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Author: Noah Tsika
Publisher: Univ of California Press
ISBN: 0520386094
Category : History
Languages : en
Pages : 276
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Book Description
"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--
Author: Noah Tsika
Publisher: Univ of California Press
ISBN: 0520386094
Category : History
Languages : en
Pages : 276
Get Book Here
Book Description
"Cinematic Independence traces the emergence, demise, and rebirth of big-screen film exhibition in Nigeria. Film companies flocked to Nigeria in the years following independence, beginning a long history of interventions by Hollywood and corporate America. The 1980s and 90s saw a shuttering of cinemas, which were almost entirely replaced by television and direct-to-video movies. After 1999, the exhibition sector was again revitalized with the construction of multiplexes. Cinematic Independence is about the periods that straddle this disappearing act: the decades bracketing independence in 1960, and the years after 1999. At stake in both instances is the postcolony's role in global debates about the future of the movie theater. That it was eventually resurrected in the flashy form of the multiplex is not simply an achievement of commercial real estate but also a testament to cinema's persistence--its capacity to stave off annihilation or, in this case, come back from the dead"--
Author: Dean Devlin
Publisher: HarperEntertainment
ISBN: 9780061056987
Category : Fiction
Languages : en
Pages : 188
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Book Description
Just when everything seemed like it would never change, the worst happened. A force of incredible magnitude has arrived on Earth. Their mission-- to eliminate all human life on our planet.
Author:
Publisher: Simon and Schuster
ISBN: 1481478591
Category : Juvenile Fiction
Languages : en
Pages : 144
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Book Description
Prepare for another alien invasion with this action-packed retelling of Independence Day: Resurgence that features an eight-page full-color insert with images from the film! Independence Day: Resurgence—starring Liam Hemsworth, Jeff Goldblum, and Vivica A. Fox—invades theaters on June 24, 2016 with an all-new adventure! We always knew they were coming back… Humans are fighters. Twenty years ago, we fought off an alien invasion, and against all odds, we won. We recovered alien technology. We built a global defense system. We trained more fighters. But now the aliens are back…and this time, they’re stronger than they were before. Humankind will fight. But will humankind win? Find out in this epic retelling of Independence Day: Resurgence. Based on the Screenplay by Nicolas Wright & James A. Woods and Dean Devlin & Roland Emmerich and James Vanderbilt and the Story by Dean Devlin & Roland Emmerich and Nicolas Wright & James A. Woods and directed by Roland Emmerich. Based on Characters created by Dean Devlin & Roland Emmerich. INDEPENDENCE DAY: RESURGENCE TM & © 2016 Twentieth Century Fox Film Corporation. All rights reserved.
Author: Greg Keyes
Publisher: Titan Books (US, CA)
ISBN: 1785651358
Category : Fiction
Languages : en
Pages : 286
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Book Description
Cities were crushed by the falling spacecraft—but one ship didn’t crash. It remained intact, and disgorged hordes of alien soldiers determined to fight to the death. The abandoned vessels also contained a wealth of advanced technology. Led by David Levinson, the greatest minds of our world developed deadly new hybrid weapons. Bases were built on the Moon, Mars, and beyond. A new generation of defenders had to be trained, for the invaders would return. In the headlong rush to prepare, however, not everyone would survive…
Author: Harry Haun
Publisher: Applause Theatre & Cinema
ISBN:
Category : Music
Languages : en
Pages : 396
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Book Description
(Applause Books). Day by day, scandal by scandal, triumph by triumph, incurable film fan Harry Haun has squeezed the juice out of the past 100 years at the movies with a surprise on every page. This book is for everyone with an addiction to the movies even Betty Ford can't cure.
![The Cinematic ImagiNation [sic] PDF](https://books.google.com/books/content/images/frontcover/u8PKObcYMDIC?fife=w80-h100)
Author: Jyotika Virdi
Publisher: Rutgers University Press
ISBN: 9780813531915
Category : Performing Arts
Languages : en
Pages : 284
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Book Description
Pivoting on the nation as a central preoccupation in Hindi films, Virdi (communication and film and media studies, U. of Windsor, Canada) contends that Hindi cinema appropriates familiar Hollywood cinematic strategies for its own distinctive aesthetics and poetics. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).
