Author: Klaus Fischer
Publisher: Aliganj : World Jain Mission
ISBN:
Category : Architecture, Jaina
Languages : en
Pages : 144
Book Description
Caves and Temples of the Jains
Author: Klaus Fischer
Publisher: Aliganj : World Jain Mission
ISBN:
Category : Architecture, Jaina
Languages : en
Pages : 144
Book Description
Publisher: Aliganj : World Jain Mission
ISBN:
Category : Architecture, Jaina
Languages : en
Pages : 144
Book Description
Our Tales on Rocks in Ellora Caves
Author: Prakash Thorat
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
The Cave Temples of Ellora, 30 KMS, from Aurangabad district of Maharashtra state, India, is a heritage site for the World and a priced jewel of Indian Civilization, as at Ellora, one witnesses the harmonious co-existence of three major religions of the modern secular India, the Hinduism, the Buddhism and the Jainism. Like Ajanta Caves, Ellora was never discovered. It was always open for visit throughout the ancient and medieval ages. Even though the architectural activities here began in 5th Century A.D., it was only with the rise of the Chalukya-Rashtrakuta rulers in 7th Century to 10th Century A.D. that art and architecture blossomed at Ellora. The Hindu Rulers in ancient times were governed by certain religious injunctions and ethical codes which promoted them to donate the funds to the temple building as the same was considered essential for attainment of worldly power and spiritual salvation. The artists at Ellora were quick to respond to the urges and demands of their society. They rose to height of their creative dynamism. They acted out of passion and feelings, faith and sensibility. They drew themes from the mythology and then transformed the rock into a cavalcade of Gods and Goddesses. While doing so, they judiciously portrayed the feelings of compassion, emotions and the fury. The temple of Kailasa is an illustration of one of those rare occasions when men's mind, heart and hand, worked in unison to build this feat. The rocks cut monuments at Ellora, essentially represent the climax of the process of cutting shrine in direct rock and fashion them into the places of worship and residence embellished with beautiful and imposing sculptural and pictorial images. This practice started by Buddhism thousands of years ago, was eventually adopted by Hinduism and Jainism.The monuments [34 caves] are numbered in a continuous sequence. Buddhist monuments (Caves 1-12) occupy the southernmost part of the site, while Hindu monuments (Caves 13-29) are located in the middle and towards the north are a small number of five Jain excavations (Caves 30-34]. The infinite lithic representations at Ellora coordinate into the greatest concentration of the sculpture, wrought at a single site, in diverse styles that art history has ever witnessed. All the aspects related to daily life, Gods and goddesses, myths and rituals related to all the three dominant religions, are exhibited in Ellora through architecture and sculptures. In most of the caves, however, the focal points are centered round the figures of divinities - Buddha, Shiva and Jain Thirthankaras. Music, dancing and erotic plays of all the carved and painted creatures turn to the central figures of divinity. Gods and demi-gods, flying nymphs, musicians, kinnaras, dwarfs, makara, elephants, bulls, lion, peacocks or aquatic creatures- whether they are in the main hall, on the roofs and walls, in the side chambers, in porches, in balconies, in galleries, whether they are standing or flying, the entire attention of visitors and devotees is attracted to them and the divinities they surround by- Buddha, Shiva or Tirthankaras.
