Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1594898685
Category : Music
Languages : en
Pages : 173
Book Description
Chord Workbook for Guitar Volume One
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1594898685
Category : Music
Languages : en
Pages : 173
Book Description
Publisher: muse eek publishing
ISBN: 1594898685
Category : Music
Languages : en
Pages : 173
Book Description
Music Theory Workbook for Guitar Volume One
Author: Bruce E Arnold
Publisher: muse eek publishing
ISBN: 1594898715
Category :
Languages : en
Pages :
Book Description
Have you ever wished you could better understand the guitar s fretboard, so that you could: See it as a interconnected map in your minds eye ... Instantly apply that roadmap to great solos improvised not by accident, but totally by YOUR design ... Understand chords and without hesitation, construct both simple and complex chords on the fly starting anywhere on the fretboard ... Can you imagine what such abilities could do for your confidence and your playing? Music Theory Workbook for Guitar Volume One creates just this type of seamless marriage between your visual knowledge of the guitar fretboard and your understanding of the music theory behind what you are playing ... Both guitar fretboard diagrams and traditional music notation are used to help you learn music theory. You can SEE, COMPARE and UNDERSTAND how notes look on your guitar fretboard and on a music staff at the same time. This crucial combination will be your secret weapon to learning music theory quickly and easily AND retaining it with no problems. The unique approach of this book has been used by thousands of guitarists to conquer the intricacies of the guitar fretboard. With time and application, the mystery disappears and you can not only understand music theory but also see it and know how to use it on your guitar. This ability will revolutionize your playing ... With only a few minutes a day working with the Music Theory Workbook for Guitar Volume One, you will master the ability to: * Pick up what others are playing on the guitar by sight more rapidly ... * See all intervals and chords by sight on the guitar ... * Understand music theory and be IN SYNC with your fellow musicians ... * Make music theory a natural process as you see it on your guitar ... * Build a solid foundation for great solos, comping and great composing ... * See, understand and build countless chord combinations, from simple to complex, starting anywhere on your guitar fretboard ... * Understand how the notes on the guitar fretboard relate to notes found on a music staff ... * Understand key signatures ... * Understand the names of all intervals ... You will also have access to the Muse-eek.com member's area where you will find free PDFs to help you learn and apply music theory. You ll have access to additional materials that: * Show all the notes found on the guitar and their related positions on the musical staff ... * Help you further understand the two different ways to figure out the notes found in any chord type ... * Provide exercises to apply music theory to your instrument ... * Further your understanding of the correct method for building intervals, and naming intervals with the correct spelling ... * Explain diatonic chords and their importance in the music you play ... Plus you ll receive videos showing how to apply the information learned in Music Theory Workbook for Guitar Volume One to the guitar fretboard and help files for learning to read music. In addition, all possible alternate answers to the exercises are provided. It's not uncommon to find guitarists who have worked through this book skipping past multiple levels of college based theory, and going into advanced placement. You will have a black belt in music theory in no time and remember it forever because it will be part of you when you play your guitar. The Theory section of this book uses extremely simple language to explain the basics of music theory. The exercises require the student to write out the problem or example using staff notation, and then to find those notes on a guitar fretboard diagram.
Publisher: muse eek publishing
ISBN: 1594898715
Category :
Languages : en
Pages :
Book Description
Have you ever wished you could better understand the guitar s fretboard, so that you could: See it as a interconnected map in your minds eye ... Instantly apply that roadmap to great solos improvised not by accident, but totally by YOUR design ... Understand chords and without hesitation, construct both simple and complex chords on the fly starting anywhere on the fretboard ... Can you imagine what such abilities could do for your confidence and your playing? Music Theory Workbook for Guitar Volume One creates just this type of seamless marriage between your visual knowledge of the guitar fretboard and your understanding of the music theory behind what you are playing ... Both guitar fretboard diagrams and traditional music notation are used to help you learn music theory. You can SEE, COMPARE and UNDERSTAND how notes look on your guitar fretboard and on a music staff at the same time. This crucial combination will be your secret weapon to learning music theory quickly and easily AND retaining it with no problems. The unique approach of this book has been used by thousands of guitarists to conquer the intricacies of the guitar fretboard. With time and application, the mystery disappears and you can not only understand music theory but also see it and know how to use it on your guitar. This ability will revolutionize your playing ... With only a few minutes a day working with the Music Theory Workbook for Guitar Volume One, you will master the ability to: * Pick up what others are playing on the guitar by sight more rapidly ... * See all intervals and chords by sight on the guitar ... * Understand music theory and be IN SYNC with your fellow musicians ... * Make music theory a natural process as you see it on your guitar ... * Build a solid foundation for great solos, comping and great composing ... * See, understand and build countless chord combinations, from simple to complex, starting anywhere on your guitar fretboard ... * Understand how the notes on the guitar fretboard relate to notes found on a music staff ... * Understand key signatures ... * Understand the names of all intervals ... You will also have access to the Muse-eek.com member's area where you will find free PDFs to help you learn and apply music theory. You ll have access to additional materials that: * Show all the notes found on the guitar and their related positions on the musical staff ... * Help you further understand the two different ways to figure out the notes found in any chord type ... * Provide exercises to apply music theory to your instrument ... * Further your understanding of the correct method for building intervals, and naming intervals with the correct spelling ... * Explain diatonic chords and their importance in the music you play ... Plus you ll receive videos showing how to apply the information learned in Music Theory Workbook for Guitar Volume One to the guitar fretboard and help files for learning to read music. In addition, all possible alternate answers to the exercises are provided. It's not uncommon to find guitarists who have worked through this book skipping past multiple levels of college based theory, and going into advanced placement. You will have a black belt in music theory in no time and remember it forever because it will be part of you when you play your guitar. The Theory section of this book uses extremely simple language to explain the basics of music theory. The exercises require the student to write out the problem or example using staff notation, and then to find those notes on a guitar fretboard diagram.
