Author: John Cecil Austin
Publisher: Colonial Williamsburg
ISBN: 9780879350239
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
The Colonial Williamsburg Foundation has amassed an outstanding collection of ceramics produced by the Chelsea porcelain Manufactory during its years of operation, 1745-1769. The most important part of the collection falls within the Manufactory's earliest, or triangle, period, and includes examples of nearly all the extant forms. Exotic teapots shaped like Chinamen holding creatures, and objects copied directly from silver prototypes are but a few of the fascinating forms from the early, experimental period. Also illustrated are unique and aesthetically pleasing examples that were manufactured at Chelsea later.
Chelsea Porcelain at Williamsburg
Author: John Cecil Austin
Publisher: Colonial Williamsburg
ISBN: 9780879350239
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
The Colonial Williamsburg Foundation has amassed an outstanding collection of ceramics produced by the Chelsea porcelain Manufactory during its years of operation, 1745-1769. The most important part of the collection falls within the Manufactory's earliest, or triangle, period, and includes examples of nearly all the extant forms. Exotic teapots shaped like Chinamen holding creatures, and objects copied directly from silver prototypes are but a few of the fascinating forms from the early, experimental period. Also illustrated are unique and aesthetically pleasing examples that were manufactured at Chelsea later.
Publisher: Colonial Williamsburg
ISBN: 9780879350239
Category : Antiques & Collectibles
Languages : en
Pages : 250
Book Description
The Colonial Williamsburg Foundation has amassed an outstanding collection of ceramics produced by the Chelsea porcelain Manufactory during its years of operation, 1745-1769. The most important part of the collection falls within the Manufactory's earliest, or triangle, period, and includes examples of nearly all the extant forms. Exotic teapots shaped like Chinamen holding creatures, and objects copied directly from silver prototypes are but a few of the fascinating forms from the early, experimental period. Also illustrated are unique and aesthetically pleasing examples that were manufactured at Chelsea later.
Silver at Williamsburg
Author: John A. Hyman
Publisher: Colonial Williamsburg
ISBN: 9780879351250
Category : Antiques & Collectibles
Languages : en
Pages : 148
Book Description
Colonial Williamsburg's extensive collection of silver drinking vessels is the legacy of three distinct sensibilities and reflects different philosophies of collecting over six decades.
Publisher: Colonial Williamsburg
ISBN: 9780879351250
Category : Antiques & Collectibles
Languages : en
Pages : 148
Book Description
Colonial Williamsburg's extensive collection of silver drinking vessels is the legacy of three distinct sensibilities and reflects different philosophies of collecting over six decades.
English Slip-decorated Earthenware at Williamsburg
Author: Leslie Brown Grigsby
Publisher: Colonial Williamsburg
ISBN: 9780879350901
Category : Antiques & Collectibles
Languages : en
Pages : 84
Book Description
Illustrated catalog of Colonial Williamsburg's slipware collection. This publication examines English slip-decorated earthenwares, many of which have an almost folk-like quality in their naivety of form and decoration.
Publisher: Colonial Williamsburg
ISBN: 9780879350901
Category : Antiques & Collectibles
Languages : en
Pages : 84
Book Description
Illustrated catalog of Colonial Williamsburg's slipware collection. This publication examines English slip-decorated earthenwares, many of which have an almost folk-like quality in their naivety of form and decoration.
Eighteenth-century English Porcelain in the Collection of the Indianapolis Museum of Art
Author: Indianapolis Museum of Art
Publisher: Indiana University Press
ISBN: 9780936260112
Category : Antiques & Collectibles
Languages : en
Pages : 288
Book Description
"This very thorough catalogue, with excellent footnotes and bibliography, firmly places the subject in its broadest context." --Apollo Covers approximately 95 pieces, representing Chelsea, Bow, Derby, Worcester, Chamberlain-Worcester, Caughley, Longton Hall, Spode, and Hilditch and Sons.
Publisher: Indiana University Press
ISBN: 9780936260112
Category : Antiques & Collectibles
Languages : en
Pages : 288
Book Description
"This very thorough catalogue, with excellent footnotes and bibliography, firmly places the subject in its broadest context." --Apollo Covers approximately 95 pieces, representing Chelsea, Bow, Derby, Worcester, Chamberlain-Worcester, Caughley, Longton Hall, Spode, and Hilditch and Sons.
New England Furniture at Williamsburg
Author: Barry A. Greenlaw
Publisher: Colonial Williamsburg
ISBN: 9780879350192
Category : Antiques & Collectibles
Languages : en
Pages : 220
Book Description
This catalog illustrates and describes 164 pieces of New England furniture in the Colonial Williamsburg collection, including examples of nearly every type of household furniture made and used during the colonial period.
Publisher: Colonial Williamsburg
ISBN: 9780879350192
Category : Antiques & Collectibles
Languages : en
Pages : 220
Book Description
This catalog illustrates and describes 164 pieces of New England furniture in the Colonial Williamsburg collection, including examples of nearly every type of household furniture made and used during the colonial period.
The Game of Love in Georgian England
Author: Sally Holloway
Publisher: Oxford University Press
ISBN: 019882307X
Category : History
Languages : en
Pages : 244
Book Description
Courtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.