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
Book Description
The Cave Temples of Ellora, 30 KMS, from Aurangabad district of Maharashtra state, India, is a heritage site for the World and a priced jewel of Indian Civilization, as at Ellora, one witnesses the harmonious co-existence of three major religions of the modern secular India, the Hinduism, the Buddhism and the Jainism. Like Ajanta Caves, Ellora was never discovered. It was always open for visit throughout the ancient and medieval ages. Even though the architectural activities here began in 5th Century A.D., it was only with the rise of the Chalukya-Rashtrakuta rulers in 7th Century to 10th Century A.D. that art and architecture blossomed at Ellora. The Hindu Rulers in ancient times were governed by certain religious injunctions and ethical codes which promoted them to donate the funds to the temple building as the same was considered essential for attainment of worldly power and spiritual salvation. The artists at Ellora were quick to respond to the urges and demands of their society. They rose to height of their creative dynamism. They acted out of passion and feelings, faith and sensibility. They drew themes from the mythology and then transformed the rock into a cavalcade of Gods and Goddesses. While doing so, they judiciously portrayed the feelings of compassion, emotions and the fury. The temple of Kailasa is an illustration of one of those rare occasions when men's mind, heart and hand, worked in unison to build this feat. The rocks cut monuments at Ellora, essentially represent the climax of the process of cutting shrine in direct rock and fashion them into the places of worship and residence embellished with beautiful and imposing sculptural and pictorial images. This practice started by Buddhism thousands of years ago, was eventually adopted by Hinduism and Jainism.The monuments [34 caves] are numbered in a continuous sequence. Buddhist monuments (Caves 1-12) occupy the southernmost part of the site, while Hindu monuments (Caves 13-29) are located in the middle and towards the north are a small number of five Jain excavations (Caves 30-34]. The infinite lithic representations at Ellora coordinate into the greatest concentration of the sculpture, wrought at a single site, in diverse styles that art history has ever witnessed. All the aspects related to daily life, Gods and goddesses, myths and rituals related to all the three dominant religions, are exhibited in Ellora through architecture and sculptures. In most of the caves, however, the focal points are centered round the figures of divinities - Buddha, Shiva and Jain Thirthankaras. Music, dancing and erotic plays of all the carved and painted creatures turn to the central figures of divinity. Gods and demi-gods, flying nymphs, musicians, kinnaras, dwarfs, makara, elephants, bulls, lion, peacocks or aquatic creatures- whether they are in the main hall, on the roofs and walls, in the side chambers, in porches, in balconies, in galleries, whether they are standing or flying, the entire attention of visitors and devotees is attracted to them and the divinities they surround by- Buddha, Shiva or Tirthankaras.
Ajanta and Ellora
Author: Pushpesh Pant
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Some of the world's most beautiful frescos and sculptures- Buddhist, Hindu and Jain- are found here. Beautiful photographs capture the richness of an ancient ethos.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 84
Book Description
Some of the world's most beautiful frescos and sculptures- Buddhist, Hindu and Jain- are found here. Beautiful photographs capture the richness of an ancient ethos.
Jaina Monuments of Andhra
Author: G. Jawaharlal
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 204
Book Description
The Book Details Extensive New Data From Early Period Under A Vista Of Art And Architecture From A Collection Of Data That Was Never Presented Before In A Single Source. It Consists Of Six Chapters And They Are All Analytical And Informative. Thus It Provides A Succinct Picture On Jaina Art And Architecture Of Andhra Which Was A Long Felt Need. The Whole Work Is Based Mainly On The Jaina Vestiges At A Host Of Sites In Andhra. The Traditional Accounts As Well As Epigraphically Sources, Which Have Been Found To Agree With The Details Of Art And Architecture Have Been Taken And Utilised Fully In This Book. The Characteristic Features Of Jaina Art And Architecture Have Been Critically Elucidated. The Details On Conversion Of Jaina Monuments Into Hindu Temples Have Been Aptly Adumbrated. The Appendix, Illustrations And Detailed Bibliography Will Be Highly Useful To The Researchers.
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 204
Book Description
The Book Details Extensive New Data From Early Period Under A Vista Of Art And Architecture From A Collection Of Data That Was Never Presented Before In A Single Source. It Consists Of Six Chapters And They Are All Analytical And Informative. Thus It Provides A Succinct Picture On Jaina Art And Architecture Of Andhra Which Was A Long Felt Need. The Whole Work Is Based Mainly On The Jaina Vestiges At A Host Of Sites In Andhra. The Traditional Accounts As Well As Epigraphically Sources, Which Have Been Found To Agree With The Details Of Art And Architecture Have Been Taken And Utilised Fully In This Book. The Characteristic Features Of Jaina Art And Architecture Have Been Critically Elucidated. The Details On Conversion Of Jaina Monuments Into Hindu Temples Have Been Aptly Adumbrated. The Appendix, Illustrations And Detailed Bibliography Will Be Highly Useful To The Researchers.
