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Author: Christine List
Publisher: Routledge
ISBN: 131792875X
Category : Performing Arts
Languages : en
Pages : 173
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Book Description
Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.
Author: Christine List
Publisher: Routledge
ISBN: 131792875X
Category : Performing Arts
Languages : en
Pages : 173
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Book Description
Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.
Author: Frank Javier Garcia Berumen
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Author: Charles Ramírez Berg
Publisher: University of Texas Press
ISBN: 0292783000
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
The bandido, the harlot, the male buffoon, the female clown, the Latin lover, and the dark lady—these have been the defining, and demeaning, images of Latinos in U.S. cinema for more than a century. In this book, Charles Ramírez Berg develops an innovative theory of stereotyping that accounts for the persistence of such images in U.S. popular culture. He also explores how Latino actors and filmmakers have actively subverted and resisted such stereotyping. In the first part of the book, Berg sets forth his theory of stereotyping, defines the classic stereotypes, and investigates how actors such as Raúl Julia, Rosie Pérez, José Ferrer, Lupe Vélez, and Gilbert Roland have subverted stereotypical roles. In the second part, he analyzes Hollywood's portrayal of Latinos in three genres: social problem films, John Ford westerns, and science fiction films. In the concluding section, Berg looks at Latino self-representation and anti-stereotyping in Mexican American border documentaries and in the feature films of Robert Rodríguez. He also presents an exclusive interview in which Rodríguez talks about his entire career, from Bedhead to Spy Kids, and comments on the role of a Latino filmmaker in Hollywood and how he tries to subvert the system.
Author: Don Cardenas
Publisher:
ISBN:
Category : Mexican Americans in motion pictures
Languages : en
Pages : 52
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Book Description
Author: Rosa Linda Fregoso
Publisher: U of Minnesota Press
ISBN: 9781452901008
Category : Performing Arts
Languages : en
Pages : 196
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Book Description
Explores Chicana and Chicano popular culture through contemporary representations in both Hollywood commercial and independent cinema. Rosa Linda Fregoso's The Bronze Screen opens the way for international debate on the new critical field of Chicano/a cinema. Fregoso provides an incisive articulation of the ways in which narrative codes in film can telescope complex versions of Mexican and American culture and history. The often violent impact of 'first' (U.S.) and 'third' (Mexico) world cultures and geographies is channeled through the very term Chicano/a as well as its cinematic representation. Fregoso's masterful critique brings out with great clarity the irony, paradox, and contradictions of such historical collisions. --Norma Alarcón, University of California, Berkeley
Author: Christine List
Publisher: Routledge
ISBN: 1317928768
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Providing textual analysis of 12 feature films written and directed by filmmakers who explore aspects of the Chicano cultural movement, this book discusses films including Cheech and Chong's Still Smokin' (1983), El Norte (1985), and Break of Dawn (1988). The text analyzes the portrayal of Chicano, or Mexican American, identity in films by chicanos. Part historiography, part film analysis, part ethnography, this book offers a compelling story of how Chicanos challenge, subvert and create their own popular portrayals of Chicanismo. Historical stereotypical images in Hollywood films are discussed alongside contemporary images portrayed by Hollywood studios and independent Chicano filmmakers. The author examines the way in which newer films "construct new representations of Chicano culture" and present a greater variety of images of Chicanos for mainstream audiences. Originally published in 1996, this authoritative volume provides a full history of the Chicano cultural movement beginning in the 1960s as well as information on the development of Mexican American film production.
Author: Elena Lahr-Vivaz
Publisher: University of Arizona Press
ISBN: 0816532516
Category : Art
Languages : en
Pages : 232
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Book Description
Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.
Author: Gary D. Keller
Publisher: Bilingual Review Press (AZ)
ISBN:
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Chicano Cinema: Research, Reviews, and Resources is the first book dedicated to the subject of both Chicano cinema and the depiction of Chicanos and other Latinos in U.S. and Mexican films. Contributors to the volume include Jesus Salvador Trevino. Sylvia Morales, David R. Maciel, Alejandro Morales, Carlos Cortes, and other notable scholars.
Author: Sofie Renner
Publisher: GRIN Verlag
ISBN: 3638939677
Category : Biography & Autobiography
Languages : en
Pages : 38
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Book Description
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2 (B), University of Tubingen (English Seminar), course: HS Literature: Latino Images in U.S. Latino Film, 16 entries in the bibliography, language: English, abstract: I. Introduction In the following written analysis, I am going to deal with the topic "The film "Tortilla Soup" in context of Mexican Life in America and Type and Stereotype of Chicanos and Latinos in Film". In the main body, I am going to show II.1 Mexico with the points II.1.1 Mexican history, II.1.2 Mexican American Migration and II.1.3 Mexican Life in America. The next point will deal with the film "Tortilla Soup", II.2 About the film. I will divide this point into II.2.1 Plot, II.2.2 Major characters and actors and II.2.3 The picture of food in connection with family in "Tortilla Soup". After that, I will talk about II.3.1 Latinos and chicanos. This point will be divided into II.3.1 Type and Stereotype: Chicano Images in Film, II.3.2 What it means to be Latino in 2000 and II.3.4 Contemporary Latino films - the end of stereotypes?. The last point will be III. Conclusion. I think that the historical embedding of a film is extremely important to gain a better understanding of a film. I wanted to focus on Mexico first with its history, migration and the life of Mexicans in America. Then I wanted to talk about the film itself with the plot, main characters and the picture of food in connection with family in the film. And in the end, I wanted to deal with the topic of Chicano Images in Film, Latinos in the year 2000 and contemporary Latino films with a possible ending of stereotypes.
Author: Jennifer A. González
Publisher: Duke University Press
ISBN: 1478003405
Category : Art
Languages : en
Pages : 552
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Book Description
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer artists' figurations of Chicano/a bodies. They also chart the multiple cultural and artistic influences—from American graffiti and Mexican pre-Columbian spirituality to pop art and modernism—that have informed Chicano/a art's practice. Contributors. Carlos Almaraz, David Avalos, Judith F. Baca, Raye Bemis, Jo-Anne Berelowitz, Elizabeth Blair, Chaz Bojóroquez, Philip Brookman, Mel Casas, C. Ondine Chavoya, Karen Mary Davalos, Rupert García, Alicia Gaspar de Alba, Shifra Goldman, Jennifer A. González, Rita Gonzalez, Robb Hernández, Juan Felipe Herrera, Louis Hock, Nancy L. Kelker, Philip Kennicott, Josh Kun, Asta Kuusinen, Gilberto “Magu” Luján, Amelia Malagamba-Ansotegui, Amalia Mesa-Bains, Dylan Miner, Malaquias Montoya, Judithe Hernández de Neikrug, Chon Noriega, Joseph Palis, Laura Elisa Pérez, Peter Plagens, Catherine Ramírez, Matthew Reilly, James Rojas, Terezita Romo, Ralph Rugoff, Lezlie Salkowitz-Montoya, Marcos Sanchez-Tranquilino, Cylena Simonds, Elizabeth Sisco, John Tagg, Roberto Tejada, Rubén Trejo, Gabriela Valdivia, Tomás Ybarra-Frausto, Victor Zamudio-Taylor
