Chromaticism / Non-Diatonic Scales: How to Play Outside the Stated Tonality, Book & Online Audio

Chromaticism / Non-Diatonic Scales: How to Play Outside the Stated Tonality, Book & Online Audio PDF Author: David Liebman
Publisher: Alfred Music
ISBN: 9781562240516
Category : Music
Languages : en
Pages : 0

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Book Description
A concise description of David's approach to playing over the stated tonality using chromaticism, polychords, derived chords, and non-diatonic scales. Includes a CD of David playing examples over selected piano chords. A sure way to "hip up" and modernize your playing.

Chromaticism / Non-Diatonic Scales: How to Play Outside the Stated Tonality, Book & Online Audio

Chromaticism / Non-Diatonic Scales: How to Play Outside the Stated Tonality, Book & Online Audio PDF Author: David Liebman
Publisher: Alfred Music
ISBN: 9781562240516
Category : Music
Languages : en
Pages : 0

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Book Description
A concise description of David's approach to playing over the stated tonality using chromaticism, polychords, derived chords, and non-diatonic scales. Includes a CD of David playing examples over selected piano chords. A sure way to "hip up" and modernize your playing.

How Equal Temperament Ruined Harmony (and Why You Should Care)

How Equal Temperament Ruined Harmony (and Why You Should Care) PDF Author: Ross W. Duffin
Publisher: W. W. Norton & Company
ISBN: 0393075648
Category : Music
Languages : en
Pages : 197

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Book Description
"A fascinating and genuinely accessible guide....Educating, enjoyable, and delightfully unscary."—Classical Music What if Bach and Mozart heard richer, more dramatic chords than we hear in music today? What sonorities and moods have we lost in playing music in "equal temperament"—the equal division of the octave into twelve notes that has become our standard tuning method? Thanks to How Equal Temperament Ruined Harmony, "we may soon be able to hear for ourselves what Beethoven really meant when he called B minor 'black'" (Wall Street Journal).In this "comprehensive plea for more variety in tuning methods" (Kirkus Reviews), Ross W. Duffin presents "a serious and well-argued case" (Goldberg Magazine) that "should make any contemporary musician think differently about tuning" (Saturday Guardian). Some images in the ebook are not displayed owing to permissions issues.

Introduction to Jazz Guitar Soloing

Introduction to Jazz Guitar Soloing PDF Author: Joe Elliott
Publisher: Hal Leonard Corporation
ISBN: 9780634009709
Category : Music
Languages : en
Pages : 108

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Book Description
(Musicians Institute Press). Perfect for seasoned rockers seeking new challenges and jazz newcomers looking for a good start, this book/CD pack covers scales, chords, licks, techniques and other vital jazz improv concepts step by step. The accompanying CD features 65 full-band demo and play-along tracks.

Modalogy

Modalogy PDF Author: Jeff Brent
Publisher: Hal Leonard Corporation
ISBN: 1476841306
Category : Music
Languages : en
Pages : 236

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Book Description
(Jazz Instruction). Primarily a music theory reference, Modalogy presents a unique perspective on the origins, interlocking aspects, and usage of the most common scales and modes in occidental music. Anyone wishing to seriously explore the realms of scales, modes, and their real-world functions will find the most important issues dealt with in meticulous detail within these pages. Logical illustrations accompany in-depth examinations of chordal harmonies, cadential motions, and progressions. This book is perfect for both music students and teachers, as either a course in itself or to augment any theory curriculum.

Repository of Scales and Melodic Patterns

Repository of Scales and Melodic Patterns PDF Author: Yusef Lateef
Publisher:
ISBN:
Category : Melodic analysis
Languages : en
Pages : 270

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Book Description


The Jazz Theory Book

The Jazz Theory Book PDF Author: Mark Levine
Publisher: "O'Reilly Media, Inc."
ISBN: 1457101459
Category : Music
Languages : en
Pages : 725

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Book Description
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.

Audacious Euphony

Audacious Euphony PDF Author: Richard Cohn
Publisher: Oxford University Press
ISBN: 0199773211
Category : Music
Languages : en
Pages : 256

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Book Description
Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical syntax and are mobilized as the result of a transgressive, anti-syntactic impulse. In Audacious Euphony, author Richard Cohn takes both of these views to task, arguing that romantic harmony operates under syntactic principles distinct from those that underlie classical tonality, but no less susceptible to systematic definition. Charting this alternative triadic syntax, Cohn reconceives what consonant triads are, and how they relate to one another. In doing so, he shows that major and minor triads have two distinct natures: one based on their acoustic properties, and the other on their ability to voice-lead smoothly to each other in the chromatic universe. Whereas their acoustic nature underlies the diatonic tonality of the classical tradition, their voice-leading properties are optimized by the pan-triadic progressions characteristic of the 19th century. Audacious Euphony develops a set of inter-related maps that organize intuitions about triadic proximity as seen through the lens of voice-leading proximity, using various geometries related to the 19th-century Tonnetz. This model leads to cogent analyses both of particular compositions and of historical trends across the long nineteenth century. Essential reading for music theorists, Audacious Euphony is also a valuable resource for music historians, performers and composers.

The GuitArchitect's Guide to Modes: Harmonic Combinatorics

The GuitArchitect's Guide to Modes: Harmonic Combinatorics PDF Author: Scott Collins
Publisher:
ISBN: 9781105483448
Category : Chords (Music)
Languages : en
Pages : 410

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Book Description
Scott Collins' GuitArchitecture method replaces the standard approach to learning guitar, rote memorization, with a simple, intuitive two-string approach that anyone can learn. This method, where players can actually see scales on a fingerboard, is called sonic visualization, and it can be applied to any scale or modal system.In this book of the GuitArchitecture series, "The GuitArchitect's Guide to Modes: Harmonic Combinatorics", Scott explains how to construct and analyze chords and how to create thousands of variations and progressions from a single chord using his unique visualization method."Harmonic Combinatorics" is a vast harmonic and melodic resource for guitarists. With this approach, you can create an almost infinite number of unique melodic phrases and harmonic devices to compose or improvise your own music.

Music Theory

Music Theory PDF Author: Tom Kolb
Publisher: Hal Leonard Corporation
ISBN: 9780634066511
Category : Music
Languages : en
Pages : 108

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Book Description
Guitarskole.

Understanding Basic Music Theory

Understanding Basic Music Theory PDF Author: Catherine Schmidt-Jones
Publisher:
ISBN: 9781680921540
Category : Music
Languages : en
Pages : 278

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Book Description
The main purpose of the book is to explore basic music theory so thoroughly that the interested student will then be able to easily pick up whatever further theory is wanted. Music history and the physics of sound are included to the extent that they shed light on music theory. The main premise of this course is that a better understanding of where the basics come from will lead to better and faster comprehension of more complex ideas.It also helps to remember, however, that music theory is a bit like grammar. Catherine Schmidt-Hones is a music teacher from Champaign, Illinois and she has been a pioneer in open education since 2004. She is currently a doctoral candidate at the University of Illinois in the Open Online Education program with a focus in Curriculum and Instruction.