Author: James J. Rawls
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 312
Book Description
A broad synthesis of contemporary Native American history, this vital and timely book surveys the recent political, economic, social, and cultural history of Native Americans in the United States. The theme of survival and balance prevails in this complex history. Nine chapters chronicle the evolution of federal Indian policy, social and economic issues, the rise of the Indian rights movement, cultural stereotypes, and the image of the Native people in popular culture.
Chief Red Fox is Dead
Author: James J. Rawls
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 312
Book Description
A broad synthesis of contemporary Native American history, this vital and timely book surveys the recent political, economic, social, and cultural history of Native Americans in the United States. The theme of survival and balance prevails in this complex history. Nine chapters chronicle the evolution of federal Indian policy, social and economic issues, the rise of the Indian rights movement, cultural stereotypes, and the image of the Native people in popular culture.
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 312
Book Description
A broad synthesis of contemporary Native American history, this vital and timely book surveys the recent political, economic, social, and cultural history of Native Americans in the United States. The theme of survival and balance prevails in this complex history. Nine chapters chronicle the evolution of federal Indian policy, social and economic issues, the rise of the Indian rights movement, cultural stereotypes, and the image of the Native people in popular culture.
The Memoirs of Chief Red Fox
Author: Red Fox (Chief)
Publisher: Fawcett
ISBN: 9780449218037
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Son of the Sioux, nephew of Crazy Horse and leading spokesman for the great Indian legacy, Chief Red Fox witnessed both Custer's last stand and heard the news of the Vietnam War. Here, in his own words, is his unforgettable story, the story of a long-suffering but still proud people.
Publisher: Fawcett
ISBN: 9780449218037
Category : Indians of North America
Languages : en
Pages : 0
Book Description
Son of the Sioux, nephew of Crazy Horse and leading spokesman for the great Indian legacy, Chief Red Fox witnessed both Custer's last stand and heard the news of the Vietnam War. Here, in his own words, is his unforgettable story, the story of a long-suffering but still proud people.
The Blackfoot Papers
Author: Adolf Hungrywolf
Publisher: Good Medicine Foundation
ISBN: 0920698867
Category : Blackfeet Tribe of the Blackfeet Indian Reservation of Montana
Languages : en
Pages : 618
Book Description
"A series of illustrated books to help preserve the culture and heritage of the four divisions that make up the Blackfoot Confederacy in the United States and Canada"--Cover.
Publisher: Good Medicine Foundation
ISBN: 0920698867
Category : Blackfeet Tribe of the Blackfeet Indian Reservation of Montana
Languages : en
Pages : 618
Book Description
"A series of illustrated books to help preserve the culture and heritage of the four divisions that make up the Blackfoot Confederacy in the United States and Canada"--Cover.
The Native American Renaissance
Author: Alan R. Velie
Publisher: University of Oklahoma Press
ISBN: 0806151315
Category : History
Languages : en
Pages : 377
Book Description
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
Publisher: University of Oklahoma Press
ISBN: 0806151315
Category : History
Languages : en
Pages : 377
Book Description
The outpouring of Native American literature that followed the publication of N. Scott Momaday’s Pulitzer Prize–winning House Made of Dawn in 1968 continues unabated. Fiction and poetry, autobiography and discursive writing from such writers as James Welch, Gerald Vizenor, and Leslie Marmon Silko constitute what critic Kenneth Lincoln in 1983 termed the Native American Renaissance. This collection of essays takes the measure of that efflorescence. The contributors scrutinize writers from Momaday to Sherman Alexie, analyzing works by Native women, First Nations Canadian writers, postmodernists, and such theorists as Robert Warrior, Jace Weaver, and Craig Womack. Weaver’s own examination of the development of Native literary criticism since 1968 focuses on Native American literary nationalism. Alan R. Velie turns to the achievement of Momaday to examine the ways Native novelists have influenced one another. Post-renaissance and postmodern writers are discussed in company with newer writers such as Gordon Henry, Jr., and D. L. Birchfield. Critical essays discuss the poetry of Simon Ortiz, Kimberly Blaeser, Diane Glancy, Luci Tapahonso, and Ray A. Young Bear, as well as the life writings of Janet Campbell Hale, Carter Revard, and Jim Barnes. An essay on Native drama examines the work of Hanay Geiogamah, the Native American Theater Ensemble, and Spider Woman Theatre. In the volume’s concluding essay, Kenneth Lincoln reflects on the history of the Native American Renaissance up to and beyond his seminal work, and discusses Native literature’s legacy and future. The essays collected here underscore the vitality of Native American literature and the need for debate on theory and ideology.
