Author: Joseph R. McElrath, Jr.
Publisher: Stanford University Press
ISBN: 9780804744324
Category : Literary Collections
Languages : en
Pages : 644
Book Description
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Charles W. Chesnutt: Essays and Speeches
Author: Joseph R. McElrath, Jr.
Publisher: Stanford University Press
ISBN: 9780804744324
Category : Literary Collections
Languages : en
Pages : 644
Book Description
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Publisher: Stanford University Press
ISBN: 9780804744324
Category : Literary Collections
Languages : en
Pages : 644
Book Description
Charles W. Chesnutt (1858-1932) has been considered by many the major African-American fiction writer before the Harlem Renaissance. This book collects essays he wrote from 1899 through 1931, the majority of which concern white racism, and political and literary addresses he made to both white and black audiences from 1881 through 1931.
Passing in the Works of Charles W. Chesnutt
Author: Susan Prothro Wright
Publisher: Univ. Press of Mississippi
ISBN: 1604734183
Category : Literary Criticism
Languages : en
Pages : 147
Book Description
Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre.
Publisher: Univ. Press of Mississippi
ISBN: 1604734183
Category : Literary Criticism
Languages : en
Pages : 147
Book Description
Passing in the Works of Charles W. Chesnutt is a collection that reevaluates Chesnutt's deft manipulation of the "passing" theme to expand understanding of the author's fiction and nonfiction. Nine contributors apply a variety of theories---including intertextual, signifying/discourse analysis, narratological, formal, psychoanalytical, new historical, reader response, and performative frameworks---to add richness to readings of Chesnutt's works. Together the essays provide convincing evidence that "passing" is an intricate, essential part of Chesnutt's writing, and that it appears in all the genres he wielded: journal entries, speeches, essays, and short and long fiction. The essays engage with each other to display the continuum in Chesnutt's thinking as he began his writing career and established his sense of social activism, as evidenced in his early journal entries. Collectively, the essays follow Chesnutt's works as he proceeded through the Jim Crow era, honing his ability to manipulate his mostly white audience through the astute, though apparently self-effacing, narrator, Uncle Julius, of his popular conjure tales. Chesnutt's ability to subvert audience expectations is equally noticeable in the subtle irony of his short stories. Several of the collection's essays address Chesnutt's novels, including Paul Marchand, F.M.C., Mandy Oxendine, The House Behind the Cedars, and Evelyn's Husband. The volume opens up new paths of inquiry into a major African American writer's oeuvre.
"Speaking of Dialect"
Author: Erik Redling
Publisher: Königshausen & Neumann
ISBN: 9783826032264
Category : African Americans
Languages : en
Pages : 224
Book Description
Publisher: Königshausen & Neumann
ISBN: 9783826032264
Category : African Americans
Languages : en
Pages : 224
Book Description
Charles W. Chesnutt: Stories, Novels, and Essays (LOA #131)
Author: Charles Waddell Chesnutt
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 968
Book Description
This collection of essential writings from a pioneer of African-American literature features two stories newly restored to print. Eight essays highlight Chesnutt's prescient views on the paradoxes of race relations in America and the definition of race itself.
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 968
Book Description
This collection of essential writings from a pioneer of African-American literature features two stories newly restored to print. Eight essays highlight Chesnutt's prescient views on the paradoxes of race relations in America and the definition of race itself.
Sitting in Darkness
Author: Peter Schmidt
Publisher: Univ. Press of Mississippi
ISBN: 160473311X
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Sitting in Darkness explores how fiction of the Reconstruction and the New South intervenes in debates over black schools, citizen-building, Jim Crow discrimination, and U.S. foreign policy towards its territories and dependencies. The author urges a reexamination not only of the contents and formal innovations of New South literature but also its importance in U.S. literary history. Many rarely studied fiction authors (such as Ellwood Griest, Ellen Ingraham, George Marion McClellan, and Walter Hines Page) receive generous attention here, and well-known figures such as Albion Tourgee, Frances E. W. Harper, Sutton Griggs, George Washington Cable, Mark Twain, Thomas Dixon, Owen Wister, and W. E. B. Du Bois are illuminated in significant new ways. The book's readings seek to synthesize developments in literary and cultural studies, ranging through New Criticism, New Historicism, postcolonial studies, black studies, and "whiteness" studies. This volume posits and answers significant questions. In what ways did the "uplift" projects of Reconstruction-their ideals and their contradictions-affect U.S. colonial policies in the new territories after 1898? How can fiction that treated these historical changes help us understand them? What relevance does this period have for us in the present, during a moment of great literary innovation and strong debate over how well the most powerful country in the world uses its resources?