Publisher: Oxford University Press
ISBN: 019882307X
Category : History
Languages : en
Pages : 244
Book Description
Courtship in Georgian England was a decisive moment in the life cycle, imagined as a tactical game, an invigorating sport, and a perilous journey across a turbulent sea. This volume brings to life the emotional experience of courtship using the words and objects selected by men and women to navigate this potentially fraught process. It provides new insights into the making and breaking of relationships, beginning with the formation of courtships using the language of love, the development of intimacy through the exchange of love letters, and sensory engagement with love tokens such as flowers, portrait miniatures, and locks of hair. It also charts the increasing modernization of romantic customs over the Georgian era - most notably with the arrival of the printed valentine's card - revealing how love developed into a commercial industry. The book concludes with the rituals of disintegration when engagements went awry, and pursuit of damages for breach of promise in the civil courts. The Game of Love in Georgian England brings together love letters, diaries, valentines, and proposals of marriage from sixty courtships sourced from thirty archives and museum collections, alongside an extensive range of sources including ballads, conduct literature, court cases, material objects, newspaper reports, novels, periodicals, philosophical discourses, plays, poems, and prints, to create a vivid social and cultural history of romantic emotions. The book demonstrates the importance of courtship to studies of marriage, relationships, and emotions in history, and how we write histories of emotions using objects. Love emerges as something that we do in practice, enacted by couples through particular socially and historically determined rituals.
In the Neatest Manner
Author: Kimberly Smith Ivey
Publisher: Colonial Williamsburg
ISBN: 9780879352028
Category : Crafts & Hobbies
Languages : en
Pages : 132
Book Description
This book was prepared in conjunction with the exhibit Virginia Samplers: Young Ladies and Their Needle Wisdom, 10/31/1997-09/08/1998, at the DeWitt Wallace Gallery, Colonial Williamsburg Foundation, Williamsburg, VA.
Publisher: Colonial Williamsburg
ISBN: 9780879352028
Category : Crafts & Hobbies
Languages : en
Pages : 132
Book Description
This book was prepared in conjunction with the exhibit Virginia Samplers: Young Ladies and Their Needle Wisdom, 10/31/1997-09/08/1998, at the DeWitt Wallace Gallery, Colonial Williamsburg Foundation, Williamsburg, VA.
European Porcelain in The Metropolitan Museum of Art
Author: Jeffrey Munger
Publisher: Metropolitan Museum of Art
ISBN: 1588396436
Category : Antiques & Collectibles
Languages : en
Pages : 315
Book Description
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Publisher: Metropolitan Museum of Art
ISBN: 1588396436
Category : Antiques & Collectibles
Languages : en
Pages : 315
Book Description
Porcelain imported from China was the most highly coveted new medium in sixteenth- and early seventeenth-century Europe. Its pure white color, translucency, and durability, as well as the delicacy of decoration, were impossible to achieve in European earthenware and stoneware. In response, European ceramic factories set out to discover the process of producing porcelain in the Chinese manner, with significant artistic, technical, and commercial ramifications for Britain and the Continent. Indeed, not only artisans, but kings, noble patrons, and entrepreneurs all joined in the quest, hoping to gain both prestige and profit from the enterprises they established. This beautifully illustrated volume showcases ninety works that span the late sixteenth to the mid-nineteenth century and reflect the major currents of European porcelain production. Each work is illustrated with glorious new photography, accompanied by analysis and interpretation by one of the leading experts in European decorative arts. Among the wide range of porcelains selected are rare blue-and-white wares and figures from Italy, superb examples from the Meissen factory in Germany and the Sèvres factory in France, and ceramics produced by leading British eighteenth-century artisans. Taken together, they reveal why the Metropolitan Museum’s holdings in this field are among the finest in the world. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
English, Irish, & Scottish Silver at the Sterling and Francine Clark Art Institute
Author: Sterling and Francine Clark Art Institute
Publisher: Hudson Hills
ISBN: 9781555951177
Category : Orfèvrerie (Objets)
Languages : en
Pages : 606
Book Description
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
Publisher: Hudson Hills
ISBN: 9781555951177
Category : Orfèvrerie (Objets)
Languages : en
Pages : 606
Book Description
In this stunning catalog, Wees, curator of decorative arts at the Clark Art Institute, shares her extensive knowledge of silver. Robert Sterling Clark, who established the Art Institute in 1955, preferred Huguenot silver? especially that of Paul de Lamerie? so his collection, which contains typical objects from the early 16th to the mid-20th centuries, is especially rich in 18th-century examples. Wees arranges this collection according to general function ("Dining," "Lighting," etc.) and prefaces each chapter with exhaustively footnoted essays. She accompanies each item with crisp black-and-white photographs, a wealth of description, and helpful commentary. Analogous to Kathryn Buhler's standard catalog of American silver in Boston's Museum of Fine Arts, this is a wonderful tool for researching makers and hallmarks, comparing stylistic elements, or just marveling at the beauty of an extraordinary collection. While not intended to be a historical compendium, this informative, visual feast belongs in all silver reference collections and will also certainly appeal to individual collectors. 19 colour & 1,222 b/w illustrations
The Power of Objects in Eighteenth-Century British America
Author: Jennifer Van Horn
Publisher: UNC Press Books
ISBN: 1469629577
Category : History
Languages : en
Pages : 457
Book Description
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.
Publisher: UNC Press Books
ISBN: 1469629577
Category : History
Languages : en
Pages : 457
Book Description
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn reconstructs the networks of goods that bound together consumers in Boston, New York, Philadelphia, and Charleston. Moving beyond emulation and the desire for social status as the primary motivators for consumption, Van Horn shows that Anglo-Americans' material choices were intimately bound up with their efforts to distance themselves from Native Americans and African Americans. She also traces women's contested place in forging provincial culture. As encountered through a woman's application of makeup at her dressing table or an amputee's donning of a wooden leg after the Revolutionary War, material artifacts were far from passive markers of rank or political identification. They made Anglo-American society.