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Author: Fiona Morrison
Publisher: Sydney University Press
ISBN: 1743324502
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Although Christina Stead is best known for the mid-century masterpiece set in Washington D.C. and Baltimore, The Man Who Loved Children, it was not her only work about the America. Five of Christina Stead’s mid-career novels deal with the United States, capturing and critiquing American life with characteristic sharpness and originality. In this examination of Stead’s American work, Fiona Morrison explores Stead’s profound engagement with American politics and culture and their influence on her “restlessly experimental” style. Through the turbulent political and artistic debates of the 1930s, the Second World War, and the emergence of McCarthyism, the “matter” of America provoked Stead to continue to create new ways of writing about politics, gender and modernity. This is the first critical study to focus on Stead’s time in America and its influence on her writing. Morrison argues compellingly that Stead’s American novels “reveal the work of the greatest political woman writer of the mid twentieth century”, and that Stead’s account of American ideology and national identity remains extraordinarily prescient, even today.
Author: Fiona Morrison
Publisher: Sydney University Press
ISBN: 1743324502
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Although Christina Stead is best known for the mid-century masterpiece set in Washington D.C. and Baltimore, The Man Who Loved Children, it was not her only work about the America. Five of Christina Stead’s mid-career novels deal with the United States, capturing and critiquing American life with characteristic sharpness and originality. In this examination of Stead’s American work, Fiona Morrison explores Stead’s profound engagement with American politics and culture and their influence on her “restlessly experimental” style. Through the turbulent political and artistic debates of the 1930s, the Second World War, and the emergence of McCarthyism, the “matter” of America provoked Stead to continue to create new ways of writing about politics, gender and modernity. This is the first critical study to focus on Stead’s time in America and its influence on her writing. Morrison argues compellingly that Stead’s American novels “reveal the work of the greatest political woman writer of the mid twentieth century”, and that Stead’s account of American ideology and national identity remains extraordinarily prescient, even today.
Author: Christina Stead
Publisher: Open Road Media
ISBN: 1453265252
Category : Fiction
Languages : en
Pages : 731
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Book Description
“This crazy, gorgeous family novel” written at the end of the Great Depression “is one of the great literary achievements of the twentieth century” (Jonathan Franzen, The New York Times). First published in 1940, The Man Who Loved Children was rediscovered in 1965 thanks to the poet Randall Jarrell’s eloquent introduction (included in this ebook edition), which compares Christina Stead to Leo Tolstoy. Today, it stands as a masterpiece of dysfunctional family life. In a country crippled by the Great Depression, Sam and Henny Pollit have too much—too much contempt for one another, too many children, too much strain under endless obligation. Flush with ego and chilling charisma, Sam torments and manipulates his children in an esoteric world of his own imagining. Henny looks on desperately, all too aware of the madness at the root of her husband’s behavior. And Louie, the damaged, precocious adolescent girl at the center of their clashes, is the “ugly duckling” whose struggle will transfix contemporary readers. Named one of the best novels of the twentieth century by Newsweek, Stead’s semiautobiographical work reads like a Depression-era The Glass Castle. In the New York Times, Jonathan Franzen wrote of this classic, “I carry it in my head the way I carry childhood memories; the scenes are of such precise horror and comedy that I feel I didn’t read the book so much as live it.”
Author: Katie Hansord
Publisher: Sydney University Press
ISBN: 1743327498
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.
Author: Christina Stead
Publisher: Melbourne Univ. Publishing
ISBN: 0522860540
Category : Fiction
Languages : en
Pages : 505
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Book Description
One hot night last spring, after waiting fruitlessly for a call from my then lover, with whom I had quarreled the same afternoon, and finding one of my black moods on me, I flung out of my lonely room on the ninth floor (unlucky number) in a hotel in lower Fifth Avenue and rushed into the streets of the Village, feeling bad. Letty Fox: Her Luck, Christina Stead's sixth novel, was first published in New York in 1946, and banned in Australia for its salaciousness. Set in wartime Manhattan and told in Letty's own spiky and exuberant voice, the novel follows her successes and failures in the game of 'being somebody'. Letty's tireless pursuit of love and sex provides the setting for Stead's brilliant satire of marriage, desire and the conventions that surround them.
Author: Rebecca Stead
Publisher: Wendy Lamb Books
ISBN: 0375899537
Category : Juvenile Fiction
Languages : en
Pages : 194
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Book Description
The instant New York Times bestseller from the author of the Newbery Medal winner When You Reach Me: a story about spies, games, and friendship. The first day Georges (the S is silent) moves into a new Brooklyn apartment, he sees a sign taped to a door in the basement: SPY CLUB MEETING—TODAY! That’s how he meets his twelve-year-old neighbor Safer. He and Georges quickly become allies—and fellow spies. Their assignment? Tracking the mysterious Mr. X, who lives in the apartment upstairs. But as Safer’s requests become more and more demanding, Georges starts to wonder: how far is too far to go for your only friend? “Will touch the hearts of kids and adults alike.” —NPR Winner of the Guardian Prize for Children’s Fiction Named a Best Book of the Year by The New York Times, The Wall Street Journal, and more!