Indian Metropolis
Author: James B. LaGrand
Publisher: University of Illinois Press
ISBN: 9780252027727
Category : History
Languages : en
Pages : 316
Book Description
"More than an outgrowth of public policy implemented by the Bureau of Indian Affairs, the exodus of American Indians from reservations to cities was linked to broader patterns of social and political change after World War II. Indian Metropolis places the Indian people within the context of many of the twentieth century's major themes, including rural to urban migration, the expansion of the wage labor economy, increased participation in and acceptance of political radicalism, and growing interest in ethnic nationalism."--Jacket.
Publisher: University of Illinois Press
ISBN: 9780252027727
Category : History
Languages : en
Pages : 316
Book Description
"More than an outgrowth of public policy implemented by the Bureau of Indian Affairs, the exodus of American Indians from reservations to cities was linked to broader patterns of social and political change after World War II. Indian Metropolis places the Indian people within the context of many of the twentieth century's major themes, including rural to urban migration, the expansion of the wage labor economy, increased participation in and acceptance of political radicalism, and growing interest in ethnic nationalism."--Jacket.
Troubling Tricksters
Author: Deanna Reder
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582059
Category : Social Science
Languages : en
Pages : 349
Book Description
Troubling Tricksters is a collection of theoretical essays, creative pieces, and critical ruminations that provides a re-visioning of trickster criticism in light of recent backlash against it. The complaints of some Indigenous writers, the critique from Indigenous nationalist critics, and the changing of academic fashion have resulted in few new studies on the trickster. For example, The Cambridge Companion to Native American Literature (2005), includes only a brief mention of the trickster, with skeptical commentary. And, in 2007, Anishinaabe scholar Niigonwedom Sinclair (a contributor to this volume) called for a moratorium on studies of the trickster irrelevant to the specific experiences and interests of Indigenous nations. One of the objectives of this anthology is, then, to encourage scholarship that is mindful of the critic’s responsibility to communities, and to focus discussions on incarnations of tricksters in their particular national contexts. The contribution of Troubling Tricksters, therefore, is twofold: to offer a timely counterbalance to this growing critical lacuna, and to propose new approaches to trickster studies, approaches that have been clearly influenced by the nationalists’ call for cultural and historical specificity.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554582059
Category : Social Science
Languages : en
Pages : 349
Book Description
Troubling Tricksters is a collection of theoretical essays, creative pieces, and critical ruminations that provides a re-visioning of trickster criticism in light of recent backlash against it. The complaints of some Indigenous writers, the critique from Indigenous nationalist critics, and the changing of academic fashion have resulted in few new studies on the trickster. For example, The Cambridge Companion to Native American Literature (2005), includes only a brief mention of the trickster, with skeptical commentary. And, in 2007, Anishinaabe scholar Niigonwedom Sinclair (a contributor to this volume) called for a moratorium on studies of the trickster irrelevant to the specific experiences and interests of Indigenous nations. One of the objectives of this anthology is, then, to encourage scholarship that is mindful of the critic’s responsibility to communities, and to focus discussions on incarnations of tricksters in their particular national contexts. The contribution of Troubling Tricksters, therefore, is twofold: to offer a timely counterbalance to this growing critical lacuna, and to propose new approaches to trickster studies, approaches that have been clearly influenced by the nationalists’ call for cultural and historical specificity.
