Wisdom Embodied

Wisdom Embodied PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393992
Category : Buddhist sculpture
Languages : en
Pages : 258

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Book Description
Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --

Wisdom Embodied

Wisdom Embodied PDF Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393992
Category : Buddhist sculpture
Languages : en
Pages : 258

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Book Description
Chinese Buddhist and Daoist Sculpture in The Metropolitan Museum of Art --

Chinese Buddhist Bronzes

Chinese Buddhist Bronzes PDF Author:
Publisher:
ISBN:
Category : Bronzes, Chinese
Languages : en
Pages : 0

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Chinese Buddhist Bronzes

Chinese Buddhist Bronzes PDF Author: Hugo Munsterberg
Publisher:
ISBN: 9780878173242
Category : Art, Buddhist
Languages : en
Pages : 192

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Thoughts on Chinese Buddhist Gilt Bronzes

Thoughts on Chinese Buddhist Gilt Bronzes PDF Author: Leopold Swergold
Publisher:
ISBN: 9780692238998
Category : Art
Languages : en
Pages : 0

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Book Description
"My approach has been to undertake an informal description and comparison of many of the Chinese Buddhist gilt bronzes in the Winthrop Collection at the Harvard Art Museums ... and the bronzes in the Jane and Leopold Swergold Collection"--Preface.

Chinese Buddhist Bronzes

Chinese Buddhist Bronzes PDF Author: Hugo Munsterberg
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Chinese Buddhist Bronzes

Chinese Buddhist Bronzes PDF Author: Hugo Munsterberg
Publisher:
ISBN:
Category : Bronzes, Chinese
Languages : en
Pages : 48

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Ritual and Representation in Chinese Buddhism

Ritual and Representation in Chinese Buddhism PDF Author: Karil J. Kucera
Publisher: Cambria Press
ISBN: 1621967131
Category : Religion
Languages : en
Pages : 414

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Book Description
Includes 159 color images. Baodingshan consists of a monastic complex and two rock-carved areas, Little Buddha Bend and Great Buddha Bend, located in Dazu in western China and dates from the Southern Song period. The complex is fundamentally different from earlier Buddhist rock-carved sites in China in its construction and layout. Foregoing traditional niche-based iconography for large, deeply cut reliefs reaching dimensions as great as eight meters high by twenty meters wide, within Baodingshan's Great Buddha Bend, the carved works flow from one tableau into another. The site contains both texts and images related to the main schools of Buddhist thought. This book presents an integrated analysis of all of the components of Great Buddha Bend within the greater Baodingshan site, something that was lacking in earlier studies. Written to provide guidance to the site for a wide spectrum of readers-specialists and non-specialists alike-it provides a clear explanation of the major iconographic features of the imagery as well as translations of the numerous accompanying carved Buddhist texts. It also presents the basic tenets of Pure Land, Chan [Zen], Huayan and Esoteric Buddhism in order to explain the features of these sects as seen represented in visual as well as textual form at the site. Lastly, with its focus on ritual use and audience reception from the 12th to the 21st century, this study provides a new model for the discussion and evaluation of other religious sites as entities that organically evolve over time. This study also includes new translations of both the inscribed Buddhist texts and secular inscriptions carved at the site dating from the twelfth through the twenty-first centuries-inscriptions left by educated elite, soldiers, and government officials, highlighting regional issues related to continuity and change made visible at Baodingshan.

Chinese Buddhist Bronzes

Chinese Buddhist Bronzes PDF Author:
Publisher:
ISBN:
Category : Bronzes, Chinese
Languages : en
Pages : 48

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The History of Chinese Buddhist Bibliography: Censorship and Transformation of the Tripitaka

The History of Chinese Buddhist Bibliography: Censorship and Transformation of the Tripitaka PDF Author: Tanya Storch
Publisher: Cambria Press
ISBN: 1604978775
Category : Religion
Languages : en
Pages : 266

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Book Description
"This clearly organized, well-researched book on the medieval catalogs of Buddhist writings in China illuminates the shaky foundations of modern Buddhist research. Storch exposes how the Chinese Buddhist corpus was shaped-and even censored-by generations of catalogers, the guardians of the canon. At the same time, Storch probes the catalogs for what they reveal about standards of authenticity; the assignment of value to some scriptures over others; and the history of books, libraries, and learning in pre-modern China. Moreover, Storch argues convincingly that the history of Chinese Buddhist catalogs should be incorporated into comparative discussions of scripture and canon in world history. As the first general study of Chinese Buddhist bibliography in English by an author who demonstrates a thorough command of the material, this book is the first place scholars should turn to for information about the structure and formation of the Chinese Buddhist canon. This book deserves a place on the bookshelf of every specialist in pre-modern Chinese, Korean, and Japanese Buddhism." - John Kieschnick, Stanford University "This volume brings forward the importance of the cataloging of the many versions of the Chinese Buddhist canon. Given that these compilations are the source for much of the written history of Buddhism in East Asia, they deserve the careful study that has been given to them by Tanya Storch in this book. Her research advances the understanding and provides much new data about this genre of literature and its impact on Chinese religion and culture." - Lewis Lancaster, University of California, Berkeley "Offers insight into wide-ranging issues of how religious ideas are transmitted between cultures. Although the focus here is on the ways in which Buddhism, in both oral and written forms, was assimilated into Chinese literary society, Storch's comparative approach will also be of interest to scholars specializing in the comparative analysis of sacred scriptures." - E. Ann Matter, University of Pennsylvania "Cataloging is an essential step toward canon formation in East Asian Buddhism. However, current scholarship has not yet revealed the mysteries behind the collection of the enormous corpus of Buddhist texts, which is called the Buddhist canon, let alone the process of catalog making. Dr. Storch's work is pioneering in this direction and touches the core of the rich textual tradition in East Asian Buddhism. In addition, her meaningful contribution will be of interest to researchers of a global history of scriptural catalogs because she brings in a comparative perspective to the subject matter and puts the Chinese Buddhist catalogs on a par with the Confucian textual tradition and Western cataloging practices. This book is highly recommended for scholars and students studying Buddhism, history of the Chinese book, and comparative religion." - Jiang Wu, University of Arizona "This highly accessible book is not only helpful to the nonspecialists in Buddhism but also to Buddhist scholars who are interested in how and why differing versions of the Buddhist canon came into existence. Much Buddhist sectarianism stems from different assessments of what should be counted as a reliable Buddhist scripture. This account of the long and complex history of Chinese Buddhist ideas about what should be included in a catalogue of authentic Buddhist scriptures sheds much light on the process of canon formation in Buddhism. It also demonstrates that Chinese Buddhists played a leading role in dividing Buddhism into so-called 'Hinayana' and 'Mahayana,' which is at the root of much Buddhist sectarianism. - Rita M. Gross, University of Wisconsin-Eau Claire

Chinese Sculpture

Chinese Sculpture PDF Author: Angela Falco Howard
Publisher: Yale University Press
ISBN: 0300100655
Category : Art
Languages : en
Pages : 464

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Book Description
Spanning some 7000 years, 'Chinese Sculpture' explores a beautiful and diverse world of objects, many of which have only come to light in the later half of the 20th century. The authors analyse and present, mostly in colour, some 500 examples of Chinese sculpture.