Author: Pieter W. van der Horst
Publisher: BRILL
ISBN: 9004296549
Category : History
Languages : en
Pages : 105
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Book Description
Preliminary material /PIETER WILLEM VAN DER HORST -- TESTIMONIA /PIETER WILLEM VAN DER HORST -- FRAGMENTA /PIETER WILLEM VAN DER HORST -- NOTES TO THE TESTIMONIA /PIETER WILLEM VAN DER HORST -- NOTES TO THE FRAGMENTS /PIETER WILLEM VAN DER HORST -- INDEX OF NAMES AND SUBJECTS /PIETER WILLEM VAN DER HORST -- INDEX OF ANCIENT AUTHORS AND WORKS /PIETER WILLEM VAN DER HORST -- ADDENDA ET CORRIGENDA to the first edition /PIETER WILLEM VAN DER HORST.
Author: Chaeremon (of Alexandria.)
Publisher: BRILL
ISBN: 9789004085015
Category : Philosophy
Languages : en
Pages : 112
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Book Description
Author: Antonio Loprieno
Publisher: BRILL
ISBN: 9789004099258
Category : Literary Criticism
Languages : en
Pages : 756
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Book Description
Twenty scholars have contributed to this book which deals with the development and characteristics of the literature of ancient Egypt over a period of over more than two millenia, from the monumental origins of autobiography at the end of the Old Kingdom (ca. 2150 BC) down to the latest literary compositions in Demotic during the Graeco-Roman period (300BC-200AD). The book is divided into thirty chapters concerned with the definition of literary discourse, the history and genre of the texts, their linguistic and stylistic features and the image of Egypt as displayed in later literary traditions - Greek, Coptic and Arabic. Thoroughly interdisciplinary.
Author: Emmanuel Kwaku Akyeampong
Publisher:
ISBN: 0195382072
Category : Biography & Autobiography
Languages : en
Pages : 3382
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Book Description
From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).
Author: Richard L. Gordon
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110447649
Category : Religion
Languages : en
Pages : 484
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Book Description
The last decade has seen a surge of scholarly interest in these religious professionals and a good number of high quality publications. Our volume, however, with its unique intercultural character and its explicit focus on appropriation and contestation of religious expertise in the Imperial Era is substantially different. Unlike the rather narrow focus of earlier studies of civic priests, the papers presented here examine a wider range of religious professionals, their dynamic interaction with established religious authorities and institutions, and their contributions to religious innovation in the ancient Mediterranean world, from the late Hellenistic period through to Late Antiquity, from the City of Rome to mainland Greece, Asia Minor, Syria and Egypt, from Greek civic practice to ancient Judaism. A further advantage of our volume is the wide range of media of transmission taken into account. Our contributors look at both old and new materials, which derive not only from literary sources but also from papyri, inscriptions, and material culture. Above all, this volume assesses critically convenient terminological usage and offers a unique insight into a rich gamut of ancient Mediterranean religious specialists.
Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107038553
Category : Drama
Languages : en
Pages : 431
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Book Description
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Author: Carl A. Shaw
Publisher: Oxford University Press, USA
ISBN: 0199950946
Category : History
Languages : en
Pages : 217
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Book Description
Since it was written by tragedians and employed a number of formal tragic elements, satyr drama is typically categorized as a sub-genre of Greek tragedy. This categorization, however, gives an incomplete picture of the complicated relationship of the satyr play to other genres of drama in ancient Greece. For example, the humorous chorus of half-man, half-horse satyrs suggests sustained interaction between poets of comedy and satyr play. In Satyric Play, Carl Shaw notes the complex, shifting relationship between comedy and satyr drama, from sixth-century BCE proto-drama to classical productions staged at the Athenian City Dionysia and bookish Alexandrian plays of the third century BCE, and argues that comedy and satyr plays influenced each other in nearly all stages of their development. This is the first book to offer a complete, integrated analysis of Greek comedy and satyr drama, analyzing the details of the many literary, aesthetic, historical, religious, and geographical connections to satyr drama. Ancient critics and poets allude to comic-satyric associations in surprising ways, vases indicate a common connection to komos (revelry) song, and the plays themselves often share titles, plots, modes of humor, and even on occasion choruses of satyrs. Shaw's insight into this evidence reveals the relationship between satyr drama and Greek comedy to be much more intimately connected than we had known and, in fact, much closer than that between satyr drama and tragedy. Satyric Play brings new light to satyr drama as a complex, artful, inventive, and even cleverly paradoxical genre.
Author: Jared Secord
Publisher: Penn State Press
ISBN: 0271087641
Category : History
Languages : en
Pages : 124
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Book Description
Early in the third century, a small group of Greek Christians began to gain prominence and legitimacy as intellectuals in the Roman Empire. Examining the relationship that these thinkers had with the broader Roman intelligentsia, Jared Secord contends that the success of Christian intellectualism during this period had very little to do with Christianity itself. With the recognition that Christian authors were deeply engaged with the norms and realities of Roman intellectual culture, Secord examines the thought of a succession of Christian literati that includes Justin Martyr, Tatian, Julius Africanus, and Origen, comparing each to a diverse selection of his non-Christian contemporaries. Reassessing Justin’s apologetic works, Secord reveals Christian views on martyrdom to be less distinctive than previously believed. He shows that Tatian’s views on Greek culture informed his reception by Christians as a heretic. Finally, he suggests that the successes experienced by Africanus and Origen in the third century emerged as consequences not of any change in attitude toward Christianity by imperial authorities but of a larger shift in intellectual culture and imperial policies under the Severan dynasty. Original and erudite, this volume demonstrates how distorting the myopic focus on Christianity as a religion has been in previous attempts to explain the growth and success of the Christian movement. It will stimulate new research in the study of early Christianity, classical studies, and Roman history.
Author: Richard Johnson Walker
Publisher:
ISBN:
Category : Greek drama
Languages : en
Pages : 642
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Book Description
Author: Luke Steven
Publisher: BoD – Books on Demand
ISBN: 0227177525
Category : Religion
Languages : en
Pages : 233
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Book Description
Maximus the Confessor's combustive historical era, committed doctrinal reflection, and loud and influential voice took him on a turbulent career of traveling and writing around the Mediterranean. Maximus was a spiritual teacher, an ascetic and a contemplative, but he was also a polemicist, a crafter of dogma, an embattled Christologian, a premeditating rhetorician. In this study, Luke Steven binds together these two disparate sides of the man and his writings by showing that throughout his oeuvre the Confessor positions imitation as the key to knowledge. This lasting epistemology characterizes his earlier ascetic and spiritual works, and in his later works it prominently defines his dogmatic Christological method – that is, the means by which he communicates and persuades and brings people to understand and encounter Jesus Christ, the one with two natures, divine and human. This multifaceted study offers a deep assessment of Maximus’s forebears, new insight on the animating assumptions of his thought, and an unprecedented focus on the rhetoric and method of his christological writings.
