Author: John Playford
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Analyse : Musiques de Banister, Cobb, Croone, Damascene, Draghi, Farmer, Fishburne, Forcer, Forsall, Ch. Gibbons, Grabu, Gregory, Hart, Hill, Humphrey, Jackson, King, Kingsley, Lanier, Locke, A. Marsh, A. Marsh Jr., Moss, Pack, Paisible, Playford, Purcell, Reading, Roffey, Rogers, Shadwell, Smith, Snow, Staggins, Taylor, Tudway, Turner, Twist, Wallington et de compositeurs non identifiés.
Choice Ayres, Songs, and Dialogues
Author: John Playford
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Analyse : Musiques de Banister, Cobb, Croone, Damascene, Draghi, Farmer, Fishburne, Forcer, Forsall, Ch. Gibbons, Grabu, Gregory, Hart, Hill, Humphrey, Jackson, King, Kingsley, Lanier, Locke, A. Marsh, A. Marsh Jr., Moss, Pack, Paisible, Playford, Purcell, Reading, Roffey, Rogers, Shadwell, Smith, Snow, Staggins, Taylor, Tudway, Turner, Twist, Wallington et de compositeurs non identifiés.
Publisher: Stainer & Bell, Limited
ISBN:
Category : Music
Languages : en
Pages : 218
Book Description
Analyse : Musiques de Banister, Cobb, Croone, Damascene, Draghi, Farmer, Fishburne, Forcer, Forsall, Ch. Gibbons, Grabu, Gregory, Hart, Hill, Humphrey, Jackson, King, Kingsley, Lanier, Locke, A. Marsh, A. Marsh Jr., Moss, Pack, Paisible, Playford, Purcell, Reading, Roffey, Rogers, Shadwell, Smith, Snow, Staggins, Taylor, Tudway, Turner, Twist, Wallington et de compositeurs non identifiés.
A History of Baroque Music
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
An Illustrated Catalogue of the Music Loan Exhibition Held ...
Author: Worshipful Company of Musicians
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
Book Description
Music printing.--Printed music.--Musical instruments.--Portraits, &c.--Manuscripts.--Concert and theatre bills, programmes, &c.--Miscellaneous.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 462
Book Description
Music printing.--Printed music.--Musical instruments.--Portraits, &c.--Manuscripts.--Concert and theatre bills, programmes, &c.--Miscellaneous.
The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Catalogue of the library. [With]
Author: Sacred harmonic society
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
Book Description
A Collection of National English Airs
Author: William Chappell
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 210
Book Description
Publisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 210
Book Description
The Power of Pastiche
Author: Alison DeSimone
Publisher: Liverpool University Press
ISBN: 1942954786
Category : Music
Languages : en
Pages : 336
Book Description
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.
Publisher: Liverpool University Press
ISBN: 1942954786
Category : Music
Languages : en
Pages : 336
Book Description
In eighteenth-century England, “variety” became a prized aesthetic in musical culture. Not only was variety—of counterpoint, harmony, melody, and orchestration—expected for good composition, but it also manifested in cultural mediums such as songbook anthologies, which compiled miscellaneous songs and styles in single volumes; pasticcio operas, which were cobbled together from excerpts from other operas; and public concerts, which offered a hodgepodge assortment of different types and styles of performance. I call this trend of producing music through the collection, assemblage, and juxtaposition of various smaller pieces as musical miscellany; like a jigsaw puzzle (also invented in the eighteenth century), the urge to construct a whole out of smaller, different parts reflected a growing desire to appeal to a quickly diversifying England. This book explores the phenomenon of musical miscellany in early eighteenth-century England both in performance culture and as an aesthetic. Chapters offer analyses of concert programming, early music criticism, the compilation of pasticcio operas and songbook miscellanies, and even the ways in which composers and performers shaped their freelancing careers. Musical miscellany, in its many forms, juxtaposed foreign and homegrown musical practices and styles in order to stimulate discourse surrounding English musical culture during a time of cosmopolitan transformation as the eighteenth century unfolded.
Collections and Notes
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 756
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 756
Book Description
Collections and Notes, 1867-1876
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 746
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 746
Book Description
Second Series of Bibliographical Collections and Notes on Early English Literature, 1474-1700
Author: William Carew Hazlitt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 768
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 768
Book Description