Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings

Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings PDF Author: Sotheby Parke Bernet Inc
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Category :
Languages : en
Pages : 103

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Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings

Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings PDF Author: Parke-Bernet Galleries
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ISBN:
Category :
Languages : en
Pages : 103

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Chinese Porcelains

Chinese Porcelains PDF Author: Parke-Bernet Galleries
Publisher:
ISBN:
Category :
Languages : en
Pages : 103

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Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings... Property from the Estate of Robert Gould Shaw... Mrs William B. Leeds, John Jacob Astor, Edward R. Warren, Mrs Alfred Hawes a Long Island Collector... [New-York, Parke-Bernet Galleries, November 11, 12, 1938.].

Chinese Porcelains, Decorated and Single-color Specimens, Jade and Other Mineral Carvings... Property from the Estate of Robert Gould Shaw... Mrs William B. Leeds, John Jacob Astor, Edward R. Warren, Mrs Alfred Hawes a Long Island Collector... [New-York, Parke-Bernet Galleries, November 11, 12, 1938.]. PDF Author: Robert Gould Shaw
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Category :
Languages : en
Pages : 104

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Fine Single-Color and Decorated Porcelains, Chinese Jade and Other Semi-Precious Mineral Carvings

Fine Single-Color and Decorated Porcelains, Chinese Jade and Other Semi-Precious Mineral Carvings PDF Author: American Art Association
Publisher: Forgotten Books
ISBN: 9781396616587
Category : Art
Languages : en
Pages : 64

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Excerpt from Fine Single-Color and Decorated Porcelains, Chinese Jade and Other Semi-Precious Mineral Carvings: Chinese Pewter, Decorations, Japanese Silver, Persian Pottery, Syrian, Greco-Roman Glass, Delft Pottery, Italian Majolica I I. In addition to the purchase price, the buyer will be required to pay the New York City sales tax, unless the buyer is exempt from the payment thereof. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Select Jade and Other Semi-precious Mineral Carvings

Select Jade and Other Semi-precious Mineral Carvings PDF Author: Parke-Bernet Galleries
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ISBN:
Category : Art, Asian
Languages : en
Pages : 78

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Chinese Jades, Porcelains and Antique Rugs

Chinese Jades, Porcelains and Antique Rugs PDF Author: Parke-Bernet Galleries
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ISBN:
Category : Art objects
Languages : en
Pages : 91

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Fine Single-color & Decorated Porcelains, Chinese Jade & Other Semi-precious Mineral Carvings

Fine Single-color & Decorated Porcelains, Chinese Jade & Other Semi-precious Mineral Carvings PDF Author: American Art Association, Anderson Galleries (Firm)
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Category :
Languages : en
Pages : 0

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Chinese Jade & Other Semi-precious Mineral Carvings, Single-color & Decorated Porcelains

Chinese Jade & Other Semi-precious Mineral Carvings, Single-color & Decorated Porcelains PDF Author: Parke-Bernet Galleries (New York, N.Y.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 91

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Chinese Porcelains of the Decorated and Single-Color Types

Chinese Porcelains of the Decorated and Single-Color Types PDF Author: American Art Association
Publisher: Forgotten Books
ISBN: 9780266987963
Category :
Languages : en
Pages : 108

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Excerpt from Chinese Porcelains of the Decorated and Single-Color Types: Ch'ien-Lung Snuff Bottles in Semi-Precious Minerals, Glass and Porcelain; Jade Carvings, Enamels, Pottery, April 15 and 16 at 2: 15; Paintings on Silk of the Ming, Sung, and Other Early Periods, April 15 at 8: 15 Rapid survey of any significant collection of Chinese ceramics will afford A an astonishing yield of antinomic conclusions. The current of taste from, let us say, the eighth to the eighteenth century, in spite of its carefully charted course, remains in the end as bafiling as ever to the navigating student Of Chinese aesthetics. Accepting as a starting point the T'ang pottery horses [no. 442] with their dynamic sculptural balance and cold beauty of line, it is possible without difficulty to bridge the long gap to the days of K'ang-hsi and visualize in the aloof and classic perfection of the great single-color ceramics - the superb peachbloom Chrysanthemum bottles [nos 431 and 432] and the clair de lune coupes and amphora [nos 424 426] - the canons of the same aesthetics in a more luxurious age. Turn then to the technical mastery of the ling lung incense vases [no 516] of a hundred years later, with their delicate enamel colors and pierced myriads of little clouds; or to the Ku Yueh Hsuan blue and white teapot [no 471] and the two enameled glass vessels [nos 159 and or to the finest vases and temple jars of the famille fuerte and [until/e rose; and you will find them canonised by the same age for their qualities of persistent and elaborate detail, derived on the one hand from close observation of nature, on the other from putting down, with meticulous care, the whole vocabulary of a scholar's imagination. The simultaneous appreciation of the classic and the precious in art is a triumph of Chinese catholicity. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.