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Author: Paul Sawyer
Publisher: University Press of America
ISBN: 9780819154996
Category : Biography & Autobiography
Languages : en
Pages : 150
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Book Description
This is the first biography of Christopher Rich (1647ó1714), the Somerset lawyer who, largely by chance, became the manager of Drury Lane Theatre from 1694ó1709. Author Paul Sawyer looks at several of Rich's accomplishments during his tenure at Drury Lane and also explores Rich's frequent quarrels and litigation with performers, theatre shareholders, and the Lord Chamberlain. Father of pantomimist and manager John Rich, Christopher Rich is also credited for his many innovations relating to the financial side of the theatre.
Author: Paul Sawyer
Publisher: University Press of America
ISBN: 9780819154996
Category : Biography & Autobiography
Languages : en
Pages : 150
Get Book Here
Book Description
This is the first biography of Christopher Rich (1647ó1714), the Somerset lawyer who, largely by chance, became the manager of Drury Lane Theatre from 1694ó1709. Author Paul Sawyer looks at several of Rich's accomplishments during his tenure at Drury Lane and also explores Rich's frequent quarrels and litigation with performers, theatre shareholders, and the Lord Chamberlain. Father of pantomimist and manager John Rich, Christopher Rich is also credited for his many innovations relating to the financial side of the theatre.
Author:
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ISBN:
Category : Early English newspapers
Languages : en
Pages : 784
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Book Description
Author:
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ISBN:
Category : Great Britain
Languages : en
Pages : 726
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Book Description
Author: Sylvanus Urban (pseud. van Edward Cave.)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 838
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Book Description
Author: Scott L. Balthazar
Publisher: Scarecrow Press
ISBN: 0810879433
Category : Music
Languages : en
Pages : 564
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Book Description
Opera has been around ever since the late 16th century, and it is still going strong in the sense that operas are performed around the world at present, and known by infinitely more persons than just those who attend performances. On the other hand, it has enjoyed periods in the past when more operas were produced to greater acclaim. Those periods inevitably have pride of place in this Historical Dictionary of Opera, as do exceptional singers, and others who combine to fashion the opera, whether or not they appear on stage. But this volume looks even further afield, considering the cities which were and still are opera centers, literary works which were turned into librettos, and types of pieces and genres. While some of the former can be found on the web or in other sources, most of the latter cannot and it is impossible to have the whole picture without them. Indeed, this book has an amazingly broad scope. The dictionary section, with about 340 entries, covers the topics mentioned above but obviously focuses most on composers, not just the likes of Mozart, Verdi and Wagner, but others who are scarcely remembered but made notable contributions. Of course, there are the divas, but others singers as well, and some of the most familiar operas, Don Giovanni, Tosca and more. Technical terms also abound, and reference to different genres, from antimasque to zarzuela. Since opera has been around so long, the chronology is rather lengthy, since it has a lot of ground to cover, and the introduction sets the scene for the rest. This book should not be an end but rather a beginning, so it has a substantial bibliography for readers seeking more specific or specialized works. It is an excellent access point for readers interested in opera.
Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809318025
Category : Biography & Autobiography
Languages : en
Pages : 392
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Book Description
The penultimate volume of the vast project begun some two decades ago, Volume 15, illustrated like its predecessors with bandw portraits and other artwork, provides information on theatre people including singer Catherine Tofts, comedian James Tokely, bearded lady and harpsichordist Barbara Van Beck, proprietor, playwright, and architect John Vanbrugh, theatrical families like the Vaughans and the husband- and-wife thespians John Baptista and Susanna Verbruggen and the dancing Vestres--Gaetan Appoline Balthazar and his illegitimate son Marie Jean Augustin, as well as a host of Wards (some related, some not). Annotation copyright by Book News, Inc., Portland, OR
Author: Robert Leach
Publisher: Routledge
ISBN: 0429873360
Category : Performing Arts
Languages : en
Pages : 760
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Book Description
An Illustrated History of British Theatre and Performance chronicles the history and development of theatre from the Roman era to the present day. As the most public of arts, theatre constantly interacts with changing social, political and intellectual movements and ideas, and Robert Leach’s masterful work restores to the foreground of this evolution the contributions of women, gay people and ethnic minorities, as well as the theatres of the English regions, and of Wales and Scotland. Highly illustrated chapters trace the development of theatre through major plays from each period; evaluations of playwrights; contemporary dramatic theory; acting and acting companies; dance and music; the theatre buildings themselves; and the audience, while also highlighting enduring features of British theatre, from comic gags to the use of props. This first volume spans from the earliest forms of performance to the popular theatres of high society and the Enlightenment, tracing a movement from the outdoor and fringe to the heart of the social world. The Illustrated History acts as an accessible, flexible basis for students of the theatre, and for pure fans of British theatre history there could be no better starting point.
Author: West Digges
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 180
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Book Description
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Category : Encyclopedias and dictionaries
Languages : en
Pages : 1088
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Book Description
Author: Julia Swindells
Publisher: OUP Oxford
ISBN: 0191655201
Category : Literary Criticism
Languages : en
Pages : 2541
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Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides an essential guide to theatre in Britain between the passing of the Stage Licensing Act in 1737 and the Reform Act of 1832 -- a period of drama long neglected but now receiving significant scholarly attention. Written by specialists from a range of disciplines, its forty essays both introduce students and scholars to the key texts and contexts of the Georgian theatre and also push the boundaries of the field, asking questions that will animate the study of drama in the eighteenth and early nineteenth centuries for years to come. The Handbook gives equal attention to the range of dramatic forms -- not just tragedy and comedy, but the likes of melodrama and pantomime -- as they developed and overlapped across the period, and to the occasions, communities, and materialities of theatre production. It includes sections on historiography, the censorship and regulation of drama, theatre and the Romantic canon, women and the stage, and the performance of race and empire. In doing so, the Handbook shows the centrality of theatre to Georgian culture and politics, and paints a picture of a stage defined by generic fluidity and experimentation; by networks of performance that spread far beyond London; by professional women who played pivotal roles in every aspect of production; and by its complex mediation of contemporary attitudes of class, race, and gender.
