The Chicago World's Fair of 1893 PDF Download
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Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486130630
Category : History
Languages : en
Pages : 136
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Book Description
128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.
Author: Stanley Appelbaum
Publisher: Courier Corporation
ISBN: 0486130630
Category : History
Languages : en
Pages : 136
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Book Description
128 rare, vintage photographs: 200 buildings — 79 of foreign governments, 38 of U.S. states — the original ferris wheel, first midway, Edison's kinetoscope, much more. 128 black-and-white photographs. Captions. Map. Index.
Author: Joseph M. Di Cola
Publisher: Arcadia Publishing
ISBN: 0738594415
Category : Architecture
Languages : en
Pages : 130
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Book Description
What came to be known as the World s Columbian Exposition was planned to commemorate the 400th anniversary of Christopher Columbus s 1492 landfall in the New World. Chicago beat out New York City, St. Louis, Missouri, and Washington, DC, in its bid as host a coup for the Windy City. The site finally selected for the fair was Jackson Park, originally designed by Frederick Law Olmsted and Calvert Vaux, a marshy area covered with dense, wild vegetation. Daniel H. Burnham and John W. Root were selected as chief architects, creating the famous White City. The fair featured several different thematic areas: the Great Buildings, Foreign Buildings, State Buildings, and the Midway Plaisance, a nearly mile-long area that featured exotic exhibits. The exposition also showcased the world s first Ferris Wheel and introduced fairgoers to new sensations like Cracker Jack, Pabst Beer, and ragtime music. The World s Columbian Exposition, covering 633 acres, opened on May 1, 1893. Admission prices were 50cents for adults, 25cents for children under 12 years of age, and free for children under six. Unfortunately, by 1896, most of the fair s buildings had been removed or destroyed, but this collection takes readers on a tour of the grounds as they looked in 1893."
Author: Daniel Hudson Burnham
Publisher:
ISBN:
Category : World's Columbian Exposition
Languages : en
Pages : 122
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Book Description
Author: David J. Bertuca
Publisher: Greenwood
ISBN: 0313266441
Category : History
Languages : en
Pages : 0
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Book Description
In 1893, the World's Columbian Exposition had a profound impact on urban planning and the Beaux-Arts period of American architecture. The fair introduced the Ferris Wheel, Cracker Jacks, and fiberglass. Yet today, except for one building and a grassy park, all that remains is the legacy of printed material dispersed throughout the country. This reference guide, intended for historians, librarians, and collectors, provides access to that legacy. The introduction summarizes the Exposition's influence. The bibliography, arranged to allow researchers to browse topics broadly, describes over 6,000 books, journal articles, and other materials. A directory of special collections of fair-related materials is also included. Newspaper and magazine articles, books, dissertations, drawings, photographs, maps, letters, documents, and collections of memorabilia—these provide the enduring heritage of the fair. This guide provides information on all aspects of that heritage. In addition to the bibilography itself, an extensive introduction discusses the influence the fair has had on America. Illustrations provide a visual portrayal of the fair. A directory of special collections of fair-related materials provides an inventory of each collection, along with addresses and telephone numbers. This book is the only comprehensive reference guide to the World's Columbian Exposition.
Author: Erik Larson
Publisher: Random House
ISBN: 1409044602
Category : History
Languages : en
Pages : 498
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Book Description
'An irresistible page-turner that reads like the most compelling, sleep defying fiction' TIME OUT One was an architect. The other a serial killer. This is the incredible story of these two men and their realization of the Chicago World's Fair of 1893, and its amazing 'White City'; one of the wonders of the world. The architect was Daniel H. Burnham, the driving force behind the White City, the massive, visionary landscape of white buildings set in a wonderland of canals and gardens. The killer was H. H. Holmes, a handsome doctor with striking blue eyes. He used the attraction of the great fair - and his own devilish charms - to lure scores of young women to their deaths. While Burnham overcame politics, infighting, personality clashes and Chicago's infamous weather to transform the swamps of Jackson Park into the greatest show on Earth, Holmes built his own edifice just west of the fairground. He called it the World's Fair Hotel. In reality it was a torture palace, a gas chamber, a crematorium. These two disparate but driven men are brought to life in this mesmerizing, murderous tale of the legendary Fair that transformed America and set it on course for the twentieth century . . .
