Author: South Kensington Museum
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 34
Book Description
Christian Mosaic Pictures
Author: South Kensington Museum
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 34
Book Description
Mosaics of Faith
Author: Rina Talgam
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description
An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description
An analytical history of the Hellenistic, Roman, Byzantine, Umayyad, and Early Abbasidmosaics in the Holy Land from the second century B.C.E to eighth century C.E.
Picturing the Bible
Author: Jeffrey Spier
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Publisher: Yale University Press
ISBN: 9780300116830
Category : Art
Languages : en
Pages : 334
Book Description
Published on the occasion of the exhibition organized by the Kimbell Art Museum and shown there November 18, 2007 - March 30, 2008.
Church and altar decorations and mosaic pictures
Author: John Henry Parker
Publisher:
ISBN:
Category : Architecture, Roman
Languages : en
Pages : 294
Book Description
Publisher:
ISBN:
Category : Architecture, Roman
Languages : en
Pages : 294
Book Description
Ancient, early Christian and mediæval painting
Author: Alfred Woltmann
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 538
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 538
Book Description
Mosaics in the Medieval World
Author: Liz James
Publisher: Cambridge University Press
ISBN: 1108508596
Category : Art
Languages : en
Pages : 1748
Book Description
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Publisher: Cambridge University Press
ISBN: 1108508596
Category : Art
Languages : en
Pages : 1748
Book Description
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Early Christian Attitudes Toward Images
Author: Steven Bigham
Publisher:
ISBN: 9780974561868
Category : Art
Languages : en
Pages : 240
Book Description
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.
Publisher:
ISBN: 9780974561868
Category : Art
Languages : en
Pages : 240
Book Description
For all iconophiles, that is, those who accept the dogma of the Seventh Ecumenical Council, but especially the Orthodox who claim that the icon has a sacramental and mystical character, it is naturally disquieting to hear the claim that the early Christians were aniconic and iconophobic. If this claim is true, the theology and the veneration of the icon are seriously undermined. It is, therefore, natural for iconophiles to attempt to disprove the thesis according to which the early Christians had no images whatsoever (aniconic) because they believed them to be idols (iconophobic). It is equally natural for iconophiles to want to substantiate, as much as this is possible, their deep intuition that the roots of Christian iconography go back to the apostolic age. This study weakens the notion and credibility of the alleged hostility of the early Christians to non-idolatrous images, providing a more balanced evaluation of this question.
Mosaic Pictures in Rome and Ravenna
Author: John Henry Parker
Publisher:
ISBN:
Category : Mosaics
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Mosaics
Languages : en
Pages : 78
Book Description
History of Ancient, Early Christian, and Mediæval Painting
Author: Alfred Woltmann
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 550
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 550
Book Description
Finding Beauty in a Broken World
Author: Terry Tempest Williams
Publisher: Vintage
ISBN: 0375725199
Category : Nature
Languages : en
Pages : 434
Book Description
"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.
Publisher: Vintage
ISBN: 0375725199
Category : Nature
Languages : en
Pages : 434
Book Description
"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation. In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.