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Author: François Penz
Publisher: Springer
ISBN: 1137460849
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies. In doing so it makes a significant contribution to the literature in the growing field of cartographic cinema and urban cinematics, by charting the many trajectories and points of contact between film and its topographical context. Under the influence of new technologies, the opening and the availability of previously unexplored archives but also the contribution of new scholars with novel approaches in addition to new work by experienced academics, Cinematic Urban Geographies demonstrates how we can reread the cinematic past with a view to construct the urban present and anticipate its future.
Author: François Penz
Publisher: Springer
ISBN: 1137460849
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
This book proposes new methodological tools and approaches in order to tease out and elicit the different facets of urban fragmentation through the medium of cinema and the moving image, as a contribution to our understanding of cities and their topographies. In doing so it makes a significant contribution to the literature in the growing field of cartographic cinema and urban cinematics, by charting the many trajectories and points of contact between film and its topographical context. Under the influence of new technologies, the opening and the availability of previously unexplored archives but also the contribution of new scholars with novel approaches in addition to new work by experienced academics, Cinematic Urban Geographies demonstrates how we can reread the cinematic past with a view to construct the urban present and anticipate its future.
Author: Danai S. Mupotsa
Publisher: Taylor & Francis
ISBN: 1000924408
Category : Social Science
Languages : en
Pages : 174
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Book Description
This volume addresses questions at the intersections of cinematic form and the African city. It examines the contribution of cinema and audiovisual media to our understanding and experience of contemporary cities from an African perspective. “Reading” the African city as form, this volume problematizes the circulation of terms such as “Afropolitanism,” “Afro-polis”, “Afro-modernity” and “Afro-urbanity”, which often define the kinds of sentiments invested in or associated with the African city. Situated within an interdisciplinary matrix that reads the urban African cinematic form through affect theory and the city as a matrix of feeling, critical black geography and the racialized construction of city spaces, the urban as a temporal consciousness, and representations of social inequalities and urban geographies of exclusion, this edited volume frames the city and screenscapes as co-constitutive, foregrounding the diegetic and extra-diegetic elements that inform the “African urban”. Chapters engage thematic areas such as aesthetics and African cinematic urban form; visuality and the infrastructures of the African city; audiovisual narratives, social inequality, and urban geographies of exclusion. Cinematic Imaginaries of the African City is a significant new contribution to African Studies and will be a great resource for academics, researchers, and advanced students of African Studies, Media and Cultural Studies, Visual Studies, and Sociology. The chapters included in this book were originally published as a special issue of Social Dynamics: A Journal of African Studies.
Author: Joanne Pettitt
Publisher: Routledge
ISBN: 1351789651
Category : History
Languages : en
Pages : 333
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Book Description
Seventy years on from the liberation of Auschwitz, the contributions collected in this volume each attempt, in various ways and from various perspectives, to trace the relationship between Nazi-occupied spaces and Holocaust memory, considering the multitude of ways in which the passing of time impacts upon, or shapes, cultural constructions of space. Accordingly, this volume does not consider topographies merely in relation to geographical landscapes but, rather, as markers of allusions and connotations that must be properly eked out. Since space and time are intertwined, if not, in fact, one and the same, an investigation of the spaces – the locations of horror – in relation to the passing of time might provide some manner of comprehension of one of the most troubling moments in human history. It is with this understanding of space, as fluid sites of memory that the contributors of this volume engage: these are the kind of shifting topographies that we are seeking to trace. This book was originally published as a special issue of Holocaust Studies: A Journal of Culture and History.
Author: Les Roberts
Publisher: Liverpool University Press
ISBN: 1846317576
Category : Art
Languages : en
Pages : 265
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Book Description
Reevaluating the significance of location in contemporary film practice and urban cultural theory, Film, Mobility and Urban Space explores the role of moving images in representations and perceptions of everyday urban landscapes. Les Roberts draws on over 1,700 films of Liverpool from 1897 to the present and combines critical spatial analysis, archival research, and qualitative methods to navigate the city's cinematic geographies as mapped across a broad spectrum of film genres, including amateur film, travelogues, newsreels, promotional films, documentaries, and features.
Author: Vojislava Filipcevic Cordes
Publisher: Routledge
ISBN: 1000090493
Category : Architecture
Languages : en
Pages : 191
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Book Description
New York in Cinematic Imagination is an interdisciplinary study into urbanism and cinematic representations of the American metropolis in the twentieth century. It contextualizes spatial transformations and discourse about New York during the Great Depression and the Second World War, examining both imaginary narratives and documentary images of the city in film. The book argues that alternating endorsements and critiques of the 1920s machine age city are replaced in films of the 1930s and 1940s by a new critical theory of "agitated urban modernity" articulated against the backdrop of turbulent economic and social settings and the initial practices of urban renewal in the post-war period. Written for postgraduates and researchers in the fields of film, history and urban studies, with 40 black and white illustrations to work alongside the text, this book is an engaging study into cinematic representations of New York City.
