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Author: Dorothea Tanning
Publisher: Hachette UK
ISBN: 0349012636
Category : Fiction
Languages : en
Pages : 86
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Book Description
A Surrealist novel in the vein of Angela Carter, about love and beauty and dark secrets. Played out like the command of an oracle are the events that stain one night in the improbable setting of this desert tale. Rearing its impudent architecture like insult on a landscape of quiet beauty is Windcote, "its very name a masquerade," where inhabitants and guests find themselves driven by obsessions and confusions they have never faced before. Here doors open and close and open again. They hide, release, reveal, and ruin. In this web of tangled imperatives is the child, Destina, untouched by the fevers and failures around her. Her own world is outside in the mystery-locked canyon where, for the time of this story, she seems to find her own truth
Author: Dorothea Tanning
Publisher: Hachette UK
ISBN: 0349012636
Category : Fiction
Languages : en
Pages : 86
Get Book Here
Book Description
A Surrealist novel in the vein of Angela Carter, about love and beauty and dark secrets. Played out like the command of an oracle are the events that stain one night in the improbable setting of this desert tale. Rearing its impudent architecture like insult on a landscape of quiet beauty is Windcote, "its very name a masquerade," where inhabitants and guests find themselves driven by obsessions and confusions they have never faced before. Here doors open and close and open again. They hide, release, reveal, and ruin. In this web of tangled imperatives is the child, Destina, untouched by the fevers and failures around her. Her own world is outside in the mystery-locked canyon where, for the time of this story, she seems to find her own truth
Author: Catriona McAra
Publisher: Routledge
ISBN: 1315390566
Category : Art
Languages : en
Pages : 180
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Book Description
In A Surrealist Stratigraphy of Dorothea Tanning’s Chasm, Catriona McAra offers the first critical study of the literary work of the celebrated American painter and sculptor Dorothea Tanning (1910–2012). McAra fills a major gap in the scholarship, repositioning Tanning’s writing at the centre of her entire creative oeuvre and focusing on a little-known short story "Abyss," a gothic-flavoured, desert adventure which Tanning worked on intermittently throughout her creative life, finally publishing it in 2004 as Chasm: A Weekend. McAra performs a major reassessment of the visual and literary principles upon which the surrealist movement was initially founded. Combining a groundbreaking methodological approach with reference to cultural theory and feminist aesthetics as well as Tanning’s unpublished journals and notes, McAra reveals Tanning as a key player in contemporary art practice as well as in the historical surrealist milieu.
Author: Dorothea Tanning
Publisher: W. W. Norton & Company
ISBN: 0393062899
Category : Biography & Autobiography
Languages : en
Pages : 428
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Book Description
The life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told. Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst. Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.
Author: Chris Cleave
Publisher: Simon and Schuster
ISBN: 1451635761
Category : Fiction
Languages : en
Pages : 276
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Book Description
I am a woman built upon the wreckage of myself. In an emotionally raw voice alive with grief, compassion, and startling humor, a woman mourns the loss of her husband and son at the hands of one of history’s most notorious criminals. And in appealing to their executioner, she reveals the desperate sadness of a broken heart and a working-class life blown apart.
Author: Gisèle Prassinos
Publisher:
ISBN: 9781939663221
Category : Fiction
Languages : en
Pages : 0
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Book Description
First discovered, celebrated and published by the Surrealists at the age of 14 (they declared her the "new Alice"), Gisèle Prassinos quickly found herself established in the literary world as a fount of automatic tales freighted with transgressive humor and a pervading sense of threatened feminine identity. "Gisèle Prassinos' tone is unique," claimed André Breton, "all the poets are jealous of it. Swift lowers his eyes, Sade shuts his candy box." The Arthritic Grasshopper and Other Tales gathers together all of her literary prose from 1934 to 1944, an assortment of anxious dream tales drawn from journals and plaquettes, introduced and illustrated by such admirers as Paul Éluard, Man Ray and Hans Bellmer. The 72 stories include such longer, novella-length tales as "Sondue," "The Executioner" and "The Dream."Gisèle Prassinos (1920-2015) was born in Istanbul of a Greek father and an Italian mother. One summer day at the age of 13 and in a fit of boredom, she began to compose short absurdist vignettes, filling up pages of paper with tales of sarcastic stains, arrogant hair and liquid frogs. Her first collection was published in 1935, with a preface by Paul Éluard and a frontispiece portrait by Man Ray. With World War II, Prassinos stopped publishing, but in 1954 she returned to literature with a series of novels and stories still imbued with a Surrealist sensibility.
