Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Ceramic, Art and Civilisation
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Publisher: Bloomsbury Publishing
ISBN: 1474239722
Category : Art
Languages : en
Pages : 514
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Ten Thousand Years of Pottery
Author: Emmanuel Cooper
Publisher: University of Pennsylvania Press
ISBN: 9780812235548
Category : Antiques & Collectibles
Languages : en
Pages : 368
Book Description
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
Publisher: University of Pennsylvania Press
ISBN: 9780812235548
Category : Antiques & Collectibles
Languages : en
Pages : 368
Book Description
The finest history of pottery available, this book offers an inspirational journey through one of the oldest and most widespread of human activities.
World Ceramics
Author: Robert Jesse Charleston
Publisher: [Secaucus, N.J.] : Chartwell Books
ISBN: 9780890090626
Category : Art
Languages : en
Pages : 352
Book Description
Publisher: [Secaucus, N.J.] : Chartwell Books
ISBN: 9780890090626
Category : Art
Languages : en
Pages : 352
Book Description
Art and Civilization
Author: Bernard S. Myers
Publisher: New York : McGraw-Hill
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
Publisher: New York : McGraw-Hill
ISBN:
Category : Art
Languages : en
Pages : 448
Book Description
Vitamin C: Clay and Ceramic in Contemporary Art
Author: Clare Lilley
Publisher: Phaidon Press
ISBN: 9780714874609
Category : Art
Languages : en
Pages : 0
Book Description
A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.
Publisher: Phaidon Press
ISBN: 9780714874609
Category : Art
Languages : en
Pages : 0
Book Description
A global survey of 100 of today's most important clay and ceramic artists, chosen by leading art world professionals. Vitamin C celebrates the revival of clay as a material for contemporary visual artists, featuring a wide range of global talent as selected by the world's leading curators, critics, and art professionals. Clay and ceramics have in recent years been elevated from craft to high art material, with the resulting artworks being coveted by collectors and exhibited in museums around the world. Packed with illustrations, Vitamin C is a vibrant and incredibly timely survey - the first of its kind. Artists include: Caroline Achaintre, Ai Weiwei, Aaron Angell, Edmund de Waal, Theaster Gates, Marisa Merz, Ron Nagle, Gabriel Orozco, Grayson Perry, Sterling Ruby, Thomas Schütte, Richard Slee, Clare Twomey, Jesse Wine, and Betty Woodman. Nominators include: Pablo Leon de la Barra, Iwona Blazwick, Mary Ceruti, Dan Fox, Jens Hoffmann, Christine Macel, James Meyer, Jed Morse, Beatrix Ruf, Patrizia Sandretto Re Rebaudengo, Nancy Spector, Sheena Wagstaff, and Jonathan Watkins.
Ceramic, Art and Civilisation
Author: Paul Greenhalgh
Publisher: Bloomsbury Publishing
ISBN: 1474239730
Category : Art
Languages : en
Pages : 939
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Publisher: Bloomsbury Publishing
ISBN: 1474239730
Category : Art
Languages : en
Pages : 939
Book Description
"Full of surprises [and] evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.
Ceramic Art
Author: Margaret S. Graves
Publisher: Princeton University Press
ISBN: 0691226636
Category : Art
Languages : en
Pages : 168
Book Description
"Surviving ceramic vessels buried in tombs, caves, and the earth around the world testify to the earliest human creative activity. By studying ceramics historians uncover the complex ways that societies organized and sustained themselves, as well as how they interacted with other cultures. Today the ceramic arts remain a vibrant artistic medium, as contemporary artists engage with this material history to sustain their own heritage practices, while also shaping new histories from clay. From pre-Columbian Andean tombs to contemporary African sculpture, Ceramic Art considers ceramics as an artistic medium that uniquely records and expresses our individual and collective worlds across cultures. With an introduction and conclusion written by Sequoia Miller, the chief curator at the Gardiner Museum of Ceramic Art in Toronto and a practicing ceramic artist, this volume features three main essays. The first, by art historian Margaret Graves, provides an overview of different ceramic histories and the ways regional and global circulation have impacted them; the second, by conservator Victoria Parry, focuses on the challenges of preserving these artworks and artifacts; and the third, by studio potter Magdalene Odundo, examines the art form from the point of view of the contemporary practitioner. These essays are followed by three case studies, organized chronologically from ancient to contemporary, and spanning centuries and continents in range, that put objects in conversation with one another in innovative, cross-disciplinary ways. Ceramic Art is the inaugural title in our new series ART/WORK. Responding to the latest trends in the field, the ART/WORK series provides innovative narratives that change how art history as a discipline is imagined"--
Publisher: Princeton University Press
ISBN: 0691226636
Category : Art
Languages : en
Pages : 168
Book Description
"Surviving ceramic vessels buried in tombs, caves, and the earth around the world testify to the earliest human creative activity. By studying ceramics historians uncover the complex ways that societies organized and sustained themselves, as well as how they interacted with other cultures. Today the ceramic arts remain a vibrant artistic medium, as contemporary artists engage with this material history to sustain their own heritage practices, while also shaping new histories from clay. From pre-Columbian Andean tombs to contemporary African sculpture, Ceramic Art considers ceramics as an artistic medium that uniquely records and expresses our individual and collective worlds across cultures. With an introduction and conclusion written by Sequoia Miller, the chief curator at the Gardiner Museum of Ceramic Art in Toronto and a practicing ceramic artist, this volume features three main essays. The first, by art historian Margaret Graves, provides an overview of different ceramic histories and the ways regional and global circulation have impacted them; the second, by conservator Victoria Parry, focuses on the challenges of preserving these artworks and artifacts; and the third, by studio potter Magdalene Odundo, examines the art form from the point of view of the contemporary practitioner. These essays are followed by three case studies, organized chronologically from ancient to contemporary, and spanning centuries and continents in range, that put objects in conversation with one another in innovative, cross-disciplinary ways. Ceramic Art is the inaugural title in our new series ART/WORK. Responding to the latest trends in the field, the ART/WORK series provides innovative narratives that change how art history as a discipline is imagined"--
History of the Ceramic Art. A descriptive and philosophical study of the pottery of all ages and all nations ... Containing ... woodcuts by H. Catenacci and J. Jacquemart ... Translated by Mrs. B. Palliser
Author: Albert JACQUEMART
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 704
Book Description
Science and Civilisation in China
Author: Joseph Needham
Publisher: Cambridge University Press
ISBN: 9780521838337
Category : Ceramic industries
Languages : en
Pages : 1244
Book Description
Publisher: Cambridge University Press
ISBN: 9780521838337
Category : Ceramic industries
Languages : en
Pages : 1244
Book Description
History of the Ceramic Art
Author: Albert Jacquemart
Publisher: BoD – Books on Demand
ISBN: 3368191527
Category :
Languages : en
Pages : 662
Book Description
Publisher: BoD – Books on Demand
ISBN: 3368191527
Category :
Languages : en
Pages : 662
Book Description