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Author: Zhansui Yu
Publisher: Cambria Sinophone World
ISBN: 9781604979688
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
This book examines the works of three leading writers-Su Tong, Yu Hua, and Ge Fei-and their significant contributions to the genre of Chinese avant-garde fiction.
Author: Zhansui Yu
Publisher: Cambria Sinophone World
ISBN: 9781604979688
Category : Literary Criticism
Languages : en
Pages : 252
Get Book Here
Book Description
This book examines the works of three leading writers-Su Tong, Yu Hua, and Ge Fei-and their significant contributions to the genre of Chinese avant-garde fiction.
Author: Jing Wang
Publisher: Duke University Press
ISBN: 9780822321163
Category : Fiction
Languages : en
Pages : 300
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Book Description
DIVAn anthology of translated short stories from Chinese writers of the 1980s. Authors considered “avant-garde” because work reflects the seriousness of revolutionary concerns, the disinterest in the progress of the Chinese nation and celebra/div
Author: Xiaobin Yang
Publisher: University of Michigan Press
ISBN: 9780472112418
Category : History
Languages : en
Pages : 304
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Book Description
An insightful look into contemporary Chinese avant-garde fiction and the problem of Chinese postmodernity
Author: Xudong Zhang
Publisher: Duke University Press
ISBN: 9780822318460
Category : Art
Languages : en
Pages : 452
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Book Description
Book on Chinese cinema and literature
Author: Will Gatherer
Publisher:
ISBN: 9781793609038
Category : Post-postmodernism (Literature)
Languages : en
Pages :
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Book Description
"Ma Yuan: The Chinese Avant-Garde, Metafiction, and Post-Postmodernism in the works of Ma Yuan provides the most comprehensive study to date on one of China's most influential contemporary authors, Ma Yuan. By engaging in close readings of narratologically complex works of metafiction, the author offers a reappraisal of the role Ma Yuan played within the rise of postmodern fiction within China and offers new interpretive possibilities for the Chinese Avant-Garde movement of the 1980s through demonstrating that rather than being predominantly 'formalist word games' or 'narrative traps', Ma Yuan's works of metafiction functioned as Foucauldian 'heterotopias' which allowed for the creation of distinctly Post-modern and Post-socialist 'possible worlds'. This book also analyses Ma Yuan's recent post-2000 output and in doing so explores the shifting dynamics of literary self-reflexivity and the 'Post-postmodern' within the contemporary context of 'Xi Jinping era modernity'. This book argues that Ma Yuan's recent works display a distinct movement towards 'metamodern' aesthetics alongside a rising anthropocenic awareness and eco-consciousness which offer key insights into the post-postmodern condition within a Chinese context"--
Author: Jeanne Tai
Publisher: Columbia University Press
ISBN: 9780231096492
Category : Education
Languages : en
Pages : 278
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Book Description
-- Asia Week
Author: Yun Zhu
Publisher: Rowman & Littlefield
ISBN: 1498536301
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This book investigates sisterhood as a converging thread that wove female subjectivities and intersubjectivities into a larger narrative of Chinese modernity embedded in a newly conceived global context. It focuses on the period between the late Qing reform era around the turn of the twentieth century and the outbreak of the Second Sino-Japanese War in 1937, which saw the emergence of new ways of depicting Chinese womanhood in various kinds of media. In a critical hermeneutic approach, Zhu combines an examination of an outside perspective (how narratives and images about sisterhood were mobilized to shape new identities and imaginations) with that of an inside perspective (how subjects saw themselves as embedded in or affected by the discourse and how they negotiated such experiences within texts or through writing). With its working definition of sisterhood covering biological as well as all kinds of symbolic and metaphysical connotations, this book exams the literary and cultural representations of this elastic notion with attention to, on the one hand, a supposedly collective identity shared by all modern Chinese female subjects and, on the other hand, the contesting modes of womanhood that were introduced through the juxtaposition of divergent “sisters.” Through an interdisciplinary approach that brings together historical materials, literary and cultural analysis, and theoretical questions, Zhu conducts a careful examination of how new identities, subjectivities and sentiments were negotiated and mediated through the hermeneutic circuits around “sisterhood.”
Author: Paola Iovene
Publisher: Stanford University Press
ISBN: 0804791600
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Most studies of Chinese literature conflate the category of the future with notions of progress and nation building, and with the utopian visions broadcast by the Maoist and post-Mao developmental state. The future is thus understood as a preconceived endpoint that is propagated, at times even imposed, by a center of power. By contrast, Tales of Futures Past introduces "anticipation"—the expectations that permeate life as it unfolds—as a lens through which to reexamine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to 2011. In doing so, Paola Iovene connects the emergence of new literary genres with changing visions of the future in contemporary China. This book provides a nuanced and dynamic account of the relationship between state discourses, market pressures, and individual writers and texts. It stresses authors' and editors' efforts to redefine what constitutes literature under changing political and economic circumstances. Engaging with questions of translation, temporality, formation of genres, and stylistic change, Iovene mines Chinese science fiction and popular science, puts forward a new interpretation of familiar Chinese avant-garde fiction, and offers close readings of texts that have not yet received any attention in English-language scholarship. Far-ranging in its chronological scope and impressive in its interdisciplinary approach, this book rethinks the legacies of socialism in postsocialist Chinese literary modernity.
Author: Michel Hockx
Publisher: Columbia University Press
ISBN: 0231538537
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Since the 1990s, Chinese literary enthusiasts have explored new spaces for creative expression online, giving rise to a modern genre that has transformed Chinese culture and society. Ranging from the self-consciously avant-garde to the pornographic, web-based writing has introduced innovative forms, themes, and practices into Chinese literature and its aesthetic traditions. Conducting the first comprehensive survey in English of this phenomenon, Michel Hockx describes in detail the types of Chinese literature taking shape right now online and their novel aesthetic, political, and ideological challenges. Offering a unique portal into postsocialist Chinese culture, he presents a complex portrait of internet culture and control in China that avoids one-dimensional representations of oppression. The Chinese government still strictly regulates the publishing world, yet it is growing increasingly tolerant of internet literature and its publishing practices while still drawing a clear yet ever-shifting ideological bottom line. Hockx interviews online authors, publishers, and censors, capturing the convergence of mass media, creativity, censorship, and free speech that is upending traditional hierarchies and conventions within China—and across Asia.
Author: Yu Hua
Publisher: Anchor
ISBN: 0307429792
Category : Fiction
Languages : en
Pages : 258
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Book Description
Originally banned in China but later named one of that nation’s most influential books, a searing novel that portrays one man’s transformation from the spoiled son of a landlord to a kindhearted peasant. “A work of astounding emotional power.” —Dai Sijie, author of Balzac and the Little Chinese Seamstress From the author of Brothers and China in Ten Words: this celebrated contemporary classic of Chinese literature was also adapted for film by Zhang Yimou. After squandering his family’s fortune in gambling dens and brothels, the young, deeply penitent Fugui settles down to do the honest work of a farmer. Forced by the Nationalist Army to leave behind his family, he witnesses the horrors and privations of the Civil War, only to return years later to face a string of hardships brought on by the ravages of the Cultural Revolution. Left with an ox as the companion of his final years, Fugui stands as a model of gritty authenticity, buoyed by his appreciation for life in this narrative of humbling power.
