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Author: Joshua Foa Dienstag
Publisher: Manchester University Press
ISBN: 178499779X
Category : Political Science
Languages : en
Pages : 245
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Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing skeptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, with Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. Dienstag's provocative and stylish essay is debated by an exceptional group of interlocutors comprising Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dumm. The volume closes with a robust response from Dienstag to his critics.
Author: Joshua Foa Dienstag
Publisher: Manchester University Press
ISBN: 178499779X
Category : Political Science
Languages : en
Pages : 245
Get Book Here
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing skeptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, with Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. Dienstag's provocative and stylish essay is debated by an exceptional group of interlocutors comprising Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dumm. The volume closes with a robust response from Dienstag to his critics.
Author: Jonathan Havercroft
Publisher: Cambridge University Press
ISBN: 1009322559
Category : Political Science
Languages : en
Pages : 287
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Book Description
Post-truth politics is both a result of a democratic culture in which each person is encouraged to voice their opinion, and a threat to the continuation of democracy as partisans seek to deny political standing to those with incommensurate world views. Are there resources within political theory for overcoming this tension? This book argues that Stanley Cavell's philosophy provides a conceptual framework for responding to post-truth politics. Jonathan Havercroft develops an original interpretation of Stanley Cavell as a theorist of democratic perfectionism. By placing Cavell's writings in conversation with political theorists on debates about the social contract, interpretive methods, democratic theory and political aesthetics, Stanley Cavell's Democratic Perfectionism cultivates modes of responsiveness that strengthen our democratic culture and help us resist the contemporary crisis of democratic backsliding. Each chapter diagnoses a sceptical crisis in contemporary politics and a mode of responsiveness in Cavell's thought that can respond to that crisis.
Author: Clare Woodford
Publisher: Taylor & Francis
ISBN: 1315473089
Category : Political Science
Languages : en
Pages : 207
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Book Description
Drawing on recent developments in continental political thought ‘Disorienting Democracy’ rethinks democracy as a practice that can be used to counter the increasing poverty, inequality and insecurity that mark our contemporary era. In answer to concerns that the contemporary left is not strong enough for these so-called times of crisis this book argues that the left must urgently return to strongly redistributive policies but that this alone is not enough. To bring lasting change it must continually work to untangle its longstanding emancipatory ideals from the dominatory tendencies that have undermined and weakened it throughout the 20th century. In response, this book argues that the work of Jacques Rancière is key. Countering domination with a resolute assertion of the capacities of all he gives us a radical politics of emancipation that emerges through subjects who refuse to know their place. In appropriating alternative ways of living they disidentify with everyday consensus, rupturing and subverting our unequal order to force alternatives onto the agenda. Juxtaposing Rancière with other thinkers from Judith Butler to Jacques Derrida, Woodford draws out the practical implications of Rancière’s work for our current time. She develops dissensual practices that provoke us to not just assert that another world is possible, but to bring about that other world today. Challenging what it means to do political philosophy, rethinking the role of critical theory, ethics, education, literature and aesthetics for democracy, and rejecting the longstanding divide between theory and activism, this book will be of particular interest to graduates, scholars and activists.
Author: Joshua Foa Dienstag
Publisher:
ISBN: 9781784997359
Category : Motion pictures
Languages : en
Pages : 218
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Book Description
In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, after Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. The argument is developed further by essays from Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dunn, to which Dienstag responds in the concluding chapter, 'A reply to my critics'
Author: Joshua Foa Dienstag
Publisher:
ISBN: 0190067713
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Aesthetic and political representation are often treated separately, but this book argues that film offers a unique perspective through which to understand the dangers to equality and freedom that lurk in representative politics. The potential problems of representative democracy have long been debated: does it cultivate apathy and discourage citizen participation? What does it mean to be faithfully or well represented in a democracy? And how can appropriate, meaningful representation be achieved? Here, these questions are addressed from a new perspective. Representation, Joshua Foa Dienstag argues, can create the illusion of freedom and reciprocity in place of the real thing, and in both cinema and politics, what gives us pleasure is not the same as what secures or supports our existence as free and equal citizens. As this book shows, there are political dangers not visible within the current debates around democratic representation, dangers we can better understand and help to minimize by considering the way that human beings interact, emotionally, with their filmic representations. Dienstag looks at a series of films that directly confront issues of representation (Her, Blade Runner, The Man Who Shot Liberty Valance, Melancholia, and the Up documentary series) to diagnose these hazards and consider how best to respond to them. Each chapter looks at a specific film as emblematic of a different conception or problem of representation often ignored by mainstream political debates (such as reciprocity, happiness, boundaries, evil) to show that the relationship between representation and freedom is fraught with tension. This book continues Dienstag's earlier groundbreaking work on philosophical pessimism, understood not as something despairing, but as a rejection of the idea that these necessary tensions can be cured. Ultimately, Dienstag seeks to defend a kind of pessimistic politics that might produce a better sort of democratic representation than what we have today.
