British Etchers 1850-1940

British Etchers 1850-1940 PDF Author: Kenneth M. Guichard
Publisher: London : R. Garton
ISBN:
Category : Art
Languages : en
Pages : 186

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Book Description

British Etchers 1850-1940

British Etchers 1850-1940 PDF Author: Kenneth M. Guichard
Publisher: London : R. Garton
ISBN:
Category : Art
Languages : en
Pages : 186

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Book Description


Jan Van Goyen

Jan Van Goyen PDF Author:
Publisher:
ISBN: 9780950312125
Category :
Languages : en
Pages : 0

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British Pewter

British Pewter PDF Author: Daya Ram Thapar
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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The Bosschaert Dynasty

The Bosschaert Dynasty PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Important Chinese Ceramics, Archaic Jades, Bronzes, Sculpture, Works of Art and Paintings

Important Chinese Ceramics, Archaic Jades, Bronzes, Sculpture, Works of Art and Paintings PDF Author: Sotheby Parke Bernet New York
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 218

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中國青銅器萃賞

中國青銅器萃賞 PDF Author: Xueqin Li
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 266

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Book Description
Anthony Hardy's Sze Yuan Tang Collection of ancient Chinese had its inspirational beginnings in the early 1950s when, as a schoolboy in England, he was struck by the architechtonic beauty of a solitary Shang jue tripod wine vessel in his father's collection of predominantly Western medieval art. There is little doubt that his early encounter with the archaic jue led to an intense interest in early Chinese art and in ancient Chinese ritual bronzes in particular. Hardy started collecting bronzes seriously in the early 1980s and places great importance on what he calls the"Four P's"-Patination, Pictogram, Precision and Provenance. To Hardy, a bronze vessel worthy of collecting must have a good natural Patination, nature's contribution to a great work of bronze art; a Pictogram or inscription of historic significance; Precision and sharpness of casting; and also Provenance recording the academic history of the piece, the collections it has been in, where it has been exhibited and what has been written about it. When Hardy married Susan Chen they decided that the exhibition of Hardy's principally Shang ritual bronzes scheduled for late 2000 at the Asian Civilisations Museum in Singapore should be expanded to include sculptural animal bronzes and the more feminine and jewel-like inlaid bronzes of the Spring and Autumn and Warring States periods belonging to Chen's own collection. Together the two collections offer a more extensive view of the glorious traditions of ancient Chinese bronzes.

Later Chinese Bronzes

Later Chinese Bronzes PDF Author: Philip K. Hu
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 210

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Chinese Ceramics from Datable Tombs and Some Other Dated Material

Chinese Ceramics from Datable Tombs and Some Other Dated Material PDF Author: John Mansfield Addis
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 216

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Bronze, Clay and Stone

Bronze, Clay and Stone PDF Author: Annette L. Juliano
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 190

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Book Description


Chinese, Korean, Persian and Indian Ceramics, Bronzes and Fabrics

Chinese, Korean, Persian and Indian Ceramics, Bronzes and Fabrics PDF Author: American Art Association
Publisher: Hassell Street Press
ISBN: 9781019364833
Category :
Languages : en
Pages : 0

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Book Description
This book is a comprehensive study of Asian ceramics, bronzes, and fabrics, and their role in art and culture. It provides a detailed analysis of the various objects, their origins, and their significance. The book is an essential reference for collectors, art historians, and anyone interested in Asian art. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.