Author: Maria do Carmo Piçarra
Publisher: Peter Lang Limited, International Academic Publishers
ISBN: 9781787073180
Category : Africa
Languages : en
Pages : 0
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Book Description
Cover -- Contents -- List of Figures -- Acknowledgements -- Foreword (Lúcia Nagib) -- Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post- )Colonial Situation (Maria do Carmo Piçarra and Teresa Castro) -- Part I The Birth [through Images] of African Nations -- 1"Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness (Maria do Carmo Piçarra) -- 2"Between the Visible and the Invisible: Mueda, Memória e Massacre by Ruy Guerra and the Cultural Forms of the Makonde Plateau (Raquel Schefer) -- 3"Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence (Ros Gray) -- 4"The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence (Robert Stock) -- Part II The Fall of the Portuguese Empire: Foreign Gazes during the Cold War -- 5 'Rarely penetrated by camera or film': NBC's Angola:Journey to a War (1961) (Afonso Ramos) -- 6"The US and Portuguese Colonialism as Imagined through Television Drama (Rui Lopes) -- 7"African Independence and the Socialist Republic of Romania's Photographic Archive (Iolanda Vasile) -- Part III Moving Images, Post-Colonial Representations and the Archive -- 8"Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen (José Manuel Costa) -- 9"A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon (Ana Balona de Oliveira) -- 10"In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive (Teresa Castro) -- Part IV Rethinking (Post- )Colonial Narratives: Artistic Takes -- 11 Drawing and Undrawing my Genealogy (Daniel Barroca) -- 12"A Grin without Marker (Filipa César) -- 13"Hotel Globo (Mónica de Miranda) -- Notes on Contributors -- Index
Author: Anuradha Needham
Publisher: Routledge
ISBN: 1135021341
Category : History
Languages : en
Pages : 238
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Book Description
Shyam Benegal is an Indian director and screenwriter whose work is considered central to New Indian cinema. By closely analysing several of Benegal’s films, this book provides an understanding of India’s post-independence history. The book examines the filmmaker’s focus on women by highlighting his subtle and critical engagement with a truism of Indian nationalism: women’s centrality to the (nation-) state’s negotiation with modernity. It looks at the importance Benegal accords to history – its little known, contested, or iconic events and figures – in crafting national culture and identities, and goes on to discuss the filmmaker’s nuanced representation of the developmental agendas of the nation-state. The book presents an account of the relationship of historical film and fiction to official history, and provides a fuller understanding of Indian cinema, and how it is shaped by as well as itself shapes national imperatives. Filling a gap in the literature, the book offers an analysis of cinematic treatment of post-independence narratives and gives important insights into the imagination of the time. It is a useful contribution for students and scholars of Film Studies, South Asian History and South Asian Culture.
Author: Akkadia Ford
Publisher: Taylor & Francis
ISBN: 100037906X
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
This book presents a critical cultural study of the Trans New Wave as a cinematic genre and explores its emergence in the twenty-first century. Drawing on a diverse range of texts, the cultural, social, aesthetic and ethical implications of the genre are placed within the context of rapidly changing understandings of gender diversity. From the cinematic borderlands of independent film festivals to wider public recognition via digital technologies, the genre encompasses a diverse range of texts from short films, documentaries, experimental films, to feature films and narratives that range across life histories, narratives and themes. The book presents transliteracy as an original theoretical approach to reading film representations of the Trans New Wave, and combines it with a new theoretical concept of cinematic ethnogenesis to investigate how the genre emerged from specific communities and the reciprocal interaction of audiences and texts. This interdisciplinary volume engages with contemporary issues of gender diversity, transgender studies, screen and media studies and film festival studies, and as such will be of great interest to scholars working in these fields and in media and cultural studies more generally.
Author: Roberta Pearson
Publisher: Routledge
ISBN: 1134716974
Category : Performing Arts
Languages : en
Pages : 800
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Book Description
The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA
