Cinema for Russian Conversation, Volume 1

Cinema for Russian Conversation, Volume 1 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106283
Category : Foreign Language Study
Languages : ru
Pages : 206

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Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Cinema for Russian Conversation, Volume 1

Cinema for Russian Conversation, Volume 1 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106283
Category : Foreign Language Study
Languages : ru
Pages : 206

Get Book Here

Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Cinema for Russian Conversation, Volume 2

Cinema for Russian Conversation, Volume 2 PDF Author: Olga Kagan
Publisher: Hackett Publishing
ISBN: 1585106291
Category : Foreign Language Study
Languages : ru
Pages : 186

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Book Description
Cinema for Russian Conversation covers fourteen Russian language films in two volumes that are used as the basis for discussion and language acquisition, teaching vocabulary, strengthening oral and written skills, and as well as an introduction to Russian culture. The films (arranged in historical order) are selected to provide interesting viewing, key cultural information, and accessible language levels. Each chapter of the book is devoted to a single movie and includes aids for students watching the film, discussing and writing about the film, and understanding the film in a broader cultural context. Also included: vocabulary helpful to understanding and discussing the film; structured exercises in understanding the film once it has been viewed, especially for discussion in class; an accompanying reading for each film designed to provide perspective on the film itself.

Kinotalk

Kinotalk PDF Author: Olga Mesropova
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 200

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Book Description


Cinema for Russian Conversation

Cinema for Russian Conversation PDF Author: Mara Kashper
Publisher:
ISBN:
Category : Motion pictures, Russian
Languages : en
Pages :

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Book Description
"Each chapter concentrates on one film and includes assignments for students ranging from Intermediate to Advanced Plus proficiency according to the ACTFL guidelines."--p. 4 of cover

Russian Talk

Russian Talk PDF Author: Nancy Ries
Publisher: Cornell University Press
ISBN: 9780801484162
Category : Language and culture
Languages : en
Pages : 244

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Book Description
As one of the first Western ethnographers working in Moscow, Nancy Ries became convinced that talk is one crucial way in which Russian identity is constructed and reproduced. Listening to the grim stories people used to characterize their lives during perestroika, and encountering the florid pessimism with which Muscovites described the unraveling of Soviet governance, Ries realized that these dire tales played a crucial role in fabricating a sense of shared experience and destiny. While many of the narratives aptly depicted the chaotic social and political events, they also promoted key images of "Russianness" and presented Russian society as an inescapable realm of injustice, absurdity, and suffering. At the height of perestroika in the early 1990s, Moscow residents commonly used the phrase "complete ruin" to refer to the disintegration of Russian society, encompassing in that phrase the escalation of crime, the disappearance of goods from stores, the fall of production, ecological catastrophes, ethnic violence in the Caucasus, the degradation of the arts, and the flood of pornography. Ries argues that such stories became a genre of folklore consistent in their lamenting, portentous tone and their dramatic, culturally poignant details.

Russian Cinema

Russian Cinema PDF Author: David C. Gillespie
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 201

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Book Description


Animation for Russian Conversation

Animation for Russian Conversation PDF Author: Jason Merrill
Publisher: Focus
ISBN: 9781585103102
Category : Foreign Language Study
Languages : en
Pages : 0

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Book Description
This text, designed for a wide range of learners (advanced novice to intermediate), provides interesting, authentic cultural material by drawing on classics of Russian animation. Contains numerous structured exercises.

A Companion to Russian Cinema

A Companion to Russian Cinema PDF Author: Birgit Beumers
Publisher: John Wiley & Sons
ISBN: 1118424735
Category : Performing Arts
Languages : en
Pages : 676

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Book Description
A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

The Russian Cinema Reader

The Russian Cinema Reader PDF Author: Rimgaila Salys
Publisher: Academic Studies PRess
ISBN:
Category : Performing Arts
Languages : en
Pages : 452

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Book Description
This two-volume reader is intended to accompany undergraduate courses in the history of Russian cinema and Russian culture through film. Each volume consists of newly commissioned essays, excerpts from English language criticism and translations of Russian language essays on subtitled films which are widely taught in American and British courses on Russian film and culture. The arrangement is chronological: Volume one covers twelve films from the beginning of Russian film through the Stalin era; volume two covers twenty films from the Thaw era to the present. General introductions to each period of film history (Early Russian Cinema, Soviet Silent Cinema, Stalinist Cinema, Cinema of the Thaw, Cinema of Stagnation, Perestroika and Post-Soviet Cinema) outline its cinematic significance and provide historical context for the non-specialist reader. Essays are accompanied by suggestions for further reading. The reader will be useful both for film studies specialists and for Slavists who wish to broaden their Russian Studies curriculum by incorporating film courses or culture courses with cinematic material. Volumes one and two may be ordered separately to accommodate the timeframe and contents of courses. Volume one films: Sten’ka Razin, The Cameraman’s Revenge, The Merchant Bashkirov’s Daughter, Child of the Big City, The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks, Battleship Potemkin, Bed and Sofa, Man with a Movie Camera, Earth, Chapaev, Circus, Ivan the Terrible, Parts I and II. Volume two films: The Cranes are Flying, Ballad of a Soldier, Lenin’s Guard, Wings, Commissar, The Diamond Arm, White Sun of the Desert, Solaris, Stalker, Moscow Does Not Believe in Tears, Repentance, Little Vera, Burnt by the Sun, Brother, Russian Ark, The Return, Night Watch, The Tuner, Ninth Company, How I Ended This Summer. Authors: Birgit Beumers, Robert Bird, David Bordwell, Mikhail Brashinsky, Oksana Bulgakova, Gregory Carlson, Nancy Condee, Julian Graffy, Jeremy Hicks, Andrew Horton, Steven Hutchings, Vida Johnson, Lilya Kaganovsky, Vance Kepley, Jr., Susan Larsen, Mark Lipovetsky, Tatiana Mikhailova, Elena Monastireva-Ansdell, Joan Neuberger, Vlada Petrić, Graham Petrie, Alexander Prokhorov, Elena Prokhorova, Rimgaila Salys, Elena Stishova, Vlad Strukov, Yuri Tsivian, Meghan Vicks, Josephine Woll, Denise J. Youngblood

Inside the Film Factory

Inside the Film Factory PDF Author: Ian Christie
Publisher: Routledge
ISBN: 1134944330
Category : Performing Arts
Languages : en
Pages : 306

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Book Description
This is the first collection to be inspired and informed by the new films and archival material that glasnost and perestroika have revealed, and the new methodological approaches that are developing in tandem. Film critics and historians from Britain, America, France and the USSR attempt the vital task of scrutinising Soviet film, and re-examining the Cold War assumptions of traditional historiography. Whereas most books on Soviet giants have glorified the directorial giants of the `golden age' of the 1920s, Inside the Film Factory also recognises the achievements of popular cinema from the pre-Revolutionary period through to the 1930s and beyond. It also evaluates the impact of Western cinema on the early experimenters of montage, Russian science fiction's influence on film-making, and the long-suppressed history of Soviet Yiddish productions. Alongside the new perspectives and source material on the much-mythologised figures of Kuleshov and Medvedkin, the book provides the first extended accounts in English of the important but neglected careers of directors Yakov Protazanov and Boris Barnet.