Author: Professor Janet Lee
Publisher: Sydney University Press
ISBN: 1743326890
Category : Literary Criticism
Languages : en
Pages : 171
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Book Description
‘Fallen Among Reformers’ focuses on Stella Miles Franklin’s New Woman protest literature written during her time in Chicago with the National Women’s Trade Union League (1906-1915). This time away from literary pursuits enriched Franklin’s literary productivity and provided a feminist social justice ethics, which shaped her writing. Close readings of Franklin’s (mostly unpublished) short stories, plays, and novels contextualises them in the personal politics of her everyday life and historicises them in the socio-economic and literary realities of early twentieth-century Australia and United States: themes embedded in broader cultural patterns of socialism, pacifism, and feminism.
Author: Christina Stead
Publisher: Text Publishing
ISBN: 1925410153
Category : Fiction
Languages : en
Pages : 505
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Book Description
New York, on the cusp of World War II. Robert Grant, a middle-aged businessman, lives life by his own rules. His chief hobbies are moneymaking and seduction; he is always on the hunt for the next woman to beguile and betray. That is, until he meets his match: Barbara, the ‘blondine’, a woman he cannot best. A sardonic commentary on sexual relations and war as potent as when it was first published in 1948, A Little Tea, a Little Chat holds up a mirror to the corruption and cravenness of our late-capitalist moment. Christina Stead was born in 1902 in Sydney. Stead’s first books, The Salzburg Tales and Seven Poor Men of Sydney, were published in 1934 to positive reviews in England and the United States. Her fourth work, The Man Who Loved Children, has been hailed as a ‘masterpiece’ by Jonathan Franzen, among others. In total, Stead wrote almost twenty novels and short-story collections. Stead returned to Australia in 1969 after forty years abroad for a fellowship at the Australian National University. She resettled permanently in Australia in 1974 and was the first recipient of the Patrick White Award that year. Christina Stead died in Sydney in 1983, aged eighty. She is widely considered to be one of the most influential Australian authors of the twentieth century. ‘[Christina Stead] is really marvellous.’ Saul Bellow ‘A sprawling character study...Callous, comical, loathsome, and tiresome, Grant also, as the David Malouf introduction notes, can sometimes stir sympathy thanks to Stead’s artistry.’ Kirkus reviews, starred review
Author: Melinda J. Cooper
Publisher: Sydney University Press
ISBN: 1743328664
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark’s contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976. Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark’s writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark’s writing as important to the study of Australian literature and global modernism. Melinda Cooper argues that Dark’s fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark’s fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.
Author: Paul Eggert
Publisher: Sydney University Press
ISBN: 1743328893
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
This is the first collection in print of the letters of Australian colonial poet Charles Harpur (1813–68) and his circle. Supported by extensive annotation newly prepared for this edition, the 200 letters and life-documents open up successive phases of colonial culture from the 1830s to the 1860s in a newly focused way. Harpur’s two-way correspondence with poet Henry Kendall, and with poet and future premier of NSW Henry Parkes, is especially impressive. The letters selected for this edition document Harpur’s life in a previously unavailable way. They reveal the intriguing struggle of a high-minded young man to pursue a serious vocation as a poet amidst the unpromising contours of colonial New South Wales society. Despite bearing the taint of a convict family background, Harpur took his vocation with utmost seriousness and had much to endure before he would find recognition as a poet, mainly in colonial newspapers where his poems made over 900 appearances. This edition captures the process in detail, as well as the production in 1883 of his Poems in book form. Even though editorially mangled, Poems confirmed his reputation and led to his presence in dozens of anthologies down to the present day.
Author: Denise Varney
Publisher: Sydney University Press
ISBN: 1743327560
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
“Varney combines a theoretically astute sense of the hybridity of the dramatic event, with a dense but lucidly rendered sociological history of White’s plays as they progress through different productions, revivals, and receptions … This is an essential insight, and one which could be usefully extended to White’s novels, and perhaps to Australian modernism broadly.” - Jonathan Dunk, Australian Book Review One of the giants of Australian literature and the only Australian writer to have won the Nobel Prize for Literature, Patrick White received less acclaim when he turned his hand to playwriting. In Patrick White’s Theatre, Denise Varney offers a new analysis of White’s eight published plays, discussing how they have been staged and received over a period of 60 years. From the sensational rejection of The Ham Funeral by the Adelaide Festival in 1962 to 21st-century revivals incorporating digital technology, these productions and their reception illustrate the major shifts that have taken place in Australian theatre over time. Varney unpacks White’s complex and unique theatrical imagination, the social issues that preoccupied him as a playwright, and his place in the wider Australian modernist and theatrical traditions.