Author: Morton Schoolman
Publisher: Duke University Press
ISBN: 1478009055
Category : Political Science
Languages : en
Pages : 213
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Book Description
In A Democratic Enlightenment Morton Schoolman proposes aesthetic education through film as a way to redress the political violence inflicted on difference that society constructs as its racialized, gendered, Semitic, and sexualized other. Drawing on Voltaire, Diderot, and Schiller, Schoolman reconstructs the genealogical history of what he calls the reconciliation image—a visual model of a democratic ideal of reconciliation he then theorizes through Whitman's prose and poetry and Adorno's aesthetic theory. Analyzing The Help (2011) and Gentleman's Agreement (1947), Schoolman shows how film produces a more advanced image of reconciliation than those originally created by modernist artworks. Each film depicts violence toward racial and ethnic difference while also displaying a reconciliation image that aesthetically educates the public about how the violence of constructing difference as otherness can be overcome. Mounting a democratic enlightenment, the reconciliation image in film illuminates a possible politics for challenging the rise of nationalism's violence toward differences in all their diversity.
Author: Davide Panagia
Publisher: Northwestern University Press
ISBN: 0810147122
Category : Philosophy
Languages : en
Pages : 236
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Book Description
Understanding democracy through film philosophy and political theory Shining new light on our understanding of cinema’s ways of political thinking, Intermedialities: Political Theory and Cinematic Experience puts modern political theory in conversation with the philosophy of film. Davide Panagia argues that there are no natural laws of association that can guarantee a template for democratic participation, as democracy is predicated not on stabilizing foundations but rather on the formation of expansive collectivities and institutions that are responsive to alterability. Instead, democracy requires a relational ontology, one that he elucidates by turning to philosophers of film like Stanley Cavell, Gilles Deleuze, Miriam Hansen, and Jean-Luc Godard—all of whom have articulated a political aesthetic of cinematic experience that is at once aspectual and compositional. Panagia reads these thinkers alongside a countertradition of modern political thought, represented by David Hume, Ludwig Wittgenstein, and Gilbert Simondon. His articulation of cinematic experience thus allows for a political aesthetic that is rooted in the migratory realities of undetermined relations.
Author: David LaRocca
Publisher: Bloomsbury Publishing USA
ISBN: 150134918X
Category : Philosophy
Languages : en
Pages : 336
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Book Description
Stanley Cavell was, by many accounts, America's greatest philosophical thinker of film. Like Bazin in France and Perkins in England, Cavell did not just transform the American capacity to take film as a subject for philosophical criticism; he had to first invent that legitimacy. Part of that effort involved the creation of several key now-canonical texts in film studies, among them the seminal The World Viewed along with Pursuits of Happiness and Contesting Tears. The present collection offers, for the first time anywhere, a concerted effort mounted by some of today's most compelling writers on film to take careful account of Cavell's legacy. The contributors think anew about what precisely Cavell contributed, what holds up, what is in need to revision or updating, and how his writing continues to be of vital significance and relevance for any contemporary approach to the philosophy of film.
Author: Adriana Cavarero
Publisher: Fordham University Press
ISBN: 0823290107
Category : Social Science
Languages : en
Pages : 149
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Book Description
Toward a Feminist Ethics of Nonviolence brings together major feminist thinkers to debate Cavarero’s call for a postural ethics of nonviolence and a sociality rooted in bodily interdependence. Toward a Feminist Ethics of Nonviolence brings together three major feminist thinkers—Adriana Cavarero, Judith Butler, and Bonnie Honig—to debate Cavarero’s call for a postural ethics of nonviolence. The book consists of three longer essays by Cavarero, Butler, and Honig, followed by shorter responses by a range of scholars that widen the dialogue, drawing on post-Marxism, Italian feminism, queer theory, and lesbian and gay politics. Together, the authors contest the boundaries of their common project for a pluralistic, heterogeneous, but urgent feminist ethics of nonviolence.
Author: Rainer Forst
Publisher: Manchester University Press
ISBN: 1526105985
Category : Political Science
Languages : en
Pages : 252
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Book Description
Rainer Forst's Toleration in Conflict (published in English 2013) is the most important historical and philosophical analysis of toleration of the past several decades. Reconstructing the entire history of the concept, it provides a forceful account of the tensions and dilemmas that pervade the discourse of toleration. In his lead essay for this volume, Forst revisits his work on toleration and situates it in relation to both the concept of political liberty and his wider project of a critical theory of justification. Interlocutors Teresa M. Bejan, John Horton, Chandran Kukathas, Daniel Weinstock, Melissa S. Williams, Patchen Markell and David Owen then critically examine Forst's reconstruction of toleration, his account of political liberty and the form of critical theory that he articulates in his work on such political concepts. The volume concludes with Forst’s reply to his critics.
