Author: Jean-Louis Comolli
Publisher: Film Theory in Media History
ISBN: 9789089645548
Category : Performing Arts
Languages : en
Pages : 345
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Book Description
Jean-Louis Comolli's six-part essay Technique and Ideologyhad a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an 'emancipated, critical spectator' more pressing than ever. In this volume, Daniel Fairfax presents annotated translations of these two texts to provide an overview of Comolli's activity as both a theorist and a filmmaker.
Author: Jean-Louis Comolli
Publisher: Amsterdam University Press
ISBN: 9048519454
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
Jean-Louis Comollis six-part essay Technique and Ideology had a revolutionary effect on film theory and history when it first appeared in Cahiers du Cinéma in 1971. In 2009, Comolli revisited his earlier text, arguing that the present age, marked by the total dominance of media-filtered spectacle over image production, makes the need for an emancipated, critical spectator more pressing than ever. This volume brings together annotated translations of these two texts to provide an overview of Comollis activity as both a theorist and a filmmaker.
Author: Jonathan Beller
Publisher: UPNE
ISBN: 1611683823
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
A revolutionary reconceptualization of capital and perception during the twentieth century.
Author: Guy Debord
Publisher: Bread and Circuses Publishing
ISBN: 1617508306
Category : Political Science
Languages : en
Pages : 154
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Book Description
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author: DR. ENG DANIEL. FAIRFAX
Publisher:
ISBN: 9789463721011
Category :
Languages : en
Pages : 880
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Book Description
The uprising which shook France in May 1968 also had a revolutionary effect on the country's most prominent film journal. Under editors Jean-Louis Comolli and Jean Narboni, Cahiers du cinéma embarked on a militant turn that would govern the journal's work over the next five years. With a Marxist orientation inspired by the thinking of Louis Althusser, Jacques Lacan and Roland Barthes, the "red years" of Cahiers du cinéma produced a theoretical outpouring that was formative for the establishment of film studies as an academic discipline in the 1970s, and is still of vital relevance for the contemporary audiovisual landscape. It was also the seminal experience for a generation of critics who have dedicated the following half-century to the task of critically responding to the cinema. The Red Years of Cahiers du Cinéma (1968-1973) gives a historical overview of this period in the journal's history, combining biographical accounts of the critics who were involved with Cahiers in the post-1968 and theoretical explorations of the text they wrote.
Author: Jose Arroyo
Publisher: British Film Institute
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 296
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Book Description
No Marketing Blurb
Author: Eric Lichtenfeld
Publisher: Wesleyan University Press
ISBN: 9780819568014
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
An authoritative and entertaining history of the action film
Author: Sheldon Hall
Publisher: Wayne State University Press
ISBN: 0814336973
Category : Performing Arts
Languages : en
Pages : 376
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Book Description
Considers the history of the American blockbuster—the large-scale, high-cost film—as it evolved from the 1890s to today. The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today's blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture. In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry. Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.
Author: Marketa Uhlirova
Publisher: Walther Konig Verlag
ISBN: 9783863352189
Category : Costume
Languages : en
Pages : 0
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Book Description
Tiré du site Internet Cornerhouse Publications: "Birds of Paradise: Costume as Cinematic Spectacle explores cinema's poetic fascination with animated dress, jewellery and adornment and carefully considers the relationship between screen expressions and those of related time-based forms, especially dance and theatre."
Author: Stephen C. Meyer
Publisher: Routledge
ISBN: 1317425863
Category : Music
Languages : en
Pages : 354
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Book Description
As both a distinct genre and a particular mode of filmmaking, the idea of the epic has been central to the history of cinema. Including contributions from both established and emerging film music scholars, the ten essays in Music in Epic Film: Listening to Spectacle provide a cross-section of contemporary scholarship on the subject. They explore diverse topics, including the function of music in epic narratives, the socio-political implications of cinematic music, and the use of pre-existing music in epic films. Intended for students and scholars in film music, film appreciation, and media studies, the wide range of topics and the diversity of the films that the authors discuss make Music in Epic Film: Listening to Spectacle an ideal introduction to the field of music in epic film.
