Ceramic-metal Systems and Enamel Bibliography and Abstracts

Ceramic-metal Systems and Enamel Bibliography and Abstracts PDF Author:
Publisher:
ISBN:
Category : Ceramic metals
Languages : en
Pages : 300

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Book Description
Abstracts dealing with combination of ceramic materials with metals, selected from Ceramic abstracts.

Ceramic-metal Systems and Enamel Bibliography and Abstracts

Ceramic-metal Systems and Enamel Bibliography and Abstracts PDF Author:
Publisher:
ISBN:
Category : Ceramic metals
Languages : en
Pages : 300

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Book Description
Abstracts dealing with combination of ceramic materials with metals, selected from Ceramic abstracts.

Ceramic-metal Systems and Enamel Bibliography and Abstracts, with Subject and Author Indices

Ceramic-metal Systems and Enamel Bibliography and Abstracts, with Subject and Author Indices PDF Author: American Ceramic Society. Ceramic-Metal Systems Division
Publisher:
ISBN:
Category : Ceramic metals
Languages : en
Pages : 362

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Book Description


Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Academic Writing for Graduate Students

Academic Writing for Graduate Students PDF Author: John M. Swales
Publisher: University of Michigan Press ELT
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 272

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Book Description
A Course for Nonnative Speakers of English. Genre-based approach. Includes units such as graphs and commenting on other data and research papers.

Publications of the National Bureau of Standards, 1966-1967

Publications of the National Bureau of Standards, 1966-1967 PDF Author: United States. National Bureau of Standards
Publisher:
ISBN:
Category :
Languages : en
Pages : 228

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Lubrication, Corrosion and Wear

Lubrication, Corrosion and Wear PDF Author: United States. National Aeronautics and Space Administration Scientific and Technical Information Division
Publisher:
ISBN:
Category : Corrosion and anti-corrosives
Languages : en
Pages : 444

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Economic Effects of Metallic Corrosion in the United States

Economic Effects of Metallic Corrosion in the United States PDF Author: United States. National Bureau of Standards
Publisher:
ISBN:
Category : Corrosion and anti-corrosives
Languages : en
Pages : 756

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Book Description


Report on Tantalum Carbide

Report on Tantalum Carbide PDF Author: Fairchild Engine and Airplance Corporation. NEPA Division
Publisher:
ISBN:
Category : Tantalum carbide
Languages : en
Pages : 32

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Book Description


The Optical Unconscious

The Optical Unconscious PDF Author: Rosalind E. Krauss
Publisher: MIT Press
ISBN: 9780262611053
Category : Design
Languages : en
Pages : 374

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Book Description
The Optical Unconscious is a pointed protest against the official story of modernism and against the critical tradition that attempted to define modern art according to certain sacred commandments and self-fulfilling truths. The account of modernism presented here challenges the vaunted principle of "vision itself." And it is a very different story than we have ever read, not only because its insurgent plot and characters rise from below the calm surface of the known and law-like field of modernist painting, but because the voice is unlike anything we have heard before. Just as the artists of the optical unconscious assaulted the idea of autonomy and visual mastery, Rosalind Krauss abandons the historian's voice of objective detachment and forges a new style of writing in this book: art history that insinuates diary and art theory, and that has the gait and tone of fiction. The Optical Unconscious will be deeply vexing to modernism's standard-bearers, and to readers who have accepted the foundational principles on which their aesthetic is based. Krauss also gives us the story that Alfred Barr, Meyer Shapiro, and Clement Greenberg repressed, the story of a small, disparate group of artists who defied modernism's most cherished self-descriptions, giving rise to an unruly, disruptive force that persistently haunted the field of modernism from the 1920s to the 1950s and continues to disrupt it today. In order to understand why modernism had to repress the optical unconscious, Krauss eavesdrops on Roger Fry in the salons of Bloomsbury, and spies on the toddler John Ruskin as he amuses himself with the patterns of a rug; we find her in the living room of Clement Greenberg as he complains about "smart Jewish girls with their typewriters" in the 1960s, and in colloquy with Michael Fried about Frank Stella's love of baseball. Along the way, there are also narrative encounters with Freud, Jacques Lacan, Georges Bataille, Roger Caillois, Gilles Deleuze, and Jean-François Lyotard. To embody this optical unconscious, Krauss turns to the pages of Max Ernst's collage novels, to Marcel Duchamp's hypnotic Rotoreliefs, to Eva Hesse's luminous sculptures, and to Cy Twombly's, Andy Warhol's, and Robert Morris's scandalous decoding of Jackson Pollock's drip pictures as "Anti-Form." These artists introduced a new set of values into the field of twentieth-century art, offering ready-made images of obsessional fantasy in place of modernism's intentionality and unexamined compulsions.

Coatings Technology Handbook

Coatings Technology Handbook PDF Author: Arthur A. Tracton
Publisher: CRC Press
ISBN: 1420027328
Category : Mathematics
Languages : en
Pages : 930

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Book Description
Serving as an all-in-one guide to the entire field of coatings technology, this encyclopedic reference covers a diverse range of topics-including basic concepts, coating types, materials, processes, testing and applications-summarizing both the latest developments and standard coatings methods. Take advantage of the insights and experience of over