Jainism
Author: Kurt Titze
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120815346
Category : Religion
Languages : en
Pages : 266
Book Description
Kurt Titze invites the reader, after acquainting him or her with the main tenets of the world`s classical religion of non-violence, to join him on a fascinating pilgrimage. The past glories of India have been and still are a favourite subject in books and films. In this book with its 350 illustrations spread over 280 pages, Kurt titze enfolds a sequence of glories which have been kept alive to the present-day. The aim of this book is to entice the reader to ask his way to spots and sites that are not mentioned in tourist guide books. To the Digambara Meru temple in Old Delhi, for example, or to the Veerayatan Ashram on the outskirts of Rajgir run by Jaina nuns, or to the rock-cut twenty-four Tirthankaras near Gingee in Tamilnadu. That an increasing number of people who pick up this book may do so instead of climbing the ramparts of yet another fort or of gazing at yet another collection of horrifying weapons.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120815346
Category : Religion
Languages : en
Pages : 266
Book Description
Kurt Titze invites the reader, after acquainting him or her with the main tenets of the world`s classical religion of non-violence, to join him on a fascinating pilgrimage. The past glories of India have been and still are a favourite subject in books and films. In this book with its 350 illustrations spread over 280 pages, Kurt titze enfolds a sequence of glories which have been kept alive to the present-day. The aim of this book is to entice the reader to ask his way to spots and sites that are not mentioned in tourist guide books. To the Digambara Meru temple in Old Delhi, for example, or to the Veerayatan Ashram on the outskirts of Rajgir run by Jaina nuns, or to the rock-cut twenty-four Tirthankaras near Gingee in Tamilnadu. That an increasing number of people who pick up this book may do so instead of climbing the ramparts of yet another fort or of gazing at yet another collection of horrifying weapons.
Jaina-rūpa-maṇḍana
Author: Umakant Premanand Shah
Publisher: Abhinav Publications
ISBN: 9788170172086
Category : Jaina art
Languages : en
Pages : 470
Book Description
The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.
Publisher: Abhinav Publications
ISBN: 9788170172086
Category : Jaina art
Languages : en
Pages : 470
Book Description
The JAINA-RUPA-MANDANA Volume I is an authentic work on Jaina iconography from the pen of a well-known authority on the subject, Dr. Umakant P.Shah, an eminent Indologist and art-historian with specialization in Jaina art and literature. Illustrated profusely with over two hundred monochrome plates, the work is a standard textbook and a very useful guide to all students in Indian art and archaeology and to Museum Curators. The work is supplemented with a large number of iconographic tables for images of all important Jaina gods and goddesses. Dr. Shah, the author, has for the first time given solutions to various basis problems of Jaina iconography supported with ample evidence from both archaeology and literature including unpublished original texts still in manuscripts.
A Thousand Petalled Lotus
Author: Sehdev Kumar
Publisher: Abhinav Publications
ISBN: 8170173485
Category : Art, Jaina
Languages : en
Pages : 236
Book Description
The Jain Temples At Dilwara In Mount Abu Evoke A Sense Of Awe For Their Sculptural Artistry. Unnamed Artists Who Had, For Years Created Exquisite Pieces In Ivory, Now Worked With Marble, Sculpting Ceilings And Domes, Columns And Walls, Creating Works Of Unparalled Beauty. They Carried Forward, And Deepened A Rich Tradition Of Temple Building In India, With Their Plethora Of Images From Indian Myths And Legends. Numerous Gods And Goddesses, Yaksas And Yaksis, Dancers And Musicians, Apsaras And Nagins, As Well As Flowers And Trees-Mythic And Real-Adore Every Nook And Corner Of These Temples. The Most Outstanding Feature Of These Temples Are The Thousand-Petalled Lotuses That Decorate The Domes In The Rangmandaps, Signifying A Very Highly Evolved Technical And Artistic Achievement.Some 200 Kms Away And 500 Years Later, In Ranakpur, The Adisvara Temple Is An Achievement Of A Different Kind. It Is Renowned For Its Architectural Splendour; A Thousand Columns That Define Its Wondrous Spaces Are All Unique, As No Two Are Alike.Using These Temples For A Photographic And A Reflective Study, Professor Sehdev Kumar Explores The Artistic Nuances Of These Temples In The Context Of The Rich Tradition Of Temple Architecture And Iconography In India.
