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Author: James Prothero
Publisher: Cambridge Scholars Publishing
ISBN: 144385428X
Category : Literary Criticism
Languages : en
Pages : 105
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Book Description
Contrary to the popular perception that C.S. Lewis was merely a religious writer, there is a good case to be made for Lewis being one of the major British writers of the twentieth century if we look at him as a prime member of a resurgent Romantic movement after the Second World War. Much has been written on Lewis’s thoughts on joy, a central aspect of his Romanticism. However, Lewis was at the same time a rationalist, and managed to merge his Rationalism with his Romanticism in a unique and original manner. And his Romanticism likewise was complex and owed much to both George MacDonald and, through the medium of MacDonald’s thought, to the Romanticism of William Wordsworth. This study traces the aspects of Lewis’s romantic thought as it is drawn from MacDonald, Wordsworth and other influences, and traces how, beyond his fascination with joy, Lewis constructed a consistent romantic vision that allowed for a balance with reason and stood in contradiction to the literary movements of his time.
Author: James Prothero
Publisher: Cambridge Scholars Publishing
ISBN: 144385428X
Category : Literary Criticism
Languages : en
Pages : 105
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Book Description
Contrary to the popular perception that C.S. Lewis was merely a religious writer, there is a good case to be made for Lewis being one of the major British writers of the twentieth century if we look at him as a prime member of a resurgent Romantic movement after the Second World War. Much has been written on Lewis’s thoughts on joy, a central aspect of his Romanticism. However, Lewis was at the same time a rationalist, and managed to merge his Rationalism with his Romanticism in a unique and original manner. And his Romanticism likewise was complex and owed much to both George MacDonald and, through the medium of MacDonald’s thought, to the Romanticism of William Wordsworth. This study traces the aspects of Lewis’s romantic thought as it is drawn from MacDonald, Wordsworth and other influences, and traces how, beyond his fascination with joy, Lewis constructed a consistent romantic vision that allowed for a balance with reason and stood in contradiction to the literary movements of his time.
Author: Peter James Lowe
Publisher: Cambria Press
ISBN: 1621969622
Category :
Languages : en
Pages : 314
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Book Description
Author: Anthony Chadwick
Publisher: Lulu.com
ISBN: 0244256993
Category : Religion
Languages : en
Pages : 102
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Book Description
This book looks into the possibility of Christianity perceived through the perspective of the Romantic world view.
Author: Robert M. Brain
Publisher: Springer Science & Business Media
ISBN: 1402029799
Category : Education
Languages : en
Pages : 454
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Book Description
This fascinating text is an exploration of the relationship between science and philosophy in the early nineteenth century. This subject remains one of the most misunderstood topics in modern European intellectual history. By taking the brilliant career of Danish physicist-philosopher Hans Christian Ørsted as their organizing theme, leading international philosophers and historians of science reveal illuminating new perspectives on the intellectual map of Europe in the age of revolution and romanticism.
Author: James Porter Moreland
Publisher: InterVarsity Press
ISBN: 0830826947
Category : Religion
Languages : en
Pages : 673
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Book Description
Arguments are clearly presented, and rival theories are presented with fairness and accuracy."--BOOK JACKET.
Author: Sarah MacKenzie Zimmerman
Publisher: SUNY Press
ISBN: 9780791441091
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Arguing against a persistent view of Romantic lyricism as an inherently introspective mode, this book examines how Charlotte Smith, William Wordsworth, and John Clare recognized end employed the mode's immense capacity for engaging reading audiences in reflections both personal and social. Zimmerman focuses new attention on the Romantic lyric's audiences - not the silent, passive auditor of canonical paradigms, but historical readers and critics who can tell us more than we have asked about the mode's rhetorical possibilities. She situates poems within the specific circumstances of their production and consumption, including the aftermath in England of the French Revolution, rural poverty, the processes of parliamentary enclosure, the biographical contours of poet's careers, and the myriad exchanges among poets, patrons, publishers, critics, and readers in the literary marketplace.
Author: Charles Williams
Publisher: Apocryphile Press
ISBN: 9780976402589
Category : Religion
Languages : en
Pages : 134
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Book Description
Romantic theology is where an ordinary relationship between two people can become one that is extraordinary, one that grants them glimpses, visions of perfection. In experiencing romantic love, we experience God, according Charles Williams, one of the finest and most unusual theologians of the 20th century.
Author: John Piper
Publisher: Crossway
ISBN: 1433545012
Category : Religion
Languages : en
Pages : 194
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Book Description
"We are far too easily pleased." C. S. Lewis stands as one of the most influential Christians of the twentieth century. His commitment to the life of the mind and the life of the heart is evident in classics like the Chronicles of Narnia and Mere Christianity—books that illustrate the unbreakable connection between rigorous thought and deep affection. With contributions from Randy Alcorn, John Piper, Philip Ryken, Kevin Vanhoozer, David Mathis, and Douglas Wilson, this volume explores the man, his work, and his legacy—reveling in the truth at the heart of Lewis's spiritual genius: God alone is the answer to our deepest longings and the source of our unending joy.
Author: Bernard M. G. Reardon
Publisher: Cambridge University Press
ISBN: 9780521317450
Category : Religion
Languages : en
Pages : 320
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Book Description
The conflict between Romantic thought of the early 1800s in Europe and traditional Christian beliefs resulted in liberalism competing against conservatism. This text attempts to show how writers such as Schleiermacher, Hegel, Schelling and Auguste Compte did not reject religion, despite the influence of the increasingly science oriented culture of their time.
Author: Cordula Grewe
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437
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Book Description
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