Publisher: Univ. Press of Mississippi
ISBN: 160473311X
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Sitting in Darkness explores how fiction of the Reconstruction and the New South intervenes in debates over black schools, citizen-building, Jim Crow discrimination, and U.S. foreign policy towards its territories and dependencies. The author urges a reexamination not only of the contents and formal innovations of New South literature but also its importance in U.S. literary history. Many rarely studied fiction authors (such as Ellwood Griest, Ellen Ingraham, George Marion McClellan, and Walter Hines Page) receive generous attention here, and well-known figures such as Albion Tourgee, Frances E. W. Harper, Sutton Griggs, George Washington Cable, Mark Twain, Thomas Dixon, Owen Wister, and W. E. B. Du Bois are illuminated in significant new ways. The book's readings seek to synthesize developments in literary and cultural studies, ranging through New Criticism, New Historicism, postcolonial studies, black studies, and "whiteness" studies. This volume posits and answers significant questions. In what ways did the "uplift" projects of Reconstruction-their ideals and their contradictions-affect U.S. colonial policies in the new territories after 1898? How can fiction that treated these historical changes help us understand them? What relevance does this period have for us in the present, during a moment of great literary innovation and strong debate over how well the most powerful country in the world uses its resources?
The Construction of Whiteness
Author: Stephen Middleton
Publisher: Univ. Press of Mississippi
ISBN: 1496805569
Category : Social Science
Languages : en
Pages : 390
Book Description
A CHOICE Outstanding Academic Title, 2017 This volume collects interdisciplinary essays that examine the crucial intersection between whiteness as a privileged racial category and the various material practices (social, cultural, political, and economic) that undergird white ideological influence in America. In truth, the need to examine whiteness as a problem has rarely been grasped outside academic circles. The ubiquity of whiteness--its pervasive quality as an ideal that is at once omnipresent and invisible--makes it the very epitome of the mainstream in America. And yet the undeniable relationship between whiteness and inequality in this country necessitates a thorough interrogation of its formation, its representation, and its reproduction. Essays here seek to do just that work. Editors and contributors interrogate whiteness as a social construct, revealing the underpinnings of narratives that foster white skin as an ideal of beauty, intelligence, and power. Contributors examine whiteness from several disciplinary perspectives, including history, communication, law, sociology, and literature. Its breadth and depth makes The Construction of Whiteness a refined introduction to the critical study of race for a new generation of scholars, undergraduates, and graduate students. Moreover, the interdisciplinary approach of the collection will appeal to scholars in African and African American studies, ethnic studies, cultural studies, legal studies, and more. This collection delivers an important contribution to the field of whiteness studies in its multifaceted impact on American history and culture.
Publisher: Univ. Press of Mississippi
ISBN: 1496805569
Category : Social Science
Languages : en
Pages : 390
Book Description
A CHOICE Outstanding Academic Title, 2017 This volume collects interdisciplinary essays that examine the crucial intersection between whiteness as a privileged racial category and the various material practices (social, cultural, political, and economic) that undergird white ideological influence in America. In truth, the need to examine whiteness as a problem has rarely been grasped outside academic circles. The ubiquity of whiteness--its pervasive quality as an ideal that is at once omnipresent and invisible--makes it the very epitome of the mainstream in America. And yet the undeniable relationship between whiteness and inequality in this country necessitates a thorough interrogation of its formation, its representation, and its reproduction. Essays here seek to do just that work. Editors and contributors interrogate whiteness as a social construct, revealing the underpinnings of narratives that foster white skin as an ideal of beauty, intelligence, and power. Contributors examine whiteness from several disciplinary perspectives, including history, communication, law, sociology, and literature. Its breadth and depth makes The Construction of Whiteness a refined introduction to the critical study of race for a new generation of scholars, undergraduates, and graduate students. Moreover, the interdisciplinary approach of the collection will appeal to scholars in African and African American studies, ethnic studies, cultural studies, legal studies, and more. This collection delivers an important contribution to the field of whiteness studies in its multifaceted impact on American history and culture.
The Conjure Woman (new edition)
Author: Charles W. Chesnutt
Publisher: Simon and Schuster
ISBN: 1804179396
Category : Fiction
Languages : en
Pages : 122
Book Description
An early slave narrative, a skilfully woven satire on the stereotypes of plantation life and the apparently beneficent white owner. Told as a series of gentle fables, in the style of Aesop. Featuring a new introduction for this new edition, The Conjure Woman is probably Chesnutt's most powerful work, a collection of stories set in post-war North Carolina. The main character is Uncle Julius, a former slave, who entertains a white couple from the North with fantastic tales of antebellum plantation life. Julius tells of supernatural phenomenon, hauntings, transfiguration, and conjuring, which were typical of Southern African-American folk tales at the time. Uncle Julius tells the stories in a way that speaks beyond his immediate audience, offering stories of slavery and inequality that are, to the enlightened reader, obviously wrong. The tales are fabulistic, like those of Uncle Remus or Aesop, with carefully crafted allegories on the psychological and social effects of slavery and racial injustice. Foundations of Black Science Fiction. New forewords and fresh introductions give long-overdue perspectives on significant, early Black proto-sci-fi and speculative fiction authors who wrote with natural justice and civil rights in their hearts, their voices reaching forward to the writers of today. The series foreword is by Dr Sandra Grayson.