Author: David F. Burg
Publisher: University Press of Kentucky
ISBN: 0813150477
Category : History
Languages : en
Pages : 399
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Book Description
In 1893, the year that marked the four hundredth anniversary of the landing of Columbus in the New World, Chicago was host to an exposition to mark the occasion. Although the World's Columbian Exposition was the fifteenth world's fair, it was of vastly greater scope than any of its predecessors. Chicago created a veritable new city. It was not only larger than any previous exposition but also more elaborately designed, more precisely laid out, more fully realized, and more prophetic. It was the first exposition truly to solicit the participation of the entire world. In this study of the White City, David F. Burg shows America at a crossroads in its development. It was in the process of moving from a largely agricultural society to a predominately urban and industrial one. The exposition was an index of American values, achievements, and expectation in this era of profound and complex change. The exposition was an achievement of cooperative endeavor and expertise. It demonstrated that both artistic capacity and technology were available to transform, in agreeable combination, burgeoning industrial cities into well-designed centers of business, culture, and community. Burg places his discussion in the context of the United States and Chicago during the early 1890s. Besides dealing with the multifaceted fair itself—its architecture, artworks, music, technological achievements—he discusses the congresses that were held on a variety of subjects, two of the most significant being the Congresses of Women and the World's Parliament of Religions. In the exposition's theme was the potential of fashioning the Kingdom of God on earth in contrast to the chaotic, dirty, industrial cities of the time. Burg finds in the exposition a significant legacy to architecture, city planning, and civic organization. Its most promising aftereffect occurred in the City Beautiful movement; its influence extended also to such ordinary concerns as well-lighted streets, efficient waste disposal, and honest government.
Author: Laurie Lawlor
Publisher: Simon and Schuster
ISBN: 074343630X
Category : Families
Languages : en
Pages : 244
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Book Description
Dora and her three sisters are fascinated by the World's Columbian Exposition held in Chicago in 1893.
Author: Reid Neilson
Publisher: Oxford University Press
ISBN: 0199913285
Category : Religion
Languages : en
Pages : 239
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Book Description
The 1893 Columbian Exposition, also known as the Chicago World's Fair, presented the Latter-day Saints with their first opportunity to exhibit the best of Mormonism for a national and an international audience after the abolishment of polygamy in 1890. The Columbian Exposition also marked the dramatic reengagement of the LDS Church with the non-Mormon world after decades of seclusion in the Great Basin. Between May and October 1893, over seven thousand Latter-day Saints from Utah attended the international spectacle popularly described as the ''White City.'' While many traveled as tourists, oblivious to the opportunities to ''exhibit'' Mormonism, others actively participated to improve their church's public image. Hundreds of congregants helped create, manage, and staff their territory's impressive exhibit hall; most believed their besieged religion would benefit from Utah's increased national profile. Moreover, a good number of Latter-day Saint women represented the female interests and achievements of both Utah and its dominant religion. These women hoped to use the Chicago World's Fair as a platform to improve the social status of their gender and their religion. Additionally, two hundred and fifty of the Mormon Tabernacle Choir's best singers competed in a Welsh eiseddfodd, a musical competition held in conjunction with the Chicago World's Fair, and Mormon apologist Brigham H. Roberts sought to gain LDS representation at the affiliated Parliament of Religions. In the first study ever written of Mormon participation at the Chicago World's Fair, Reid L. Neilson explores how Latter-day Saints attempted to ''exhibit'' themselves to the outside world before, during, and after the Columbian Exposition, arguing that their participation in the Exposition was a crucial moment in the Mormon migration to the American mainstream and its leadership's discovery of public relations efforts. After 1893, Mormon leaders sought to exhibit their faith rather than be exhibited by others.
Author: Bill Cotter
Publisher: Arcadia Publishing
ISBN: 1439649472
Category : Photography
Languages : en
Pages : 128
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Book Description
It took six years and cost $100 million, but on May 27, 1933, the gates swung open on the biggest birthday party the city of Chicago had ever seen. The Century of Progress Exposition, better known as the 1933-34 Chicago World's Fair, commemorated the amazing progress that had been made since the founding of the city just 100 years earlier. Many of America's largest companies joined with countries from around the world to showcase their histories and advertise their newest products. The road to opening day was not an easy one, with the Great Depression making it look like the fair might never be built, but thousands of small investors stepped forward to help close the financial gap. The fair went on to an unprecedented second season, and when the gates finally closed after the last of the 39 million visitors went home, it had achieved something quite rare among world's fairs: earning a profit. This collection of rare photographs, previously unpublished, highlights the major attractions of the fair and the astonishing changes made between seasons.
Author: Ida B. Wells-Barnett
Publisher: University of Illinois Press
ISBN: 9780252067846
Category : African Americans
Languages : en
Pages : 136
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Book Description
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United States, where white supremacy meant segregation, second-class citizenship, and sometimes mob violence and lynching. In response to the politics of exclusion that governed the fair, and of its larger implications, several prominent African Americans resolved to publish a pamphlet that would catalog the achievements of African Americans since the abolition of slavery while articulating the persistent political economy of apartheid in the American South. The authors of this remarkable document included the antilynching crusader Ida B. Wells, the former slave and abolitionist Frederick Douglass, the educator Irvine Garland Penn, and the lawyer and newspaper publisher Ferdinand L. Barnett. An eloquent statement of protest and pride, The Reason Why the Colored American Is Not in the World's Columbian Exposition reminds us that struggles over cultural representation are nothing new in American life. Robert Rydell's introduction provides insight into the sometimes conflicting strategies employed by African Americans as they strove to represent themselves at a cultural event that was widely regarded as a defining moment in American history.
