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Author: Ali Ahmad
Publisher: Routledge
ISBN: 1317389611
Category : Social Science
Languages : en
Pages : 183
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Book Description
This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts. The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West. This book was originally published as a special issue of Third Text.
Author: Ali Ahmad
Publisher: Routledge
ISBN: 1317389611
Category : Social Science
Languages : en
Pages : 183
Get Book Here
Book Description
This book collates a comprehensive range of fascinating essays by leading authors on film from across the Muslim world. Responding to political and theoretical misconceptions about Islam and Muslim culture, it covers North African, Arab and Asian cinemas in a rich series of industry histories, single film studies and detailed analyses of celebrated directors. Cinema in Muslim Societies is innovative and timely in its explicit engagement with vexing questions of Islamic aesthetics, political activism, socialism and the role of women in Muslim contexts. The authors explore a wide variety of topics, from cinematic art and poetry to religious identity and pornography. Debated extensively at a programme of public talks and screenings at the Institute of Contemporary Arts in London in 2011, this volume remains supremely relevant in a world of polarising identities and political violence engulfing Muslim societies and the West. This book was originally published as a special issue of Third Text.
Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 9781861892201
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
The first book to examine the troubled relationships between women, Islam and cinema.
Author: Kristian Petersen
Publisher: Routledge
ISBN: 1351189131
Category : Religion
Languages : en
Pages : 205
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Book Description
Many global film industries fail in expanding the role of Muslims on screen. Too often they produce a dichotomy between "good" and "bad" Muslims, limiting the narrative domain to issues of national security, war, and terrorism. Naturally, much of the previous scholarship on Muslims in film focused on stereotypes and the politics of representation. This collection of essays, from an international panel of contributors, significantly expands the boundaries of discussion around Muslims in film, asking new questions of the archive and magnifying analyses of particular cultural productions. The volume includes the exploration of regional cinemas, detailed analysis of auteurs and individual films, comparison across global cinema, and new explorations that have not yet entered the conversation. The interdisciplinary collection provides an examination of the multiple roles Islam plays in film and the various ways Muslims are depicted. Across the chapters, key intersecting themes arise that push the limits of how we currently approach issues of Muslims in cinema and ventures to lead us in new directions for future scholarship. This book adds new depth to the matrix of previous scholarship by revisiting methodological structures and sources, as well as exploring new visual geographies, transnational circuits, and approaches. It reframes the presiding scholarly conventions in five novel trajectories: considering new sources, exploring new communities, probing new perspectives, charting new theoretical directions, and offering new ways of understanding conflict in cinema. As such, it will be of great use to scholars working in Islamic Studies, Film Studies, Religious Studies, and Media.
Author: Kristian Petersen
Publisher: Ilex Foundation
ISBN: 9780674257788
Category :
Languages : en
Pages : 275
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Book Description
Muslims in the Movies provides an introduction to the subject of Muslims and film for new readers while also serving as new works of critical analysis for scholars of cinema. This collection explores issues of identity, cultural production, and representation through the depiction of Muslims on screen and how audiences respond to these images.
Author: Patricia R. Owen
Publisher: McFarland
ISBN: 147666787X
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
There are 49 Muslim-majority countries in the world and Islam is the world's second largest religion. Yet many in the West are misinformed about Islam and Muslim worldviews. Issues related to gender norms are especially subject to misconceptions. This filmography analyzes gender issues in 56 feature films from Afghanistan, Algeria, Bangladesh, Egypt, Iran, Iraq, Pakistan and Turkey, with a focus on religious, legal and patriarchal legitimization of practices such as female genital mutilation, child marriage, virginity testing, public sexual harassment and molestation, and honor killings.
Author: Alicia Izharuddin
Publisher: Springer
ISBN: 9811021732
Category : Social Science
Languages : en
Pages : 215
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Book Description
This book presents a historical overview of the Indonesian film industry, the relationship between censorship and representation, and the rise of Islamic popular culture. It considers scholarship on gender in Indonesian cinema through the lens of power relations. With key themes such as nationalism, women's rights, polygamy, and terrorism which have preoccupied local filmmakers for decades, Indonesia cinema resonates with the socio-political changes and upheavals in Indonesia’s modern history and projects images of the nation through the debates on gender and Islam. The text also sheds light on broader debates and questions about contemporary Islam and gender construction in contemporary Indonesia. Offering cutting edge accounts of the production of Islamic cinema, this new book considers gendered dimensions of Islamic media creation which further enrich the representations of the 'religious' and the 'Islamic' in the everyday lives of Muslims in South East Asia.
