Chinese Kunqu Opera PDF Download
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Author: Xiao Li
Publisher: LONG RIVER PRESS
ISBN: 9781592650620
Category : History
Languages : en
Pages : 316
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Book Description
Even before Beijing Opera there was Kunqu, an opera form with 600 years of history. This highly distinctive form of Chinese theatre art is comprised of various elements-music, singing, dancing, recitation, and movement. As China's oldest and most influential theatrical tradition, Kunqu combines poetic librettos from the cream of classic Chinese literature (The Peony Pavilion, The Story of the Lute, The Peach Blossom Fan, etc.) with soft and refined music. A vivid, fully-illustrated picture of the origins and development of this grand performing art.
Author: Xiao Li
Publisher: LONG RIVER PRESS
ISBN: 9781592650620
Category : History
Languages : en
Pages : 316
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Book Description
Even before Beijing Opera there was Kunqu, an opera form with 600 years of history. This highly distinctive form of Chinese theatre art is comprised of various elements-music, singing, dancing, recitation, and movement. As China's oldest and most influential theatrical tradition, Kunqu combines poetic librettos from the cream of classic Chinese literature (The Peony Pavilion, The Story of the Lute, The Peach Blossom Fan, etc.) with soft and refined music. A vivid, fully-illustrated picture of the origins and development of this grand performing art.
Author: D. Lei
Publisher: Springer
ISBN: 0230300421
Category : Social Science
Languages : en
Pages : 244
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Book Description
Bringing the study of Chinese theatre into the 21st-century, Lei discusses ways in which traditional art can survive and thrive in the age of modernization and globalization. Building on her previous work, this new book focuses on various forms of Chinese 'opera' in locations around the Pacific Rim, including Hong Kong, Taiwan and California.
Author: Philip F. Yuan
Publisher: Springer
ISBN: 9811381534
Category : Technology & Engineering
Languages : en
Pages : 382
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Book Description
The “2019 DigitalFUTURES — The 1st International Conference on Computational Design and Robotic Fabrication (CDRF 2019)” provides an international platform for advanced scientific research papers on the digital technology of architectural design and construction. The themes of the papers include, but are not limited to, architectural theories, tools, methods and procedures in material intelligence, data intelligence; computational intelligence, and robotic intelligence.
Author: Alan R Thrasher
Publisher: Routledge
ISBN: 131738671X
Category : Music
Languages : en
Pages : 370
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Book Description
Presenting the latest research in the area, this volume explores the fundamental concept of qupai 曲牌, melodic models upon which most traditional Chinese instrumental music (and some vocal music) is based. The greater part of the traditional instrumental repertoire has emerged from qupai models by way of well-established 'variation' techniques. These melodies and techniques are alive today and still performed in 'silk-bamboo' types of ensemble music, zheng 箏, pipa 琵琶 and other solo traditions, all opera types, narrative songs, and Buddhist and Daoist ritual music. With a view toward explaining qupai as a musical system, contributors explore the concept from multiple directions, notably its historic development, patterns of structural organization, compositional usage in Kunqu classical opera, influence on the growth of traditional ensemble and solo repertoires, and indeed on 19th-century European music as well. Related essays examine the use of shan'ge 山歌 folksongs as qupai models in one local opera tradition and the controversial relationship between qupai forms and the metrically-organized banqiang 板腔 forms of organization in Beijing opera. The final three essays are focused upon traditional suite forms in which qupai and non-qupai tunes are mixed, examples drawn from the Minnan nanguan 南管 repertoire, Jiangnan 'silk-bamboo' tradition and the ritual music of North China.This is the first Western-language study on the nature and background of the qupai tradition, and the methods by which model melodies have been varied in creation of repertoire. The volume is essential reading for East Asian music specialists and contributes to the fields of ethnomusicology, musicology, music theory, music composition, and Chinese music and performing arts.
Author: 洪昇
Publisher: Peking Foreign Languages Press [1955]
ISBN:
Category : Chinese drama
Languages : en
Pages : 350
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Book Description
The play recounts the love story of Emperor Xuanzong of Tang and his favorite consort, Yang Guifei. Though based on a large body of earlier literature and legend, it is unique in its overall form and lyric exposition.
Author: Emily Wilcox
Publisher: University of California Press
ISBN: 0520300572
Category : Social Science
Languages : en
Pages : 322
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Book Description
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Revolutionary Bodies is the first English-language primary source–based history of concert dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Emily Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. The digital edition of this title includes nineteen embedded videos of selected dance works discussed by the author.
Author: Joshua Goldstein
Publisher: Univ of California Press
ISBN: 0520247523
Category : History
Languages : en
Pages : 384
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Book Description
Describes the formation of the Peking opera in late Qing and its subsequent rise and re-creation as the epitome of the Chinese national culture in Republican era China. This book looks into the lives of some of the opera's key actors, and explores their methods for earning a living, and their status in an ever-changing society.
Author: David Rolston
Publisher: BRILL
ISBN: 9004463399
Category : History
Languages : en
Pages : 817
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Book Description
What was the most influential mass medium in China before the internet reaching both literate and illiterate audiences? The answer may surprise you...it’s Jingju (Peking opera). This book traces the tradition’s increasing textualization and the changes in authorship, copyright, performance rights, and textual fixation that accompanied those changes.
Author: Xianzu Tang
Publisher: Cheng & Tsui
ISBN: 9780887272066
Category : Literary Collections
Languages : en
Pages : 364
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Book Description
Formerly banned in China, performed at New York's Lincoln Center, and named as an Outstanding Academic Book by Choice, The Peony Pavilion has an intriguingly diverse appeal.
Author: Hsiao-t'i Li
Publisher: BRILL
ISBN: 1684171016
Category : History
Languages : en
Pages : 380
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Book Description
"Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China experimented with both stage and scripts to present bold new plays centering on social reform. Operas became closely intertwined with social and political issues. This trend toward “politicization” was to become the most dominant theme of Chinese opera from the 1930s to the 1970s, when ideology-laden political plays reflected a radical revolutionary agenda. Drawing upon a rich array of primary sources, this book focuses on the reformed operas staged in Shanghai and Xi’an. By presenting extensive information on both traditional/imperial China and revolutionary/Communist China, it reveals the implications of these “modern” operatic experiences and the changing features of Chinese operas throughout the past five centuries. Although the different genres of opera were watched by audiences from all walks of life, the foundations for opera’s omnipresence completely changed over time."
