio. Yoko Ono discusses her cinematic collaboration with John Lennon, Michael Snow talks about his music and films, Anne Robertson describes her cinematic diaries, Jonas Mekas and Bruce Baillie recall the New York and California avant-garde film culture. The selection has a particularly strong group of women filmmakers, including Yvonne Rainer, Laura Mulvey, and Lizzie Borden. Other notable artists are Anthony McCall, Andrew Noren, Ross McElwee, Anne Severson, and Peter Watkins.
The Scar That Binds
Author: Keith Beattie
Publisher: NYU Press
ISBN: 0814786103
Category : History
Languages : en
Pages : 241
Book Description
At the height of the Vietnam War, American society was so severely fragmented that it seemed that Americans may never again share common concerns. The media and other commentators represented the impact of the war through a variety of rhetorical devices, most notably the emotionally charged metaphor of "the wound that will not heal." References in various contexts to veterans' attempts to find a "voice," and to bring the war "home" were also common. Gradually, an assured and resilient American self-image and powerful impressions of cultural collectivity transformed the Vietnam war into a device for maintaining national unity. Today, the war is portrayed as a healed wound, the once "silenced" veteran has found a voice, and the American home has accommodated the effects of Vietnam. The scar has healed, binding Americans into a union that denies the divisions, diversities, and differences exposed by the war. In this way, America is now "over" Vietnam. In The Scar That Binds, Keith Beattie examines the central metaphors of the Vietnam war and their manifestations in American culture and life. Blending history and cultural criticism in a lucid style, this provocative book discusses an ideology of unity that has emerged through widespread rhetorical and cultural references to the war. A critique of this ideology reveals three dominant themes structured in a range of texts: the "wound," "the voice" of the Vietnam veteran, and "home." The analysis of each theme draws on a range of sources, including film, memoir, poetry, written and oral history, journalism, and political speeches. In contrast to studies concerned with representations of the war as a combat experience, The Scar That Binds opens and examines an unexplored critical space through a focus on the effects of the Vietnam War on American culture. The result is a highly original and compelling interpretation of the development of an ideology of unity in our culture.
Publisher: NYU Press
ISBN: 0814786103
Category : History
Languages : en
Pages : 241
Book Description
At the height of the Vietnam War, American society was so severely fragmented that it seemed that Americans may never again share common concerns. The media and other commentators represented the impact of the war through a variety of rhetorical devices, most notably the emotionally charged metaphor of "the wound that will not heal." References in various contexts to veterans' attempts to find a "voice," and to bring the war "home" were also common. Gradually, an assured and resilient American self-image and powerful impressions of cultural collectivity transformed the Vietnam war into a device for maintaining national unity. Today, the war is portrayed as a healed wound, the once "silenced" veteran has found a voice, and the American home has accommodated the effects of Vietnam. The scar has healed, binding Americans into a union that denies the divisions, diversities, and differences exposed by the war. In this way, America is now "over" Vietnam. In The Scar That Binds, Keith Beattie examines the central metaphors of the Vietnam war and their manifestations in American culture and life. Blending history and cultural criticism in a lucid style, this provocative book discusses an ideology of unity that has emerged through widespread rhetorical and cultural references to the war. A critique of this ideology reveals three dominant themes structured in a range of texts: the "wound," "the voice" of the Vietnam veteran, and "home." The analysis of each theme draws on a range of sources, including film, memoir, poetry, written and oral history, journalism, and political speeches. In contrast to studies concerned with representations of the war as a combat experience, The Scar That Binds opens and examines an unexplored critical space through a focus on the effects of the Vietnam War on American culture. The result is a highly original and compelling interpretation of the development of an ideology of unity in our culture.