Celtic Illuminative Art in the Gospel Books of Durrow, Lindisfarne, and Kells (Classic Reprint) PDF Download
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Author: Stanford Frederick Hudson Robinson
Publisher: Forgotten Books
ISBN: 9780266808220
Category : Art
Languages : en
Pages : 240
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Book Description
Excerpt from Celtic Illuminative Art in the Gospel Books of Durrow, Lindisfarne, and Kells Every nation there has been manifested, in varying degrees, a desire for decoration; and the objects selected for ornamental embellish ment, together with the type of decorative design employed, afford an indication of the character and pursuits of a nation no less than of the position it has attained in artistic achievement. The desire that books should be made beautiful is of great antiquity. Evidence of this is to be found amongst the most ancient civilizations: for example, an Egyptian papyrus is preserved in the Louvre at Paris containing a description of funeral rites pictorially adorned in colours, and embellished with gold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Stanford Frederick Hudson Robinson
Publisher: Forgotten Books
ISBN: 9780266808220
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Excerpt from Celtic Illuminative Art in the Gospel Books of Durrow, Lindisfarne, and Kells Every nation there has been manifested, in varying degrees, a desire for decoration; and the objects selected for ornamental embellish ment, together with the type of decorative design employed, afford an indication of the character and pursuits of a nation no less than of the position it has attained in artistic achievement. The desire that books should be made beautiful is of great antiquity. Evidence of this is to be found amongst the most ancient civilizations: for example, an Egyptian papyrus is preserved in the Louvre at Paris containing a description of funeral rites pictorially adorned in colours, and embellished with gold. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: STANFORD FREDERICK HUDSON. ROBINSON
Publisher:
ISBN: 9781033143193
Category :
Languages : en
Pages : 0
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Book Description
Author: Stanford Fredrick Hudson Robinson
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 106
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Book Description
Author: Carl Adam Johan Nordenfalk
Publisher: George Braziller
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 140
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Book Description
This book presents a colection of colour pla tes from famous illuminated manuscripts that emerged from mo nasteries and island workshops during the 7th and 8th centur ies A.D., including the Book of Kells, the Lindisfarne Gospe ls, and the Book of Durrow. '
Author: Beatrice E. Kitzinger
Publisher: Cambridge University Press
ISBN: 1108577016
Category : Art
Languages : en
Pages :
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Book Description
In this book, Beatrice E. Kitzinger explores the power of representation in the Carolingian period, demonstrating how images were used to assert the value and efficacy of art works. She focuses on the cross, Christianity's central sign, which simultaneously commemorates sacred history, functions in the present, and prepares for the end of time. It is well recognized that the visual attributes of the cross were designed to communicate its theology relative to history and eschatology; Kitzinger argues that early medieval artists also developed a formal language to articulate its efficacious powers in the present day. Defined through form and text as the sign of the present, the image of the cross articulated the instrumentality of religious objects and built spaces. Whereas medieval and modern scholars have pondered the theological problems posed by representation, Kitzinger here proposes a visual argument that affirms the self-reflexive value of art works in the early medieval West. Introducing little-known sources, she re-evaluates both the image of the cross and the project of book-making in an expanded field of Carolingian painting.
Author: John William Bradley
Publisher:
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 360
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Book Description
Author: H. A. G. Houghton
Publisher: Oxford University Press
ISBN: 0198744730
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Latin is the language in which the New Testament was copied, read, and studied for over a millennium. The remains of the initial 'Old Latin' version preserve important testimony for early forms of text and the way in which the Bible was understood by the first translators. Successive revisions resulted in a standard version subsequently known as the Vulgate which, along with the creation of influential commentaries by scholars such as Jerome and Augustine, shaped theology and exegesis for many centuries. Latin gospel books and other New Testament manuscripts illustrate the continuous tradition of Christian book culture, from the late antique codices of Roman North Africa and Italy to the glorious creations of Northumbrian scriptoria, the pandects of the Carolingian era, eleventh-century Giant Bibles, and the Paris Bibles associated with the rise of the university. In The Latin New Testament, H. A. G. Houghton provides a comprehensive introduction to the history and development of the Latin New Testament. Drawing on major editions and recent advances in scholarship, he offers a new synthesis which brings together evidence from Christian authors and biblical manuscripts from earliest times to the late Middle Ages. All manuscripts identified as containing Old Latin evidence for the New Testament are described in a catalogue, along with those featured in the two principal modern editions of the Vulgate. A user's guide is provided for these editions and the other key scholarly tools for studying the Latin New Testament.
Author: David Harris
Publisher: DK Publishing (Dorling Kindersley)
ISBN: 9780756613044
Category : Art
Languages : en
Pages : 128
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Book Description
Traces the history of Western calligraphy, demonstrates various scripts, and shows manuscripts and inscriptions from the past
Author: John Henry Middleton
Publisher: Cambridge : University Press
ISBN:
Category : Illumination of books and manuscripts
Languages : en
Pages : 306
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Book Description
Author: David Ganz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110558602
Category : Religion
Languages : en
Pages : 322
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Book Description
According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
