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Author: Holly Flora
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 60
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Book Description
Catalog accompanying an exhibition at the Frick Collection, New York, of two paintings by Cimabue (Cenni di Pepo; ca. 1240-1302), called by some the founder of Italian Renaissance painting. The painter's Flagellation of Christ (Frick Collection, New York) and Virgin and Child Enthroned with Two Angels (National Gallery, London) were once part of a larger work, possibly a commission of Franciscan origin. Exhibited with the two panels are other examples of Italian devotional art of the late 13th and early 14th centuries from New York collections.
Author: Holly Flora
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 60
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Book Description
Catalog accompanying an exhibition at the Frick Collection, New York, of two paintings by Cimabue (Cenni di Pepo; ca. 1240-1302), called by some the founder of Italian Renaissance painting. The painter's Flagellation of Christ (Frick Collection, New York) and Virgin and Child Enthroned with Two Angels (National Gallery, London) were once part of a larger work, possibly a commission of Franciscan origin. Exhibited with the two panels are other examples of Italian devotional art of the late 13th and early 14th centuries from New York collections.
Author: Monica Chiellini
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 68
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Book Description
Author: Luciano Bellosi
Publisher:
ISBN: 9780789204660
Category : Painters
Languages : en
Pages : 0
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Book Description
Definitive and richly illustrated, this volume is the first extensive examination of Cimabue's work to appear in English in more than thirty years. Cimabue (c. 1240-1302) was the most admired artist of his time in Tuscany and Central Italy. His paintings and mosaics are seen by some as the last great flowering of Medieval art, and by others as the first works of the Renaissance. The earthquakes that shook Central Italy in late 1997 struck hardest at the legacy of Cimabue, crumbling his brilliantly-colored paintings in the vault of the Upper Basilica of San Francesco in Assisi. The tragic Florentine flood of 1966 had already destroyed much of the master's famous Santa Croce Crucifix. But in this book a combination of archival and newly commissioned photographs - including pictures of the Assisi vault shot just moments before its collapse - offer a complete panorama of the artist's works, before flood or earthquake damage, and before and after recent restorations.
Author: Xavier Seubert
Publisher: Routledge
ISBN: 1000710866
Category : Art
Languages : en
Pages : 454
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Book Description
The book investigates the aesthetic theology embedded in the Franciscan artistic tradition. The novelty of the approach is in applying concepts gleaned from Franciscan textual sources to create a deeper understanding of how art in all its sensual forms was foundational to the Franciscan milieu. Chapters range from studies of statements about aesthetics and the arts in theological textual sources to examples of visual, auditory, and tactile arts communicating theological ideas found in texts. The essays cover not only European art and textual sources, but also Franciscan influences in the Americas found in both texts and artifacts.
Author: Scott Nethersole
Publisher: Yale University Press
ISBN: 0300233515
Category : Art
Languages : en
Pages : 320
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Book Description
This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.
Author: Donal Cooper
Publisher: Boydell & Brewer
ISBN: 178327090X
Category :
Languages : en
Pages : 413
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Book Description
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Author: Colum Hourihane
Publisher:
ISBN: 0195395360
Category : Architecture, Medieval
Languages : en
Pages : 4064
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Book Description
This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Author: Michelle P. Brown
Publisher: Lion Hudson Ltd
ISBN: 1912552566
Category : Art
Languages : en
Pages : 265
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Book Description
Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St Johnâs Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the worldâs artistic heritage. â¢â Comprehensive and authoritative text from the Early Christian period to the modern day â¢â Wide international coverage â¢â Feature articles on special subjects by a team of experts from around the world
Author: Mrs. Jameson (Anna)
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 518
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Book Description
Author: Jehane Ragai
Publisher: World Scientific
ISBN: 1783267429
Category : Art
Languages : en
Pages : 285
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Book Description
'The scientific techniques described encompass relevant examples of forgery detection and of authentication. The book deals, to name a few, with the Chagall, the Jackson Pollock and the Beltracchi affairs and discusses the Isleworth Mona Lisa as well as La Bella Principessa both thought to be a Leonardo creation. The authentication, amongst others, of two van Gogh paintings, of Vermeer's St Praxedis, of Leonardo's Lady with an Ermine and of Rembrandt's Old Man with a Beard are also described.'Over the last few decades there has been a disconcerting increase in the number of forged paintings. In retaliation, there has been a rise in the use, efficiency and ability of scientific techniques to detect these forgeries. The scientist has waged war on the forger.The Scientist and the Forger describes the cutting-edge and traditional weapons in this battle, showing how they have been applied to the most notorious cases. The book also provides fresh insights into the psychology of both the viewer and the forger, shedding light on why the discovery that a work of art is a forgery makes us view it so differently and providing a gripping analysis of the myriad motivations behind the most egregious incursions into deception.The book concludes by discussing the pressing problems faced by the art world today, stressing the importance of using appropriate tools for a valid verdict on authenticity. Written in an approachable and amenable style, the book will make fascinating reading for non-specialists, art historians, curators and scientists alike.
