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Author: Hua-yuan Li Mowry
Publisher:
ISBN:
Category : Chʻing-shih
Languages : en
Pages : 1130
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Book Description
Author: Hua-yuan Li Mowry
Publisher:
ISBN:
Category : Chʻing-shih
Languages : en
Pages : 1130
Get Book Here
Book Description
Author: William H. Nienhauser
Publisher: Indiana University Press
ISBN: 9780253334565
Category : Literary Criticism
Languages : en
Pages : 604
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Book Description
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.
Author: Patrick Hanan
Publisher: Harvard Univ Asia Center
ISBN: 9780674125254
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
During the centuries of its popularity, early Chinese vernacular fiction was never adequately preserved or even documented. The great popular appeal of the short stories saved them from oblivion, but it was only in the sixteenth and seventeenth centuries that they were first collected and published. Mr. Hanan's erudite study is the first thorough attempt to uncover the history of the Chinese short story. Using a variety of techniques, but principally that of stylistic analysis, the author solves the fundamental problem of dating the stories in terms of periods. He is able to place each story in one of three broad categories, early (ca. 1250-1450), middle (ca. 1400-1575), and late (ca. 1550-1627), and to assign some of them to the earlier or later part of the time span. In many cases he offers evidence of sources and influences, place of origin, and possible or probable authorship. On the basis of the author's research, it is possible to see in minutely researched detail how the short story developed in China, what kind of men composed it, its relationship to other kinds of literature, and the main social preoccupations with which it deals. The results of Mr. Hanan's study are vitally important to all scholars of Chinese literature. Historians and linguists will also find it valuable as a model of the innovative use of stylistic analysis.
Author:
Publisher: Princeton University Press
ISBN: 1400838584
Category : Fiction
Languages : en
Pages : 1030
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Book Description
The fourth volume of a celebrated translation of the classic Chinese novel This is the fourth and penultimate volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.
Author: Jonathan D. Spence
Publisher: Yale University Press
ISBN: 9780300026726
Category : History
Languages : en
Pages : 444
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Book Description
The collapse of the Ming dynasty and the takeover of China by Manchu rulers in the 1640s were of crucial importance in the late history of China. But because traditional Chinese sources arbitrarily divide the century at the change of dynasty in 1644, it has been difficult to form a clear picture of the transition. The nine essays in this book will contribute significantly toward understanding the complexity of change and continuity over the span of time leading up to and resulting from the tumult of the mid-1600s. "The fullest introduction in English to the Ming-Ch'ing transition."--Tom Fisher, Pacific Affairs "No other recent work compares with its scope, and no older work can stand up to the introduction of its new materials and perspectives."--Library Journal " This book] makes a valuable contribution to Ming-Ch'ing studies and should be required reading for anyone interested in the two dynasties."--James B. Parsons, American Historical Review
Author: Victor H. Mair
Publisher: Columbia University Press
ISBN: 0231528515
Category : Literary Criticism
Languages : en
Pages : 1369
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Book Description
The Columbia History of Chinese Literature is a comprehensive yet portable guide to China's vast literary traditions. Stretching from earliest times to the present, the text features original contributions by leading specialists working in all genres and periods. Chapters cover poetry, prose, fiction, and drama, and consider such contextual subjects as popular culture, the impact of religion, the role of women, and China's relationship with non-Sinitic languages and peoples. Opening with a major section on the linguistic and intellectual foundations of Chinese literature, the anthology traces the development of forms and movements over time, along with critical trends, and pays particular attention to the premodern canon.
Author: Ann Waltner
Publisher: University of Hawaii Press
ISBN: 0824879953
Category : History
Languages : en
Pages : 249
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Book Description
The need for heirs in any traditional society is a compelling one. In traditional China, where inheritance and notions of filiality depended on the production of progeny, the need was nearly absolute. As Ann Waltner makes clear in this broadly researched study of adoption in the late Ming and early Ch'ing periods, the getting of an heir was a complex, even paradoxical undertaking. Although adoption involving persons of the same surname was the only arrangement ritually and legally sanctioned in Chinese society, adoption of persons of a different surname was a relatively common practice. Using medical and ritual texts, legal codes, local gazetteers, biography, and fiction, Waltner examines the multiple dimensions of the practice of adoption and identifies not only the dominant ideology prohibiting adoption across surname lines, but also a parallel discourse justifying the practice.
Author: Chun-shu Chang
Publisher: University of Michigan Press
ISBN: 9780472085286
Category : China
Languages : en
Pages : 472
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Book Description
Describes the social and cultural transformation of seventeenth-century China through the life and work of Li Yu
Author: Patrick Hanan
Publisher: Harvard University Press
ISBN: 9780674125650
Category : History
Languages : en
Pages : 298
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Book Description
Author: Li-fen Chen
Publisher: Universal-Publishers
ISBN: 1581120826
Category : Biography & Autobiography
Languages : en
Pages : 178
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Book Description
This dissertation is an attempt to define a Chinese "modernism," exemplified by the narrative practices of four major writers in Taiwan today, from the perspective of comparative literature and recent development of literary theory. I propose that modernity of Taiwanese fiction is not so much a result of Western influences as an evolution of Chinese narrative tradition itself. To argue my point I delineate a poetics of Chinese narrative, from which I devise a method of reading and a criterion of evaluation for contemporary Taiwanese fiction in defining its achievement and historical significance. This study of Taiwanese fiction also aims at providing a better understanding of fundamental aesthetic assumptions of Western "modernism" in the context of its own literary tradition. Chapter One, "Introduction," investigates the theoretical foundation and its line of development in Western and Chinese poetics respectively. It first examines the Platonic view of mimesis and Aristotelian aesthetic view of fictionality and their influence on the critical tradition, the continuity of the ancient battle between philosophy and poetry as seen in the structuralist and deconstructionist theories, then the relationship between subjective fictionality and ironic objectivity in Chinese poetics, the continuity of the dilemma in the Chinese novelists in their dual allegiance to the ideal and the real. A final section gives a critical overview of the literary scene in Taiwan. The following four chapters provide examples of the internal tension between fictionality and ironic awareness in the Taiwanese modernist texts. I suggest that instead of stretching the metaphorical potential of fiction to a highly intellectualized abstraction or playing down the interpretive claims of fiction by dramatizing its vulnerability like their Western counterpart, the Taiwanese modernists create their texts on the borderline between the high and the low. Self-assertive as well as self-denying, each of them confronts his own intellectual vision with paradox and ambivalence. In Ch'en Ying-chen, this is expressed as a battle between a lyrical vision of ideological values and an instinctive self-clowning, in Ch'i-teng Sheng, as a form of competition between pattern and contingency, in Wang Chen-ho, as a celebration and abuse of the fictionality of fiction, and in Wang Wen-hsing, an intense self-parody. I conclude that the sensitivity to the irrational and contradiction, inherent with a resistance to didacticism, constitutes the best part of the Chinese humanistic tradition, which is continuously enriched with new dimensions by the contemporary Taiwanese writers.
