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Author: Charles Brock
Publisher: University of California Press
ISBN:
Category : Architecture
Languages : en
Pages : 250
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Book Description
Publisher description
Author: Charles Brock
Publisher: University of California Press
ISBN:
Category : Architecture
Languages : en
Pages : 250
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Book Description
Publisher description
Author: Theodore E. Stebbins
Publisher:
ISBN: 9780821228128
Category : Photography
Languages : en
Pages : 224
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Book Description
Essays by leading authorities on the artist's work accompany a stunning collection of nearly two hundred photographs by modernist American photographer Charles Sheeler, offering a landmark retrospective of of the work of the influential master of twentieth-century photography. 15,000 first printing.
Author: Karen Lucic
Publisher: Harvard University Press
ISBN: 9780674111110
Category : Art
Languages : en
Pages : 172
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Book Description
Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era? Karen Lucic considers this intriguing question while telling us Sheeler's story, and showing us how Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in vivid detail.
Author: Esther Adler
Publisher: The Museum of Modern Art
ISBN: 087070852X
Category : Art
Languages : en
Pages : 145
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Book Description
The Museum of Modern Art is known for its prescient focus on the avant-garde art of Europe, but in the first half of the twentieth century it was also acquiring work by Stuart Davis, Georgia O’Keeffe, Charles Sheeler, Alfred Stieglitz, and other, less well-known American artists whose work sometimes fits awkwardly under the avant garde umbrella. American Modern presents a fresh look at MoMA’s holdings of American art from that period. The still lifes, portraits, and urban, rural, and industrial landscapes vary in style, approach, and medium: melancholy images by Edward Hopper and Andrew Wyeth bump against the eccentric landscapes of Charles Burchfield and the Jazz Age sculpture of Elie Nadelman. Yet a distinct sensibility emerges, revealing a side of the Museum that may surprise a good part of its audience and throwing light on the cultural preoccupations of the rapidly changing American society of the day.
Author: Karen Lucic
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Charles Sheeler in Doylestown investigates one artist's lifelong engagement with the rich, distinctive traditions of rural Bucks County, Pennsylvania. It charts Sheeler's discovery of the region's architecture and artifacts beginning about 1910, when he and fellow artist Morton Livingston Schamberg rented an 18th-century farmhouse in Doylestown. It assesses the impact this seminal event had on Sheeler's early career, and how his cyclical return to Bucks County themes in later life reveals poignant attachments and emotional depths not usually ascribed to this 20th-century painter and photographer -- known primarily as an iconographer of the machine.
Author:
Publisher:
ISBN:
Category : Children's poetry
Languages : en
Pages : 166
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Book Description
A collection of children's poems written mainly by English poets.
Author: Edward Hopper
Publisher: Hirmer Verlag GmbH
ISBN: 9783777434018
Category : Art, American
Languages : en
Pages : 0
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Book Description
This exhibition sets the art of Edward Hopper in the context of the diverse and controversial movements dominating American art during the first half of the twentieth century.
Author: Eugenia Parry
Publisher: Chronicle Books (CA)
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
That the camera can give uncanny life to inanimate objects is something recognized and explored by photographers since the invention of the medium more than 150 years ago. Through forty-one photographs of sculpture, The Kiss of Apollo examines aspects of the photographer's enlivening gaze and the ways in which new meaning can be created when one artist observes the work of another. The history of "photography's love affair with sculpture", and a study of the ways in which new meaning can be created when one artist observes the work of another. Photographers include Atget, Eakins, Evans, Frank, Groover, Sheeler, Sommer, and Warhol among others in this handsomely designed publication.
Author: Katherine M. Bourguignon
Publisher: Ashmolean Museum Oxford
ISBN: 9781910807217
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
This catalogue looks at a current in interwar American art that is relatively unknown. The familiar story of America in the 'roaring Twenties' is that of 'The Great Gatsby', the Harlem Renaissance, and the Machine Age; while the 1930s are known as the Steinbeckian world marked by the Depression and the New Deal. This exhibition focuses on the artists who grappled with the experience of modern America with a cool, controlled detachment, almost completely eliminating people from their pictures. For some artists this treatment reflected an ambivalence and anxiety about the modern world. Factories without workers and streets without people. Factories without workers and streets without people could seem strange and empty places. George Ault (1891-1948) and Niles Spencer (1893-1952) painted eerie factories with darkened windows. Their precise, orderly painting style adds to the unsettling atmosphere of their work. In 'Manhattan Bridge Loop' (1928), Edward Hopper (1882-1967) captured the stilled, quiet mood of the city, including a solitary pedestrian. For others, this cool treatment of contemporary America was a positive more response - an expression of optimism and pride. Skyscrapers and bridges become studies in geometry; and cities are cleansed and ordered with no crowds and no chaos. Louis Lozowick's (1892-1973) prints capture the energy of the city in curving sprawls and buildings soaring into the sky; while Ralston Crawford (1906-78) and Charles Sheeler (1883-1965) depicted the architecture of industrial America - factories, grain elevators, water plants - as the country's new cathedrals, glorious in their scale and feats of engineering, yet oddly emptied of people. The detached, frozen appearance of the scenes creates an uncertain or ambiguous atmosphere.
Author: Richard Vine
Publisher:
ISBN: 9781555953584
Category :
Languages : en
Pages : 0
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Book Description
New York-based painter William Steiger's focus is on fundamental representation of the American landscape. His subjects are industrial and recognisable - grain towers, cable cars, trains, and amusement park attractions. His graphic, distinctly schematised work is grounded in the traditions of classic American landscape painting and the machine-age Precisionism of figures like Charles Sheeler and Charles Demuth. As Richard Vine, senior editor at Art in America, puts it in his introductory essay, Steiger has "moved inexorably toward an ever more elegiac representation. [Images] such as an outmoded water tower set against blank sky and an extinct industrial building seek to commemorate...the passing away not simply of a lifestyle or one individual consciousness but of all creatures. Subdued, decorous, yet unblinking, such works are visual odes on mortality." Steiger received an MFA in painting from Yale University. His works have been shown around the world and are in the permanent collections of The Metropolitan Museum of Art, the Whitney Museum of American Art, and The Museum of Modern Art, New York. SELLING POINTS: *Includes 100 colour plates of the work of this American artist who uses iconic American imagery in a contemporary presentation *Essays by 12 art historians offer insight into Steiger's subject matter 200 colour illustrations