Chord Workbook for Guitar Volume Two
Author: Bruce E Arnold
Publisher: muse eek publishing
ISBN: 1594898693
Category :
Languages : en
Pages :
Book Description
This book is unique in that it has all the possible chord voicings on the top four strings of the guitar. These are the voicings that are used in funk, rock, R&B, and jazz. A chord progression section is also included and allows the student to use the common progressions of a blues and minor blues. The information presented in Volume Two builds on the theoretical material presented in Volume One, but also introduces highly advanced reharmonization concepts. Intermediate students will find the progressions challenging, while the reharmonization section will be a most rewarding exercise for the advanced student. This book is the required text at both New York University and Princeton University. TOC Music theory and chord construction Triad Inversions 7th Chords and Inversions Chord progressions for practice 7th Chords and Inversions continued Chord progressions for practice Inversions of Major 7th chords with available tensions Chord progressions for practice Inversions of Minor 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7sus4 chords with available tensions Chord progressions for practice Inversions of Minor 7b5 chords with available tensions Inversions of Diminished 7th chords with available tensions Inversions of Minor Major 7th chords with available tensions Chord progressions for practice Inversions of Major 7#5 chords with available tensions Chord Reharmonization Chord Scales and Available tensions 12 12 Bar Blues chord progressions 12 Minor Blues chord progressions
Publisher: muse eek publishing
ISBN: 1594898693
Category :
Languages : en
Pages :
Book Description
This book is unique in that it has all the possible chord voicings on the top four strings of the guitar. These are the voicings that are used in funk, rock, R&B, and jazz. A chord progression section is also included and allows the student to use the common progressions of a blues and minor blues. The information presented in Volume Two builds on the theoretical material presented in Volume One, but also introduces highly advanced reharmonization concepts. Intermediate students will find the progressions challenging, while the reharmonization section will be a most rewarding exercise for the advanced student. This book is the required text at both New York University and Princeton University. TOC Music theory and chord construction Triad Inversions 7th Chords and Inversions Chord progressions for practice 7th Chords and Inversions continued Chord progressions for practice Inversions of Major 7th chords with available tensions Chord progressions for practice Inversions of Minor 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7th chords with available tensions Chord progressions for practice Inversions of Dominant 7sus4 chords with available tensions Chord progressions for practice Inversions of Minor 7b5 chords with available tensions Inversions of Diminished 7th chords with available tensions Inversions of Minor Major 7th chords with available tensions Chord progressions for practice Inversions of Major 7#5 chords with available tensions Chord Reharmonization Chord Scales and Available tensions 12 12 Bar Blues chord progressions 12 Minor Blues chord progressions
Music Theory Workbook for All Instruments, Volume One
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1890944467
Category : Music
Languages : en
Pages : 206
Book Description
Using extremely simple language, Arnold explains the basics of music theory. The exercises require students to write out examples using staff notation. Other exercises include simple interval to highly complex chords. This book is excellent for any high school student preparing to go to college and major in music performance or composition.
Publisher: muse eek publishing
ISBN: 1890944467
Category : Music
Languages : en
Pages : 206
Book Description
Using extremely simple language, Arnold explains the basics of music theory. The exercises require students to write out examples using staff notation. Other exercises include simple interval to highly complex chords. This book is excellent for any high school student preparing to go to college and major in music performance or composition.
Guitar Fretboard Workbook (Music Instruction)
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476859078
Category : Music
Languages : en
Pages : 84
Book Description
(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.
Publisher: Hal Leonard Corporation
ISBN: 1476859078
Category : Music
Languages : en
Pages : 84
Book Description
(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.
Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Guitar Clinic
Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944865
Category : Music
Languages : en
Pages : 132
Book Description
Arnold provides techniques he uses in his music clinics and essential information for beginning and advanced students including reading music, theory, chord and scale construction, modal sequencing, approach notes, reharmonization, bass and chord comping, and hexatonic scales.
Publisher: muse eek publishing
ISBN: 9781890944865
Category : Music
Languages : en
Pages : 132
Book Description
Arnold provides techniques he uses in his music clinics and essential information for beginning and advanced students including reading music, theory, chord and scale construction, modal sequencing, approach notes, reharmonization, bass and chord comping, and hexatonic scales.
Single String Studies for Guitar Volume One
Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Basic Chord Voicings for Guitar
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1594898545
Category : Music
Languages : en
Pages : 52
Book Description
Publisher: muse eek publishing
ISBN: 1594898545
Category : Music
Languages : en
Pages : 52
Book Description
Rhythms Volume One
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1890944556
Category : Music
Languages : en
Pages : 143
Book Description
This volume concentrates on eighth note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available on the Internet for each exercise.
Publisher: muse eek publishing
ISBN: 1890944556
Category : Music
Languages : en
Pages : 143
Book Description
This volume concentrates on eighth note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available on the Internet for each exercise.