Publisher: Abhinav Publications
ISBN: 8170173485
Category : Art, Jaina
Languages : en
Pages : 236
Book Description
The Jain Temples At Dilwara In Mount Abu Evoke A Sense Of Awe For Their Sculptural Artistry. Unnamed Artists Who Had, For Years Created Exquisite Pieces In Ivory, Now Worked With Marble, Sculpting Ceilings And Domes, Columns And Walls, Creating Works Of Unparalled Beauty. They Carried Forward, And Deepened A Rich Tradition Of Temple Building In India, With Their Plethora Of Images From Indian Myths And Legends. Numerous Gods And Goddesses, Yaksas And Yaksis, Dancers And Musicians, Apsaras And Nagins, As Well As Flowers And Trees-Mythic And Real-Adore Every Nook And Corner Of These Temples. The Most Outstanding Feature Of These Temples Are The Thousand-Petalled Lotuses That Decorate The Domes In The Rangmandaps, Signifying A Very Highly Evolved Technical And Artistic Achievement.Some 200 Kms Away And 500 Years Later, In Ranakpur, The Adisvara Temple Is An Achievement Of A Different Kind. It Is Renowned For Its Architectural Splendour; A Thousand Columns That Define Its Wondrous Spaces Are All Unique, As No Two Are Alike.Using These Temples For A Photographic And A Reflective Study, Professor Sehdev Kumar Explores The Artistic Nuances Of These Temples In The Context Of The Rich Tradition Of Temple Architecture And Iconography In India.
Jainism
Author: Helmuth von Glasenapp
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120813762
Category : Religion
Languages : en
Pages : 610
Book Description
The present book is one of the best and stimulating books ever written by scholars on Jainism. A glance at its contents will reveal the fact that Glasenapp has covered almost all the salient features of Jainism. The book is divided into
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120813762
Category : Religion
Languages : en
Pages : 610
Book Description
The present book is one of the best and stimulating books ever written by scholars on Jainism. A glance at its contents will reveal the fact that Glasenapp has covered almost all the salient features of Jainism. The book is divided into
Carving Devotion in the Jain Caves at Ellora
Author: Lisa Owen
Publisher: BRILL
ISBN: 9004206299
Category : Art
Languages : en
Pages : 304
Book Description
Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain activities at Ellora. It not only highlights the understudied Jain caves, but examines them in concert with Ellora's Hindu and Buddhist monuments.
Publisher: BRILL
ISBN: 9004206299
Category : Art
Languages : en
Pages : 304
Book Description
Drawing on art historical, epigraphical, and textual evidence, this book is the first full-scale reconstruction of medieval Jain activities at Ellora. It not only highlights the understudied Jain caves, but examines them in concert with Ellora's Hindu and Buddhist monuments.
Unfolding A Mạṇdala
Author: Geri H. Malandra
Publisher: State University of New York Press
ISBN: 1438411774
Category : Philosophy
Languages : en
Pages : 376
Book Description
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.
Publisher: State University of New York Press
ISBN: 1438411774
Category : Philosophy
Languages : en
Pages : 376
Book Description
Ellora is one of the great cave temple sites of India, with thirty-four major Buddhist, Hindu, and Jain monuments of the late sixth to tenth centuries A. D. This book describes the Buddhist caves at Ellora and places them in the context of Buddhist art and iconography. Ellora's twelve Buddhist cave temples, dating from the early seventh to the early eighth centuries, preserve an unparalleled one-hundred-year sequence of architectural and iconographical development. They reveal the evolution of a Buddhist mandala at sites in other regions often considered "peripheral" to the heartland of Buddhism in eastern India. At Ellora, the mandala, ordinarily conceived as a two-dimensional diagram used to focus meditation, is unfolded into the three-dimensional program of the cave temples themselves, enabling devotees to walk through the mandala during worship. The mandala's development at Ellora is explained and its significance is considered for the evolution of Buddhist art and iconography elsewhere in India.