Author: Xinian Fu
Publisher: Yale University Press
ISBN: 0300095597
Category : Architecture
Languages : en
Pages : 394
Book Description
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
Traditional Chinese Architecture
Author: Xinian Fu
Publisher: Princeton University Press
ISBN: 1400885132
Category : Architecture
Languages : en
Pages : 425
Book Description
A groundbreaking book by one of the world's leading historians of Chinese architecture Translated by Alexandra Harrer. Fu Xinian is considered by many to be the world's leading historian of Chinese architecture. He is an expert on every type of Chinese architecture from every period through the nineteenth century, and his work is at the cutting edge of the field. Traditional Chinese Architecture gathers together, for the first time in English, twelve seminal essays by Fu Xinian. This wide-ranging book pays special attention to the technical aspects of the building tradition since the first millennium BC, and Fu Xinian's signature drawings abundantly illustrate its nuances. The essays delve into the modular basis for individual structures, complexes, and cities; lateral and longitudinal building frames; the unity of sculpture and building to create viewing angles; the influence of Chinese construction on Japanese architecture; and the reliability of images to inform us about architecture. Organized chronologically, the book also examines such topics as the representation of architecture on vessels in the Warring States period, early Buddhist architecture, and the evolution of imperial architecture from the Tang to Ming dynasty. A biography of Fu Xinian and a detailed Chinese-English glossary are included. Bringing together some of the most groundbreaking scholarship in Chinese architectural history, Traditional Chinese Architecture showcases an uncontested master of the discipline.
Publisher: Princeton University Press
ISBN: 1400885132
Category : Architecture
Languages : en
Pages : 425
Book Description
A groundbreaking book by one of the world's leading historians of Chinese architecture Translated by Alexandra Harrer. Fu Xinian is considered by many to be the world's leading historian of Chinese architecture. He is an expert on every type of Chinese architecture from every period through the nineteenth century, and his work is at the cutting edge of the field. Traditional Chinese Architecture gathers together, for the first time in English, twelve seminal essays by Fu Xinian. This wide-ranging book pays special attention to the technical aspects of the building tradition since the first millennium BC, and Fu Xinian's signature drawings abundantly illustrate its nuances. The essays delve into the modular basis for individual structures, complexes, and cities; lateral and longitudinal building frames; the unity of sculpture and building to create viewing angles; the influence of Chinese construction on Japanese architecture; and the reliability of images to inform us about architecture. Organized chronologically, the book also examines such topics as the representation of architecture on vessels in the Warring States period, early Buddhist architecture, and the evolution of imperial architecture from the Tang to Ming dynasty. A biography of Fu Xinian and a detailed Chinese-English glossary are included. Bringing together some of the most groundbreaking scholarship in Chinese architectural history, Traditional Chinese Architecture showcases an uncontested master of the discipline.
Chinese Architecture
Author: Paul Decker
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Chinese Architecture and the Beaux-Arts
Author: Jeffrey W. Cody
Publisher: University of Hawaii Press
ISBN: 0824834569
Category : Architecture
Languages : en
Pages : 410
Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Publisher: University of Hawaii Press
ISBN: 0824834569
Category : Architecture
Languages : en
Pages : 410
Book Description
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Chinese Architecture
Author: Xinian Fu
Publisher: Yale University Press
ISBN: 0300095597
Category : Architecture
Languages : en
Pages : 394
Book Description
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
Publisher: Yale University Press
ISBN: 0300095597
Category : Architecture
Languages : en
Pages : 394
Book Description
A comprehensive and authoritative study of Chinese architecture from Neolithic times to the late-19th century. Six of China's greatest architectural historians have joined with a leading Western scholar to write this text, a collaborative history of Chinese architecture.
Architecture Series: Bibliography
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 516
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 516
Book Description
Chinese Architecture Series
Author: Liang Sicheng
Publisher:
ISBN: 9789814416221
Category : Art
Languages : en
Pages : 0
Book Description
Showcases a collection of eight English essays by the renowned architectural historian Liang Sicheng (Liang Ssu-ch'eng, 1901-1972) on the history of Chinese architecture, covering topics such as art and architecture, Buddhist cave sculptures, pagodas, and China's oldest wooden structure--Fo-kuang Ssu. The most prominent of these discoveries are featured in this book.