The Comanche Code Talkers of World War II
Author: William C. Meadows
Publisher: University of Texas Press
ISBN: 0292778422
Category : History
Languages : en
Pages : 293
Book Description
The true story of the US Army’s Comanche Code Talkers, from their recruitment and training to active duty in World War II and postwar life. Among the allied troops that came ashore in Normandy on D-Day, June 6, 1944, were thirteen Comanches in the 4th Infantry Division, 4th Signal Company. Under German fire they laid communications lines and began sending messages in a form never before heard in Europe?coded Comanche. For the rest of World War II, the Comanche Code Talkers played a vital role in transmitting orders and messages in a code that was never broken by the Germans. This book tells the full story of the Comanche Code Talkers for the first time. Drawing on interviews with all surviving members of the unit, their original training officer, and fellow soldiers, as well as military records and news accounts, William C. Meadows follows the group from their recruitment and training to their active duty in World War II and on through their postwar lives up to the present. He also provides the first comparison of Native American code talking programs, comparing the Comanche Code Talkers with their better-known Navajo counterparts in the Pacific and with other Native Americans who used their languages, coded or not, for secret communication. Meadows sets this history in a larger discussion of the development of Native American code talking in World Wars I and II, identifying two distinct forms of Native American code talking, examining the attitudes of the American military toward Native American code talkers, and assessing the complex cultural factors that led Comanche and other Native Americans to serve their country in this way. “Of all the books on Native American service in the U.S. armed forces, this is the best. . . . Readers will find the story of the Comanche Code Talkers compelling, humorous, thought-provoking, and inspiring.” —Tom Holm, author of Strong Hearts, Wounded Souls: Native American Veterans of the Vietnam War
Publisher: University of Texas Press
ISBN: 0292778422
Category : History
Languages : en
Pages : 293
Book Description
The true story of the US Army’s Comanche Code Talkers, from their recruitment and training to active duty in World War II and postwar life. Among the allied troops that came ashore in Normandy on D-Day, June 6, 1944, were thirteen Comanches in the 4th Infantry Division, 4th Signal Company. Under German fire they laid communications lines and began sending messages in a form never before heard in Europe?coded Comanche. For the rest of World War II, the Comanche Code Talkers played a vital role in transmitting orders and messages in a code that was never broken by the Germans. This book tells the full story of the Comanche Code Talkers for the first time. Drawing on interviews with all surviving members of the unit, their original training officer, and fellow soldiers, as well as military records and news accounts, William C. Meadows follows the group from their recruitment and training to their active duty in World War II and on through their postwar lives up to the present. He also provides the first comparison of Native American code talking programs, comparing the Comanche Code Talkers with their better-known Navajo counterparts in the Pacific and with other Native Americans who used their languages, coded or not, for secret communication. Meadows sets this history in a larger discussion of the development of Native American code talking in World Wars I and II, identifying two distinct forms of Native American code talking, examining the attitudes of the American military toward Native American code talkers, and assessing the complex cultural factors that led Comanche and other Native Americans to serve their country in this way. “Of all the books on Native American service in the U.S. armed forces, this is the best. . . . Readers will find the story of the Comanche Code Talkers compelling, humorous, thought-provoking, and inspiring.” —Tom Holm, author of Strong Hearts, Wounded Souls: Native American Veterans of the Vietnam War
Ishi in Three Centuries
Author: Karl Kroeber
Publisher: U of Nebraska Press
ISBN: 9780803227576
Category : History
Languages : en
Pages : 446
Book Description
Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.
