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Author: Canadian Broadcasting Corporation
Publisher:
ISBN:
Category : Radio programs
Languages : en
Pages : 844
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Book Description
Author: Canadian Broadcasting Corporation
Publisher:
ISBN:
Category : Radio programs
Languages : en
Pages : 844
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Book Description
Author: Zoë Druick
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554580846
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
Programming Reality: Perspectives on English-Canadian Television, the first anthology dedicated to analyses of Canadian television content, is a collection of original, interdisciplinary articles, combining textual analysis and political economy of communications. It explores the television that has thrived in the Canadian regulatory and cultural context: namely, programs that straddle the border between reality and fiction or even blur it. The conceptual basis of this collection is the hybrid nature of television fare: the widely theorized notion that all mediations of reality involve fiction in the form of narrative or symbolic shaping. Each of the contributions here is a reminder, too, of the significant relationship of television to nation building in Canada—to the imaginative work involved in thinking through the relations that constitute nations, citizens, and communities. The collection focuses on English-language Canadian television because the imperatives guiding its texts are markedly different from those pertaining to their French-lanugage counterparts. The collection, therefore, develops a nuance of perspective on the cultural and political economic specificities that inform the imaginative work of television production for English Canada.
Author: Paul Rutherford
Publisher: University of Toronto Press
ISBN: 9780802066473
Category : Performing Arts
Languages : en
Pages : 676
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Book Description
A decade after the first Canadian telecasts in September 1952, TV had conquered the country. Why was the little screen so enthusiastically welcomed by Canadians? Was television in its early years more innovative, less commerical, and more Canadian than current than current offerings? In this study of what is often called the 'golden age' of television, Paul Rutherford has set out to dispel some cherished myths and to resurrect the memory of a noble experiment in the making of Canadian culture. He focuses on three key aspects of the story. The first is the development of the national service, including the critical acclaim won by Radio-Canada, the struggles of the CBC's English service to provide mass entertainment that could compete with the Hollywood product, and the effective challenge of private television to the whole dream of public broadcasting. The second deals with the wealth of made-in-Canada programming available to please and inform vviewers - even commercials receive close attention. Altogether, Rutherford argues, Canadian programming reflected as well as enhanced the prevailing values and assumptions of the mainstream. The final focus is on McLuhan's Question: What happens to society when a new medium of communications enters the picture? Rutherford's findings cast doubt upon the common presumptions about the awesome power of television. Television in Canada, Rutherford concludes, amounts to a failed revolution. It never realized the ambbitions of its masters or the fears of its critics. Its course was shaped not only by the will of the government, the power of commerce, and the empire of Hollywood, but also by the desires and habits of the viewers.
Author:
Publisher:
ISBN:
Category : Canada
Languages : en
Pages : 346
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Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 922
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Book Description
Author: Len Kuffert
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599819
Category : Social Science
Languages : en
Pages : 307
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Book Description
Before screens could be stared at, listeners lent their ears to radio, and Canadian listeners were as avid as any. In Canada before Television, Len Kuffert takes us back to the earliest days of broadcasting, paying particular attention to how programs were imagined and made, loved and hated, regulated and tolerated. At a time when democracy stood out as a foundational value in the West, Canada’s private stations and the CBC often had conflicting ideas about what should or could be broadcast. While historians have documented the nationalist and culturally aspirational motives of some broadcasters, the story behind the production of programs for both broad and specialized audiences has not been as effectively told. By interweaving archival evidence with insights drawn from secondary literature, Canada before Television offers perspectives on radio’s intimate power, the promise and challenge of US programming and British influences, the regulation of taste on the air, shifting and varied musical appetites, and the difficulties of knowing what listeners wanted. While this mixed system divided Canadians then and now, the presence of more than one vision for the emerging medium made the early years of broadcasting in Canada more culturally democratic for listeners who stood a better chance of getting both what they already liked and what they might come to like. Canada before Television offers an insightful look at the place of radio and debates about programming in the development of a cultural democracy.
Author:
Publisher:
ISBN:
Category : Agricultural credit
Languages : en
Pages : 42
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Book Description
Author: David Hogarth
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773523391
Category : Language Arts & Disciplines
Languages : en
Pages : 202
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Book Description
Since the inception of Canadian television in the early 1950s, documentary television, consistently a favourite among viewers, has been misunderstood and often maligned by its critics. More popular, and arguably more innovative, than its cinematic counterpart or than dramatic Canadian television, Canadian documentary television has decisively shaped the form and function of public service television in this country. David Hogarth traces its history back to its roots in radio in the 1930s and 1940s and examines the variety of forms of documentary television that developed in the decades that followed, focusing on newsmagazines, science programs, historical essays, docudramas, and verité investigations. He concludes with a discussion of the recent international success of documentary television as one of Canada's leading cultural exports, examining the effects of globalisation and looking forward to the future of this genre. While principally an overview of the last half century and an analysis of current conditions, Documentary Television in Canada also includes detailed analysis of selected programs, such as the For the Record series on schizophrenia, "Warrendale" (by Allan King), "Images of Canada" (by Vincent Tovell), "The Valour and The Horror" episode, "Death by Moonlight" and "Shooting Indians" (by Ali Kazimi) among others.
Author: R.B. Fleming
Publisher: Dundurn
ISBN: 1770705392
Category : Biography & Autobiography
Languages : en
Pages : 513
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Book Description
Born in 1934, Peter Gzowski covered most of the last half of the century as a journalist and interviewer. This biography, the most comprehensive and definitive yet published, is also a portrait of Canada during those decades, beginning with Gzowski's days at the University of Toronto's The Varsity in the mid 1950s, through his years as the youngest-ever managing editor of Maclean's in the 1960s and his tremendous success on CBC's Morningside in the 1980s and 1990s, and ending with his stint as a Globe and Mail columnist at the dawn of the 21st century and his death in January 2002. Gzowski saw eight Canadian Prime Ministers in office, most of whom he interviewed, and witnessed everything from the Quiet Revolution in Québec to the growth of economic nationalism in Canada's West. From the rise of state medicine to the decline of the patriarchy, Peter was there to comment, to resist, and to participate. Here was a man who was proud to call himself Canadian and who made millions of other Canadians realize that Canada was, in what he claimed was a Canadian expression, not a bad place to live.
Author: Magda Fahrni
Publisher: UBC Press
ISBN: 077485815X
Category : History
Languages : en
Pages : 361
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Book Description
Creating Postwar Canada showcases new research on this complex period, exploring postwar Canada's diverse symbols and battlegrounds. Contributors to the first half of the collection consider evolving definitions of the nation, examining the ways in which Canada was reimagined to include both the Canadian North and landscapes structured by trade and commerce. The essays in the latter half analyze debates on shopping hours, professional striptease, the "provider" role of fathers, interracial adoption, sexuality on campus, and illegal drug use, issues that shaped how the country defined itself in sociocultural and political terms. This collection contributes to the historiography of nationalism, gender and the family, consumer cultures, and countercultures.