Publisher: Simon and Schuster
ISBN: 1804179396
Category : Fiction
Languages : en
Pages : 122
Book Description
An early slave narrative, a skilfully woven satire on the stereotypes of plantation life and the apparently beneficent white owner. Told as a series of gentle fables, in the style of Aesop. Featuring a new introduction for this new edition, The Conjure Woman is probably Chesnutt's most powerful work, a collection of stories set in post-war North Carolina. The main character is Uncle Julius, a former slave, who entertains a white couple from the North with fantastic tales of antebellum plantation life. Julius tells of supernatural phenomenon, hauntings, transfiguration, and conjuring, which were typical of Southern African-American folk tales at the time. Uncle Julius tells the stories in a way that speaks beyond his immediate audience, offering stories of slavery and inequality that are, to the enlightened reader, obviously wrong. The tales are fabulistic, like those of Uncle Remus or Aesop, with carefully crafted allegories on the psychological and social effects of slavery and racial injustice. Foundations of Black Science Fiction. New forewords and fresh introductions give long-overdue perspectives on significant, early Black proto-sci-fi and speculative fiction authors who wrote with natural justice and civil rights in their hearts, their voices reaching forward to the writers of today. The series foreword is by Dr Sandra Grayson.
The Marrow of Tradition
Author: Charles W. Chesnutt
Publisher: Xist Publishing
ISBN: 1681951517
Category : Fiction
Languages : en
Pages : 282
Book Description
Post Civil War Facts Are Entwined With Fiction “Looking at these two men with the American eye, the differences would perhaps be the more striking, or at least the more immediately apparent, for the first was white and the second black, or, more correctly speaking, brown...but both his swarthy complexion and his curly hair revealed what has been described in the laws of some of our states as a “visible admixture” of African blood.” - Charles W. Chesnutt, The Marrow of Tradition In The Marrow of Tradition, Charles W. Chesnutt takes a page from the post- Civil War American history book and tries to bring it back to life so that the reader can truly understand the roots of race segregation. Set in the fictional southern town of Wellington, the action is based upon the real 1898 Wilmington insurrection that shook the American society to the ground. The novel takes the reader to uncharted territories where the emerging white aristocracy is trying to get rid of the ‘blacks’. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Publisher: Xist Publishing
ISBN: 1681951517
Category : Fiction
Languages : en
Pages : 282
Book Description
Post Civil War Facts Are Entwined With Fiction “Looking at these two men with the American eye, the differences would perhaps be the more striking, or at least the more immediately apparent, for the first was white and the second black, or, more correctly speaking, brown...but both his swarthy complexion and his curly hair revealed what has been described in the laws of some of our states as a “visible admixture” of African blood.” - Charles W. Chesnutt, The Marrow of Tradition In The Marrow of Tradition, Charles W. Chesnutt takes a page from the post- Civil War American history book and tries to bring it back to life so that the reader can truly understand the roots of race segregation. Set in the fictional southern town of Wellington, the action is based upon the real 1898 Wilmington insurrection that shook the American society to the ground. The novel takes the reader to uncharted territories where the emerging white aristocracy is trying to get rid of the ‘blacks’. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
Dividing Lines
Author: Andreá N. Williams
Publisher: University of Michigan Press
ISBN: 0472118617
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
One of the most extensive studies of class in nineteenth-century African American literature to date, Dividing Lines unveils how black fiction writers represented the uneasy relationship between class differences, racial solidarity, and the quest for civil rights in black communities. By portraying complex, highly stratified communities with a growing black middle class, these authors dispelled notions that black Americans were uniformly poor or uncivilized. The book argues that the signs of class anxiety are embedded in postbellum fiction: from the verbal stammer or prim speech of class-conscious characters to fissures in the fiction's form. Andreá N. Williams delves into the familiar and lesser-known works of Frances E. W. Harper, Pauline Hopkins, Charles W. Chesnutt, Sutton Griggs, and Paul Laurence Dunbar, showing how these texts mediate class through discussions of labor, moral respectability, ancestry, spatial boundaries, and skin complexion. Dividing Lines also draws on reader responses—from book reviews, editorials, and letters—to show how the class anxiety expressed in African American fiction directly sparked reader concerns over the status of black Americans in the U.S. social order. Weaving literary history with compelling textual analyses, this study yields new insights about the intersection of race and class in black novels and short stories from the 1880s to 1900s.
