Charles Olson and Frances Boldereff PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Charles Olson and Frances Boldereff PDF full book. Access full book title Charles Olson and Frances Boldereff by Charles Olson. Download full books in PDF and EPUB format.
Author: Charles Olson
Publisher: Wesleyan University Press
ISBN: 9780819563644
Category : Biography & Autobiography
Languages : en
Pages : 580
Get Book Here
Book Description
A remarkable series of letters between Black Mountain poet Charles Olson and his most ardent reader.
Author: Charles Olson
Publisher: Wesleyan University Press
ISBN: 9780819563644
Category : Biography & Autobiography
Languages : en
Pages : 580
Get Book Here
Book Description
A remarkable series of letters between Black Mountain poet Charles Olson and his most ardent reader.
Author: Ralph Maud
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637319
Category : Literary Criticism
Languages : en
Pages : 188
Get Book Here
Book Description
The author demonstrates that "The Kingfishers," as Olson's first long poem, is so crucial to understanding his development that a study of it (along with "The Praises," cut from the same cloth) takes one into every aspect of Olson's early life and thought. Insight into Olson's apprenticeship and purposes has been somewhat blurred because "The Kingfishers" has not been entirely understood.
Author: Charles Olson
Publisher: Pickle Partners Publishing
ISBN: 1789126231
Category : History
Languages : en
Pages : 128
Get Book Here
Book Description
First published in 1947, this acknowledged classic of American literary criticism explores the influences—especially Shakespearean ones—on Melville’s writing of Moby-Dick. One of the first Melvilleans to advance what has since become known as the “theory of the two Moby-Dicks,” Olson argues that there were two versions of Moby-Dick, and that Melville’s reading King Lear for the first time in between the first and second versions of the book had a profound impact on his conception of the saga: “the first book did not contain Ahab,” writes Olson, and “it may not, except incidentally, have contained Moby-Dick.” If literary critics and reviewers at the time responded with varying degrees of skepticism to the “theory of the two Moby-Dicks,” it was the experimental style and organization of the book that generated the most controversy. Passionate in his poetry, Olson was no less passionate in his reading of Melville. Impatient with what he regarded as traditional forms of literary criticism, Olson engaged his own creativity to write a book as robust, original, and compelling as Melville’s masterpiece. “Not only important, but apocalyptic.”—New York Herald Tribune “One of the most stimulating essays ever written on Moby-Dick, and for that matter on any piece of literature, and the forces behind it.”—San Francisco Chronicle “Olson has been a tireless student of Melville and every Melville lover owes him a debt for his Scotland Yard pertinacity in getting on the trail of Melville’s dispersed library.”—Lewis Mumford, New York Times “Records, often brilliantly, one way of taking the most extraordinary of American books.”—W. E. Bezanson, New England Quarterly “The most important contribution to Melville criticism since Raymond Weaver’s pioneering contribution in 1921.”—George Mayberry, New Republic
Author: Frances Phipps
Publisher: Barrytown Limited
ISBN: 9780882680422
Category : Mythology, Egyptian, in literature
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Charles Olson
Publisher:
ISBN: 9780889227064
Category : Biography & Autobiography
Languages : en
Pages : 0
Get Book Here
Book Description
Modern American poet Charles Olson had many correspondents over the years, but Frances Boldereff, a book designer and typographer, James Joyce scholar, and single working mother, embodied a dynamic complexity of interlocutor, muse, Sybil, lover, critic, and amanuensis. After Completion: The Later Letters of Charles Olson and Frances Boldereff continues from the point at which earlier letters, collected in A Modern Correspondence (Wesleyan University Press, 1999), left off. Spanning three years and more than three hundred letters, that edition concludes with a crisis on Labor Day weekend 1950 that amounted to a "completion" of one of the major phases of their relationship. After Completion picks up the correspondence post-crisis, and consists of nearly 150 letters written between 1950 and 1969. In this period of the correspondence, we witness the intensity of the letters flare intermittently, sometimes explosively, as Olson and Boldereff try to maintain some continuity in their separateness. In these later letters, we also experience their magnificent mutual embracing of Arthur Rimbaud. The correspondence taken as a whole presents a passionate relationship realized mostly in letters--letters that were to become essential to Olson's working out of his poetics. Boldereff's interventions, which provoked Olson to articulate a projectivist poetics, claims for Frances Boldereff an incalculable effect on twentieth-century poetry.