Author: Filipa Rosário
Publisher: Routledge
ISBN: 042988785X
Category : Performing Arts
Languages : en
Pages : 399
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Book Description
New Approaches to Cinematic Space aims to discuss the process of creation of cinematic spaces through moving images and the subsequent interpretation of their purpose and meaning. Throughout seventeen chapters, this edited collection will attempt to identify and interpret the formal strategies used by different filmmakers to depict real or imaginary places and turn them into abstract, conceptual spaces. The contributors to this volume will specifically focus on a series of systems of representation that go beyond the mere visual reproduction of a given location to construct a network of meanings that ultimately shapes our spatial worldview.
Author: Mark Tewdwr-Jones
Publisher: Policy Press
ISBN: 184742841X
Category : Architecture
Languages : en
Pages : 328
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Book Description
Drawing on geographical, cinematic and photographic readings, this unique book looks at how places change, the role of planners in bringing about urban change, and the public's attitudes to that change.
Author: François Penz
Publisher: Routledge
ISBN: 1317526627
Category : Architecture
Languages : en
Pages : 435
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Book Description
Cinematic Aided Design: An Everyday Life Approach to Architecture provides architects, planners, designer practitioners, politicians and decision makers with a new awareness of the practice of everyday life through the medium of film. This novel approach will also appeal to film scholars and film practitioners with an interest in spatial and architectural issues, as well as researchers from cultural studies in the field of everyday life. The everyday life is one of the hardest things to uncover since by its very nature it remains overlooked and ignored. However, cinema has over the last 120 years represented, interpreted and portrayed hundreds of thousands of everyday life situations taking place in a wide range of dwellings, streets and cities. Film constitutes the most comprehensive lived in building data in existence. Cinema created a comprehensive encyclopedia of architectural spaces and building elements. It has exposed large fragments of our everyday life and everyday environment that this book is aiming to reveal and restitute.
Author: Keith B. Wagner
Publisher: Manchester University Press
ISBN: 1526157551
Category : Performing Arts
Languages : en
Pages : 269
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Book Description
Global London on screen presents a mélange of films by directors from the Global South and North, portraying everyday life to the more fantastical, odious, or extraordinary in terms of circumstances as captured cinematically in this superdiverse city. This book portrays a segment of such superdiversity by historicising and theorising various cinematic reproductions of London by filmmakers coming to this megacity from abroad. As visitors, cosmopolitans, or even migrant filmmakers, their treatment of London’s zonal locations as both foreign and familiar is fascinating; their narratives and visualisations of London’s spatial and architectural uniqueness is given a sojourners’ touch; while other foreign filmmakers showcase and sometimes problematise London’s socio-cultural globality and locality as both British and a city open (and sometimes closed off) to the world.
Author: Stefanos Roimpas
Publisher: Taylor & Francis
ISBN: 1000870979
Category : Architecture
Languages : en
Pages : 213
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Book Description
Perspective as Logic offers an architectural examination of the filmic screen as an ontologically unique element in the discipline’s repertoire. The book determines the screen’s conditions of possibility by critically asking not what a screen means, but how it can mean anything of architectural significance. Based on this shift of enquiry towards the question of meaning, it introduces Jacques Lacan and Alain Badiou in an unprecedented way to architecture—since they exemplify an analogous shift of perspective towards the question of the subject and the question of being accordingly. The book begins by positing perspective projection as being a logical mapping of space instead of a matter of sight (Alberti & Lacan). Secondly, it discusses the very nature of architecture’s view and relation to the topological notion of outside between immediacy and mediation (Diller and Scofidio, The Slow House). It examines the limitation of pictorial illusion and the productive negativity in the suspension of architecture’s signified equivalent to language’s production of undecidable propositions (Eisenman & Badiou). In addition, the book outlines the difference between the point of view and the vanishing point by introducing two different conceptions of infinity (Michael Webb, Temple Island). Finally, a series of design experiments playfully shows how the screen exemplifies architecture’s self-reflexive capacity where material and immaterial components are part of the spatial conception to which they refer and produce. This book will be particularly appealing to scholars of architectural theory, especially those interested in the domains of philosophy, psychoanalysis and the linguistic turn of architecture.