Publisher: University of Michigan Press
ISBN: 0472118617
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
One of the most extensive studies of class in nineteenth-century African American literature to date, Dividing Lines unveils how black fiction writers represented the uneasy relationship between class differences, racial solidarity, and the quest for civil rights in black communities. By portraying complex, highly stratified communities with a growing black middle class, these authors dispelled notions that black Americans were uniformly poor or uncivilized. The book argues that the signs of class anxiety are embedded in postbellum fiction: from the verbal stammer or prim speech of class-conscious characters to fissures in the fiction's form. Andreá N. Williams delves into the familiar and lesser-known works of Frances E. W. Harper, Pauline Hopkins, Charles W. Chesnutt, Sutton Griggs, and Paul Laurence Dunbar, showing how these texts mediate class through discussions of labor, moral respectability, ancestry, spatial boundaries, and skin complexion. Dividing Lines also draws on reader responses—from book reviews, editorials, and letters—to show how the class anxiety expressed in African American fiction directly sparked reader concerns over the status of black Americans in the U.S. social order. Weaving literary history with compelling textual analyses, this study yields new insights about the intersection of race and class in black novels and short stories from the 1880s to 1900s.
The Marrow of Tradition
Author: Charles W. Chesnutt
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 306
Book Description
Following the events of the Wilmington Massacre of 1898 and the sensationalist news reports and novels that framed the events as a race riot incited by members of the black community, The Marrow of Tradition was written as a critical response to these harmful reports and provided a perspective that had otherwise been ignored. Developed out of the stories and accounts provided by members of the black community in Wilmington and from his own experience growing up and living in North Carolina, the novel is a probable accounting of the events leading up to and surrounding the Wilmington massacre. On a hot and sultry night, Major Carteret sits anxiously beside his wife, Olivia, as she enters early labor. After the fall of the Southern Confederacy, Major Carteret’s family, one of the oldest and proudest in the state, fell to ruin, culminating in the deaths of his father and eldest brother. Only through winning the hand of Olivia Merkell did his fortunes turn around, and he goes on to found the Morning Chronicle, which becomes an influential paper among the discontented citizens. With the rising political power of the newly enfranchised black community, Major Carteret wishes for a radical change in direction for his state. Yet with the inauspicious birth of his child, his beliefs will come to be tested. Across town, a young Dr. Miller returns to Wilmington to lead a newly established hospital on the old Poindexter estate. Seeking to fulfill the growing need for medical care in the black community of Wilmington, Dr. Miller established a hospital that further served as a school for nursing with future aspirations for it to become a medical school. While respected among his colleagues, the young generation of black community members, Dr. Miller faces the challenges of being a black doctor from an older generation, and the growing restrictions being established by Jim Crow laws across the state. This book is part of the Standard Ebooks project, which produces free public domain ebooks.
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 306
Book Description
Following the events of the Wilmington Massacre of 1898 and the sensationalist news reports and novels that framed the events as a race riot incited by members of the black community, The Marrow of Tradition was written as a critical response to these harmful reports and provided a perspective that had otherwise been ignored. Developed out of the stories and accounts provided by members of the black community in Wilmington and from his own experience growing up and living in North Carolina, the novel is a probable accounting of the events leading up to and surrounding the Wilmington massacre. On a hot and sultry night, Major Carteret sits anxiously beside his wife, Olivia, as she enters early labor. After the fall of the Southern Confederacy, Major Carteret’s family, one of the oldest and proudest in the state, fell to ruin, culminating in the deaths of his father and eldest brother. Only through winning the hand of Olivia Merkell did his fortunes turn around, and he goes on to found the Morning Chronicle, which becomes an influential paper among the discontented citizens. With the rising political power of the newly enfranchised black community, Major Carteret wishes for a radical change in direction for his state. Yet with the inauspicious birth of his child, his beliefs will come to be tested. Across town, a young Dr. Miller returns to Wilmington to lead a newly established hospital on the old Poindexter estate. Seeking to fulfill the growing need for medical care in the black community of Wilmington, Dr. Miller established a hospital that further served as a school for nursing with future aspirations for it to become a medical school. While respected among his colleagues, the young generation of black community members, Dr. Miller faces the challenges of being a black doctor from an older generation, and the growing restrictions being established by Jim Crow laws across the state. This book is part of the Standard Ebooks project, which produces free public domain ebooks.