Author: Daniel Matore
Publisher: Oxford University Press
ISBN: 0192671502
Category : Literary Criticism
Languages : en
Pages : 257
Get Book Here
Book Description
Is poetry a visual art? Why do the pages of nineteenth-century poetry look so different to those of twentieth-century verse? Exploiting the expressive possibilities of print—from spacing and indentation to alignment and typeface—is one of the defining ways in which poetry was modernized in the twentieth century. While the visual experiments of European poets have been well documented, the typographical explorations of poets writing in English have been largely neglected. This volume confronts a major unanswered question: why did British and American poets, from the beginning of the twentieth century right up to the present day, choose to experiment with the design and lay-out of the printed page? This book aims to provide the first detailed account of this lineage of literary style, examining the poetry and criticism of figures such as Ezra Pound, Hope Mirrlees, William Carlos Williams, E.E. Cummings, Marianne Moore, David Jones, Denise Levertov, Charles Olson, Frances Motz Boldereff, and J.H. Prynne. It draws on unpublished archival materials to show how poets began to draft, sketch, and compose in new and eccentric ways as they annexed the roles of book designer and printer. Typography, it argues, was instrumental in debates about metre, free verse, and the nature of poetry as poems morphed into scores, slogans, maps, and signs. It investigates how the typography of poetry was animated by musicology, psychophysics, linguistics, politics, ophthalmology, cartography, and advertising.
Author: Charles Olson
Publisher: Univ of California Press
ISBN: 0520055950
Category : Literary Criticism
Languages : en
Pages : 660
Get Book Here
Book Description
The Maximus Poems is one of the high achievements of twentieth-century American letters and an essential poem in the postmodern canon. It stands out, in Hayden Carruth's words, as "a huge and truly angelic effort," matching the dimensions of its hero's name and returning poetry to its Homeric and Hesiodic scope. This complete edition of The Maximus Poems brings together the three volumes of Charles Olson's long poem (originally published in 1960, 1968, and 1975, and long out of print) in an authoritative version edited according to the highest standards of textual criticism. Errors in the previous editions have been corrected, twenty-nine new poems added, and the sequence of the final poems modified in the light of the editor's research among the poet's papers. --University of California Press.
Author: Jan Zwicky
Publisher:
ISBN: 9781896886299
Category : Poetry
Languages : en
Pages : 59
Get Book Here
Book Description
Author: Clayton Eshleman
Publisher: Wesleyan University Press
ISBN: 0819566055
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
A commanding meditation on the development of early human imagination.
Author: Mark Byers
Publisher: Oxford University Press
ISBN: 0192542729
Category : Literary Criticism
Languages : en
Pages : 223
Get Book Here
Book Description
This volume situates the work of American poet Charles Olson (1910-1970) at the centre of the early post-war American avant-garde. It shows Olson to have been one of the major advocates and theorists of American modernism in the late 1940s and early 1950s; a poet who responded fully and variously to the political, ethical, and aesthetic urgencies driving innovation across contemporary American art. Reading Olson's work alongside that of contemporaries associated with the New York Schools of painting and music (as well as the exiled Frankfurt School), the book draws on Olson's published and unpublished writings to establish an original account of early post-war American modernism. The development of Olson's work is seen to illustrate two primary drivers of formal innovation in the period: the evolution of a new model of political action pivoting around the radical individual and, relatedly, a powerful new critique of instrumental reason and the Enlightenment tradition. Drawing on extensive archival research and featuring readings of a wide range of artists including, prominently, Barnett Newman, Mark Rothko, David Smith, Wolfgang Paalen, and John Cage, Charles Olson and American Modernism offers a new reading of a major American poet and an original account of the emergence of post-war American modernism.
