Censorship of Political Caricature in Nineteenth-century France

Censorship of Political Caricature in Nineteenth-century France PDF Author: Robert Justin Goldstein
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318

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Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.

Censorship of Political Caricature in Nineteenth-century France

Censorship of Political Caricature in Nineteenth-century France PDF Author: Robert Justin Goldstein
Publisher: Kent State University Press
ISBN: 9780873383967
Category : Art
Languages : en
Pages : 318

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Book Description
This work is an account of the struggle over freedom of caricature in France during the period between 1815 and 1914. Illustrated with caricatures originally published during the 19th century, it traces the attempt of the French authorities to control opposition political drawings and the attempts of caricaturists to evade restrictions on their craft.

Caricature and French Political Culture 1830-1848

Caricature and French Political Culture 1830-1848 PDF Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254

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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.

Political Censorship of the Arts and the Press in Nineteenth-Century

Political Censorship of the Arts and the Press in Nineteenth-Century PDF Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1349201286
Category : Political Science
Languages : en
Pages : 268

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Book Description
Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.

The Frightful Stage

The Frightful Stage PDF Author: Robert Justin Goldstein
Publisher: Berghahn Books
ISBN: 1845458990
Category : History
Languages : en
Pages : 320

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Book Description
In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class’s time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

Daumier and Exoticism

Daumier and Exoticism PDF Author: Elizabeth C. Childs
Publisher: Peter Lang
ISBN: 9780820469454
Category : Art
Languages : en
Pages : 276

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Book Description
Best known as a satirist of Parisian politics and daily life, Honoré Daumier (1808-1879) was a prolific caricaturist. This book is the first to examine the role of exoticism in his art, and to offer a detailed history of the journal Le Charivari in which the lithographs appeared. These satires of China, Haiti, the United States, Africa, and the Middle East not only target the theater of international politics, but also draw on a broad range of physical stereotypes supported by contemporary ideas about race and cultural difference. In an art of comic inversion, Daumier used the exotic to expose the foibles and pretensions of the Parisian bourgeoisie. A pacifist and a Republican, Daumier also satirized the non-European world in order to covertly attack the imperialism of Napoléon III in an age of press censorship. Idealistic as well as pragmatic, he used humor to stage political critique as well as to envision a more unified and compassionate world.

Political Censorship of the Visual Arts in Nineteenth-Century Europe

Political Censorship of the Visual Arts in Nineteenth-Century Europe PDF Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1137316497
Category : History
Languages : en
Pages : 309

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Book Description
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.

Red Lines

Red Lines PDF Author: Cherian George
Publisher: MIT Press
ISBN: 026254301X
Category : Political Science
Languages : en
Pages : 448

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Book Description
A lively graphic narrative reports on censorship of political cartoons around the world, featuring interviews with censored cartoonists from Pittsburgh to Beijing. Why do the powerful feel so threatened by political cartoons? Cartoons don't tell secrets or move markets. Yet, as Cherian George and Sonny Liew show us in Red Lines, cartoonists have been harassed, trolled, sued, fired, jailed, attacked, and assassinated for their insolence. The robustness of political cartooning--one of the most elemental forms of political speech--says something about the health of democracy. In a lively graphic narrative--illustrated by Liew, himself a prize-winning cartoonist--Red Lines crisscrosses the globe to feel the pulse of a vocation under attack. A Syrian cartoonist insults the president and has his hands broken by goons. An Indian cartoonist stands up to misogyny and receives rape threats. An Israeli artist finds his antiracist works censored by social media algorithms. And the New York Times, caught in the crossfire of the culture wars, decides to stop publishing editorial cartoons completely. Red Lines studies thin-skinned tyrants, the invisible hand of market censorship, and demands in the name of social justice to rein in the right to offend. It includes interviews with more than sixty cartoonists and insights from art historians, legal scholars, and political scientists--all presented in graphic form. This engaging account makes it clear that cartoon censorship doesn't just matter to cartoonists and their fans. When the red lines are misapplied, all citizens are potential victims.

Political Repression in 19th Century Europe

Political Repression in 19th Century Europe PDF Author: Robert Justin Goldstein
Publisher: Routledge
ISBN: 1135026696
Category : Political Science
Languages : en
Pages : 371

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Book Description
Originally published in 1983. The nineteenth century was a time of great economic, social and political change. As Europe modernized, previously ignorant and apathetic elements in the population began to demand political freedoms. There was pressure also for a freer press, for the rights of assembly and association. The apprehension of the existing elites manifested itself in an intensification of often brutal form of political repression. The first part of this book summarizes on a pan-European basis, the major techniques of repression such as the denial of popular franchise and press censorship. This is followed by a chronological survey of these techniques from 1815 – 1914 in each European country. The book analyzes the long and short-term importance of these events for European historical development in the 19th and 20th centuries.

Classics in the Modern World

Classics in the Modern World PDF Author: Lorna Hardwick
Publisher: Classical Presences
ISBN: 0199673926
Category : History
Languages : en
Pages : 516

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Book Description
Classics in the Modern World explores the features and implications of a 'democratic turn' in modern perceptions of the ancient world. Exploring the relationship between Greek and Roman ways of thinking and modern definitions of democratic practices and approaches, it enables a wider re-evaluation of the role of classics in the modern world.

Art against censorship

Art against censorship PDF Author: Erin Duncan-O'Neill
Publisher: Manchester University Press
ISBN: 1526168405
Category : Art
Languages : en
Pages : 249

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Book Description
Honoré Daumier (1808–79), who was imprisoned early on for a politically offensive cartoon, painted scenes from seventeenth-century theatre and literature at moments of stifling censorship later in his career. He continued to find form for dangerous political dissent in the face of intense and shifting censorship laws by drawing on La Fontaine, Molière, and Cervantes, masters of dissimulation and critique in a newly glorified literary past. This book reveals new connections between legal repression and subversive fine-arts practice, showing the force of Daumier’s role in the broader stories of image-text relationships and political expression.