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Author: J. Burkholder
Publisher: Princeton University Press
ISBN: 0691223254
Category : Music
Languages : en
Pages : 466
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Book Description
This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.
Author: J. Burkholder
Publisher: Princeton University Press
ISBN: 0691223254
Category : Music
Languages : en
Pages : 466
Get Book Here
Book Description
This volume shows Charles Ives in the context of his world in a number of revealing ways. Five new essays examine Ives's relationships to European music and to American music, politics, business, and landscape. J. Peter Burkholder shows Ives as a composer well versed in four distinctive musical traditions who blended them in his mature music. Leon Botstein explores the paradox of how, in the works of Ives and Mahler, musical modernism emerges from profoundly antimodern sensibilities. David Michael Hertz reveals unsuspected parallels between one of Ives's most famous pieces, the Concord Piano Sonata, and the piano sonatas of Liszt and Scriabin. Michael Broyles sheds new light on Ives's political orientation and on his career in the insurance business, and Mark Tucker shows the importance for Ives of his vacations in the Adirondacks and the representation of that landscape in his music. The remainder of the book presents documents that illuminate Ives's personal life. A selection of some sixty letters to and from Ives and his family, edited and annotated by Tom C. Owens, is the first substantial collection of Ives correspondence to be published. Two sections of reviews and longer profiles published during his lifetime highlight the important stages in the reception of Ives's music, from his early works through the premieres of his most important compositions to his elevation as an almost mythic figure with a reputation among some critics as America's greatest composer.
Author: David C Paul
Publisher: University of Illinois Press
ISBN: 0252094697
Category : Music
Languages : en
Pages : 315
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Book Description
American composer Charles Ives (1874–1954) has gone from being a virtual unknown to become one of the most respected and lauded composers in American music. In this sweeping survey of intellectual and musical history, David C. Paul tells the new story of how Ives's music was shaped by shifting conceptions of American identity within and outside of musical culture, charting the changes in the reception of Ives across the twentieth century and into the twenty-first century. Paul focuses on the critics, composers, performers, and scholars whose contributions were most influential in shaping the critical discourse on Ives, many of them marquee names of American musical culture themselves, including Henry Cowell, Aaron Copland, Elliott Carter, and Leonard Bernstein. Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties. By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.
Author: Frank R. Rossiter
Publisher: New York : Liveright
ISBN: 9780871406101
Category : Composers
Languages : en
Pages : 420
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Book Description
Profiles the great American composer, assessing his development, his views and decisions, and his isolation, within the context of his social and cultural milieu, and the gradual recognition of his singular achievement and importance
Author: Clayton W. Henderson
Publisher: Indiana University Press
ISBN: 0253350905
Category : Music
Languages : en
Pages : 426
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Book Description
Henderson provides important insights into the composer's body of work.
Author: Richard Crawford
Publisher: Univ of California Press
ISBN: 0520224825
Category : Biography & Autobiography
Languages : en
Pages : 403
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Book Description
"This book reflects a breakthrough in American music studies, an unrecognized field among traditional musicologists until the past few decades, during which enormous progress has been made in documenting three centuries of American musical activities and figures. Time and effort had to be expended exclusively on the development of basic historical studies. The time has come for a new phase, one that can take a creative, interpretive approach. Professor Crawford's study will introduce this higher level of scholarship into the field of American music studies."—Vivian Perlis, author of Charles Ives Remembered "A major statement by a senior scholar on what American musicology is all about. . . These themes are also topical; they come at a time when much more research is being done in American music, but little thought is being given to the big picture, the vision, the philosophy, and the implications of historical research. Now is the time for a synthesis, and there are few scholars better equipped to do that in American music than Richard Crawford."—Michael Broyles, author of Music of the Highest Class
Author: J. Peter Burkholder
Publisher: Rowman & Littlefield
ISBN: 1442247959
Category : Music
Languages : en
Pages : 367
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Book Description
Charles Ives is widely regarded as the first great American composer of classical music. But listening to his music is an adventure—hearing how a piece begins may not prepare you for what comes next, or how it ends. Knowing one Ives piece may not prepare you for another. Award-winning music historian J. Peter Burkholder provides an introduction to the composer’s diverse musical output and unusual career to readers of any background, discussing about forty of the best and most characteristic pieces framed with biographical sketches. Burkholder shows how Ives mastered each tradition he encountered, from American popular music to classical European genres, from Protestant church music to his own unique experimental idiom, and then interwove elements from all these traditions in the astonishing works of his maturity. Listening to Charles Ives contains compelling walkthroughs of select pieces and ultimately reveals that there is an Ives piece for everyone.
Author: Timothy A. Johnson
Publisher: Scarecrow Press
ISBN: 9780810849990
Category : Music
Languages : en
Pages : 220
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Book Description
Baseball and the Music of Charles Ivesoffers readers an exceptionally rich understanding of Charles Ives. Through intelligent discussion of Ives's musical compositions combined with solid research on the composer's lifelong love of the American pastime, Ives's pioneering spirit and unique creativity are highlighted most clearly in this fascinating work.
Author: Charles Ives
Publisher: Univ of California Press
ISBN: 0520932285
Category : Music
Languages : en
Pages : 413
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Book Description
This authoritative volume of 453 letters written by and to composer Charles Ives (1874-1954) provides unparalleled insight into one of the most extraordinary and paradoxical careers in American music history. The most comprehensive collection of Ives's correspondence in print, this book opens a direct window on Ives's complex personality and his creative process. Though Ives spent much of his career out of the mainstream of professional music-making, he corresponded with a surprisingly large group of musicians and critics, including John J. Becker, Henry Bellamann, Leonard Bernstein, John Cage, Aaron Copland, Henry Cowell, Ingolf Dahl, Walter Damrosch, Lehman Engel, Clifton J. Furness, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Serge Koussevitzky, John Lomax, Francesco Malipiero, Radiana Pazmor, Paul Rosenfeld, Carl Ruggles, E. Robert Schmitz, Nicolas Slonimsky, and Peter Yates.
Author: Geoffrey Block
Publisher: Yale University Press
ISBN: 9780300105278
Category : Music
Languages : en
Pages : 212
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Book Description
Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.
Author: George McCue
Publisher: Routledge
ISBN: 1351318462
Category : Language Arts & Disciplines
Languages : en
Pages : 169
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Book Description
This book is the literary legacy of a national music festival in St. Louis, organized to identify as clearly as possible the specifically native character of music originating in the United States of America. The festival—the Bicentennial Horizons of American Music and the Performing Arts (B.H.A.M.)—sponsored more than 250 performances and workshops between Flag Day and Independence Day 1976. It was the only event of the Bicentennial celebration to address itself to a survey and evaluation of the musical development of this country.
