Cinema and the Invention of Modern Life PDF Download
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Author: Leo Charney
Publisher: Univ of California Press
ISBN: 9780520201125
Category : Performing Arts
Languages : en
Pages : 428
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Book Description
"This is one of the finest, freshest, and most suggestive anthologies I've come across in recent years."—Stuart Liebman, City University of New York Graduate Center
Author: Leo Charney
Publisher: Univ of California Press
ISBN: 9780520201125
Category : Performing Arts
Languages : en
Pages : 428
Get Book Here
Book Description
"This is one of the finest, freshest, and most suggestive anthologies I've come across in recent years."—Stuart Liebman, City University of New York Graduate Center
Author: Leo Charney
Publisher: Univ of California Press
ISBN: 0520916425
Category : Performing Arts
Languages : en
Pages : 420
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Book Description
Casting aside the traditional conception of film as an outgrowth of photography, theater, and the novel, the essays in this volume reassess the relationship between the emergence of film and the broader culture of modernity. Contributors, leading scholars in film and cultural studies, link the popularity of cinema in the late nineteenth century to emerging cultural phenomena such as window shopping, mail-order catalogs, and wax museums.
Author: Leo Charney
Publisher: Duke University Press
ISBN: 9780822320906
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
An innovative reconceptualization of the defining quality of modernity and how it relates to cinema and literary theory.
Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525
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Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Author: Jacqueline Reich
Publisher: Indiana University Press
ISBN: 0253017483
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
Italian film star Bartolomeo Pagano's "Maciste" played a key role in his nation's narratives of identity during World War I and after. Jacqueline Reich traces the racial, class, and national transformations undergone by this Italian strongman from African slave in Cabiria (1914), his first film, to bourgeois gentleman, to Alpine soldier of the Great War, to colonial officer in Italy's African adventures. Reich reveals Maciste as a figure who both reflected classical ideals of masculine beauty and virility (later taken up by Mussolini and used for political purposes) and embodied the model Italian citizen. The 12 films at the center of the book, recently restored and newly accessible to a wider public, together with relevant extra-cinematic materials, provide a rich resource for understanding the spread of discourses on masculinity, and national and racial identities during a turbulent period in Italian history. The volume includes an illustrated appendix documenting the restoration and preservation of these cinematic treasures.
Author: Jeffrey Geiger
Publisher: Edinburgh University Press
ISBN: 0748676147
Category : Social Science
Languages : en
Pages : 227
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Book Description
Highlights the complex ways in which media anticipate, interfere with and draw on one other
Author: Rachel O. Moore
Publisher: Duke University Press
ISBN: 9780822323884
Category : Performing Arts
Languages : en
Pages : 204
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Book Description
An ambitious and original work which uses early film theory, anthropological insights, and avant--garde film to explore the relation of cinema to ritual healing.
Author: Rachel Elizabeth Barraclough
Publisher: Bloomsbury Publishing USA
ISBN: 1501368311
Category : Performing Arts
Languages : en
Pages : 264
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Book Description
Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the monstrous-feminine, can be transformed, allowing these models to become more flexible.
Author: Charlie Keil
Publisher: Univ of California Press
ISBN: 9780520240278
Category : Business & Economics
Languages : en
Pages : 392
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Book Description
This 'transitional era' covered the years 1908-1917 & witnessed profound changes in the structure of the motion picture industry in the US, involving film genre, film form, filmmaking practices & the emergence of the studio system. The pattern which emerged dominated the industry for decades to come.
Author: Marina Dahlquist
Publisher: Indiana University Press
ISBN: 0253045223
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
The potential of films to educate has been crucial for the development of cinema intended to influence culture, and is as important as conceptions of film as a form of art, science, industry, or entertainment. Using the concept of institutionalization as a heuristic for generating new approaches to the history of educational cinema, contributors to this volume study the co-evolving discourses, cultural practices, technical standards, and institutional frameworks that transformed educational cinema from a convincing idea into an enduring genre. The Institutionalization of Educational Cinema examines the methods of production, distribution, and exhibition established for the use of educational films within institutions–such as schools, libraries, and industrial settings in various national and international contexts and takes a close look at the networks of organizations, individuals, and government agencies that were created as a result of these films' circulation. Through case studies of educational cinemas in different North American and European countries that explore various modes of institutionalization of educational film, this book highlights the wide range of vested interests that framed the birth of educational and nontheatrical cinema.