Author: Kerem Bayraktaroğlu
Publisher: McFarland
ISBN: 1476633630
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Focusing on the decade following 9/11, this critical analysis examines the various portrayals of Muslims in American cinema. Comparison of pre- and post-9/11 films indicates a stereotype shift, influenced by factors other than just politics. The evolving definitions of male, female and child characters and of setting and landscape are described. The rise of the formidable American female character who dominates the weak Muslim male emerges as a common theme.
Author: Gönül Dönmez-Colin
Publisher: Reaktion Books
ISBN: 1861895860
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
This is the first book to examine the troubled relationships between women, Islam and cinema. Film critic and author Gönül Dönmez-Colin explores the role of women as spectators, images and image constructors in the cinemas of the countries where Islam is the predominant religion, focusing on Iran and Turkey from the Middle East, drawing parallels from Kazakhstan and Uzbekistan, the two Central Asian Republics of the former Soviet Union, and Pakistan, Bangladesh, Malaysia and Indonesia, the prominently Muslim Asian countries with a challenging film industry. Some of the relevant films made in India by and for Muslim Indians are also explored. Dönmez-Colin examines prevalent cinematic archetypes, including the naïve country girl who is deceived and dishonored, or the devious seductress who destroys the sanctity of marriage, and looks well at controversial elements such as screen rape, which, feminist film critics claim, caters to male voyeurism. She also discusses recurring themes, such as the myths of femininity, the endorsement of polygamy and the obsession with male children, as well as the most common stereotypes, depicting women as mothers, wives and daughters. Given the diversity of cultures, rather than viewing national cinemas as aspects of a single development, the author focuses on individual histories, traditions and social and economic circumstances as points of reference, which are examined in the context of social and political evolution and the status of women within Islam. Women, Islam and Cinema is a much-needed and timely work that will appeal to the curious reader as well as to the student of film.
Author: Nacim Pak-Shiraz
Publisher: I.B. Tauris
ISBN: 9781784539450
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
In recent years there has been a remarkable surge in Iranian films expressing contentious issues which would otherwise be very difficult to discuss publicly inside the Islamic Republic of Iran - such as the role of clergy in Iranian society. Nacim Pak-Shiraz here highlights how many Iranian film directors concern themselves with the content of the religious and historical narratives of culture and society, sparking debate about the medium's compatibility or incongruity with religion and spirituality. She explores the various ways that Shi'i discourse emerges on screen, and offers groundbreaking insights into both the role of film in Iranian culture and society, and how it has become a medium for exploring what it means to be Iranian and Muslim after thirty years of Islamic rule. This is invaluable reading students and scholars of Film Studies and contemporary Iranian cinema, but also of the culture and identity of Iran more widely.
Author: Ira Bhaskar
Publisher:
ISBN: 9781789383973
Category :
Languages : en
Pages : 428
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Book Description
An engaging account of the history and influence of Muslim cultures on Bombay cinema. Following Marshal Hodgson, the term "Islamicate" is used to distinguish the cultural forms associated with Islam from the religion itself. The term is especially useful in South Asia where Muslim cultures have commingled with other local cultures over a millennium to form a rich vein of syncretic aesthetic expression. Comprised of fourteen essays written by major scholars, this collection presents an engaging account of the history and influence of cultural Islam on Bombay cinema. The book charts the roots of South Asian Muslim cultures and the precursors of Bombay cinema's Islamicate idioms in the Urdu Parsi Theatre; the courtesan cultures of Lucknow; the literary, musical, and performance traditions of north India; the traditions of miniature painting; and various modes of Perso-Arabic story-telling. Published at a time of acute crisis in the perception and understanding of Islam, this book demonstrates how Muslim and Hindu cultures in India are inextricably entwined.