Publisher: U of Nebraska Press
ISBN: 9780803227576
Category : History
Languages : en
Pages : 446
Book Description
Ishi in Three Centuries brings together a range of insightful and unsettling perspectives and the latest research to enrich and personalize our understanding of one of the most famous Native Americans of the modern era?Ishi, the last Yahi. After decades of concealment from genocidal attacks on his people in California, Ishi (ca. 1860?1916) came out of hiding in 1911 and lived the last five years of his life in the University of California Anthropological Museum in San Francisco. ø Contributors to this volume illuminate Ishi the person, his relationship to anthropologist A. L. Kroeber and others, his Yahi world, and his enduring and evolving legacy for the twenty-first century. Ishi in Three Centuries features recent analytic translations of Ishi?s stories, new information on his language, craft skills, and his personal life in San Francisco, with reminiscences of those who knew him and A. L. Kroeber. Multiple sides of the repatriation controversy are showcased and given equal weight. Especially valuable are discussions by Native American writers and artists, including Gerald Vizenor, Louis Owens, and Frank Tuttle, of how Ishi continues to inspire the creative imagination of American Indians.
Muting White Noise
Author: James H. Cox
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
Publisher: University of Oklahoma Press
ISBN: 0806185465
Category : Fiction
Languages : en
Pages : 354
Book Description
Native American fiction writers have confronted Euro-American narratives about Indians and the colonial world those narratives help create. These Native authors offer stories in which Indians remake this colonial world by resisting conquest and assimilation, sustaining their cultures and communities, and surviving. In Muting White Noise, James H. Cox considers how Native authors have liberated our imaginations from colonial narratives. Cox takes his title from Sherman Alexie, for whom the white noise of a television set represents the white mass-produced culture that mutes American Indian voices. Cox foregrounds the work of Native intellectuals in his readings of the American Indian novel tradition. He thereby develops a critical perspective from which to re-see the role played by the Euro-American novel tradition in justifying and enabling colonialism. By examining novels by Native authors—especially Thomas King, Gerald Vizenor, and Alexie—Cox shows how these writers challenge and revise colonizers’ tales about Indians. He then offers “red readings” of some revered Euro-American novels, including Herman Melville’s Moby-Dick, and shows that until quite recently, even those non-Native storytellers who sympathized with Indians could imagine only their vanishing by story’s end. Muting White Noise breaks new ground in literary criticism. It stands with Native authors in their struggle to reclaim their own narrative space and tell stories that empower and nurture, rather than undermine and erase, American Indians and their communities.
The Seventies
Author: Bruce J. Schulman
Publisher: Simon and Schuster
ISBN: 0743219481
Category : History
Languages : en
Pages : 353
Book Description
Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.
Publisher: Simon and Schuster
ISBN: 0743219481
Category : History
Languages : en
Pages : 353
Book Description
Most of us think of the 1970s as an "in-between" decade, the uninspiring years that happened to fall between the excitement of the 1960s and the Reagan Revolution. A kitschy period summed up as the "Me Decade," it was the time of Watergate and the end of Vietnam, of malaise and gas lines, but of nothing revolutionary, nothing with long-lasting significance. In the first full history of the period, Bruce Schulman, a rising young cultural and political historian, sweeps away misconception after misconception about the 1970s. In a fast-paced, wide-ranging, and brilliant reexamination of the decade's politics, culture, and social and religious upheaval, he argues that the Seventies were one of the most important of the postwar twentieth-century decades. The Seventies witnessed a profound shift in the balance of power in American politics, economics, and culture, all driven by the vast growth of the Sunbelt. Country music, a southern silent majority, a boom in "enthusiastic" religion, and southern California New Age movements were just a few of the products of the new demographics. Others were even more profound: among them, public life as we knew it died a swift death. The Seventies offers a masterly reconstruction of high and low culture, of public events and private lives, of Jonathan Livingston Seagull, Evel Knievel, est, Nixon, Carter, and Reagan. From The Godfather and Network to the Ramones and Jimmy Buffett; from Billie jean King and Bobby Riggs to Phyllis Schlafly and NOW; from Proposition 13 to the Energy Crisis; here are all the names, faces, and movements that once filled our airwaves, and now live again. The Seventies is powerfully argued, compulsively readable, and deeply provocative.