Publisher:
ISBN: 9789814416221
Category : Art
Languages : en
Pages : 0
Book Description
Showcases a collection of eight English essays by the renowned architectural historian Liang Sicheng (Liang Ssu-ch'eng, 1901-1972) on the history of Chinese architecture, covering topics such as art and architecture, Buddhist cave sculptures, pagodas, and China's oldest wooden structure--Fo-kuang Ssu. The most prominent of these discoveries are featured in this book.
Standard Books
Author: Charles Frederick Tweney
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 936
Book Description
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 936
Book Description
Introduction to The Glory (TV series)
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 4637036372
Category : Fiction
Languages : en
Pages : 62
Book Description
The Glory is a historical drama series that centers around the life and times of Catherine the Great, a renowned Empress who ruled the Russian Empire from 1762 until her death in 1796. The series explores Catherine’s rise to power, as well as her love life, controversies, and political conflicts that shaped her reign. The show is set in the 18th century, a time of political turmoil, social upheaval, and cultural transformation that led to the Enlightenment. The Glory features a star-studded cast, with Australian actress Elle Fanning playing the lead role of Catherine. Other notable cast members include Nicholas Hoult, who portrays Peter III, Catherine’s husband and predecessor, and Phoebe Fox, who plays Marial, Catherine’s loyal maid and confidante. The series is produced by MediaRes and Echo Lake Entertainment, and was created by Tony McNamara, who also wrote the script for the Oscar-winning film The Favourite. The show has been praised for its production quality, strong performances, and attention to historical accuracy. The Glory premiered on May 15, 2021, on Hulu, and has since gained a large following and critical acclaim.
Publisher: Gilad James Mystery School
ISBN: 4637036372
Category : Fiction
Languages : en
Pages : 62
Book Description
The Glory is a historical drama series that centers around the life and times of Catherine the Great, a renowned Empress who ruled the Russian Empire from 1762 until her death in 1796. The series explores Catherine’s rise to power, as well as her love life, controversies, and political conflicts that shaped her reign. The show is set in the 18th century, a time of political turmoil, social upheaval, and cultural transformation that led to the Enlightenment. The Glory features a star-studded cast, with Australian actress Elle Fanning playing the lead role of Catherine. Other notable cast members include Nicholas Hoult, who portrays Peter III, Catherine’s husband and predecessor, and Phoebe Fox, who plays Marial, Catherine’s loyal maid and confidante. The series is produced by MediaRes and Echo Lake Entertainment, and was created by Tony McNamara, who also wrote the script for the Oscar-winning film The Favourite. The show has been praised for its production quality, strong performances, and attention to historical accuracy. The Glory premiered on May 15, 2021, on Hulu, and has since gained a large following and critical acclaim.
J.J. Pan and Partners
Author: Joshua Jih Pan
Publisher: Images Publishing
ISBN: 9781864700589
Category : Architecture
Languages : en
Pages : 268
Book Description
Stressing total quality in all aspects of architectural practice, the J.J. Pan monograph features a rich collection of building types. According to Taiwanese architect, Joshua Jih Pan, such total quality includes at least design, service and delivery whi
Publisher: Images Publishing
ISBN: 9781864700589
Category : Architecture
Languages : en
Pages : 268
Book Description
Stressing total quality in all aspects of architectural practice, the J.J. Pan monograph features a rich collection of building types. According to Taiwanese architect, Joshua Jih Pan, such total quality includes at least design, service and delivery whi
Architecture and the Landscape of Modernity in China before 1949
Author: Edward Denison
Publisher: Taylor & Francis
ISBN: 1317179293
Category : Architecture
Languages : en
Pages : 391
Book Description
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
Publisher: Taylor & Francis
ISBN: 1317179293
Category : Architecture
Languages : en
Pages : 391
Book Description
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.