Author: Anna Watz
Publisher: Cambridge University Press
ISBN: 1009084925
Category : Literary Criticism
Languages : en
Pages : 678
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Book Description
A History of the Surrealist Novel offers a rich, long, and elastic historiography of the surrealist novel, taking into consideration an abundance of texts previously left out of critical accounts. Its twenty thematically organized chapters examine surrealist prose texts written in French, English, Spanish, German, Greek, and Japanese, from the emergence of the surrealist movement in the 1920s and 1930s, through the post-war and postmodern periods, and up to the contemporary moment. This approach extends received narratives regarding surrealism's geographical locations and considers its transnational movement and modes of circulation. Moreover, it challenges critical biases that have defined surrealism in predominantly masculine terms, and which tie the movement to the interwar or early post-war years. This book will appeal both to scholars and students of surrealism and its legacies, modernist literature, and the history of the novel.
Author: Dorothea Tanning
Publisher:
ISBN:
Category :
Languages : en
Pages : 184
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Book Description
Author: Karen Stanton
Publisher: Feiwel & Friends
ISBN: 1466865407
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Henry Cooper and his dog Pomegranate have two houses. On Mondays, Wednesdays, and every other weekend, they live with Mama in her new apartment, but on Tuesdays, Thursdays, and every other weekend, they live with Papa in his new house. Henry and Pomegranate are happy as they dance with Mama and sing with Papa, but Henry knows that sometimes Pomegranate gets confused and just wants to go . . . home. This gentle and accessible story about dealing with the many changes that come with divorce is beautifully brought to life by author Karen Stanton's vivid and memorable illustrations.
Author: Anna Watz
Publisher: Manchester University Press
ISBN: 1526132044
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
Surrealist women’s writing: A critical exploration is the first sustained critical inquiry into the writing of women associated with surrealism. Featuring original essays by leading scholars of surrealism, the volume demonstrates the extent and the historical, linguistic, and culturally contextual breadth of this writing. It also highlights how the specifically surrealist poetics and politics of these writers’ work intersect with and contribute to contemporary debates on, for example, gender, sexuality, subjectivity, otherness, anthropocentrism, and the environment. Drawing on a variety of innovative theoretical approaches, the essays in the volume focus on the writing of numerous women surrealists, many of whom have hitherto mainly been known for their visual rather than their literary production. These include Claude Cahun, Leonora Carrington, Kay Sage, Colette Peignot, Suzanne Césaire, Unica Zürn, Ithell Colquhoun, Leonor Fini, Dorothea Tanning, and Rikki Ducornet.
Author: David Calvin
Publisher: Cambridge Scholars Publishing
ISBN: 1443830550
Category : Art
Languages : en
Pages : 315
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Book Description
The anti-(fairy) tale has long existed in the shadow of the traditional fairy tale as its flipside or evil twin. According to André Jolles in Einfache Formen (1930), such Antimärchen are contemporaneous with some of the earliest known oral variants of familiar tales. While fairy tales are generally characterised by a “spirit of optimism” (Tolkien) the anti-tale offers us no such assurances; for every “happily ever after,” there is a dissenting “they all died horribly.” The anti-tale is, however, rarely an outright opposition to the traditional form itself. Inasmuch as the anti-hero is not a villain, but may possess attributes of the hero, the anti-tale appropriates aspects of the fairy tale form, (and its equivalent genres) and re-imagines, subverts, inverts, deconstructs or satirises elements of these to present an alternate narrative interpretation, outcome or morality. In this collection, Little Red Riding Hood retaliates against the wolf, Cinderella’s stepmother provides her own account of events, and “Snow White” evolves into a postmodern vampire tale. The familiar becomes unfamiliar, revealing the underlying structures, dynamics, fractures and contradictions within the borrowed tales. Over the last half century, this dissident tradition has become increasingly popular, inspiring numerous writers, artists, musicians and filmmakers. Although anti-tales abound in contemporary art and popular culture, the term has been used sporadically in scholarship without being developed or defined. While it is clear that the aesthetics of postmodernism have provided fertile creative grounds for this tradition, the anti-tale is not just a postmodern phenomenon; rather, the “postmodern fairy tale” is only part of the picture. Broadly interdisciplinary in scope, this collection of twenty-two essays and artwork explores various manifestations of the anti-tale, from the ancient to the modern including romanticism, realism and surrealism along the way.
