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Author: Christopher B. Polt
Publisher: Cambridge University Press
ISBN: 1108879578
Category : History
Languages : en
Pages : 229
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Book Description
In the past century, scholars have observed a veritable full cast of characters from Roman comedy in the poetry of Catullus. Despite this growing recognition of comedy's allusive presence in Catullus' work, there has never been an extended analysis of how he engaged with this foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with the theatre in his corpus are part of a larger, more sustained poetic program than has been recognized. Roman comedy, it argues, offered Catullus a common cultural vocabulary, drawn from the public stage and shared with his audience, with which to explore and convey private ideas about love, friendship, and social rivalry. It also demonstrates that Roman comedy continued to present writers after the second century BCE with a meaningful source of social, cultural, and artistic value.
Author: Christopher B. Polt
Publisher: Cambridge University Press
ISBN: 1108879578
Category : History
Languages : en
Pages : 229
Get Book Here
Book Description
In the past century, scholars have observed a veritable full cast of characters from Roman comedy in the poetry of Catullus. Despite this growing recognition of comedy's allusive presence in Catullus' work, there has never been an extended analysis of how he engaged with this foundational Roman genre. This book sketches a more coherent picture of Catullus' use of Roman comedy and shows that individual points of contact with the theatre in his corpus are part of a larger, more sustained poetic program than has been recognized. Roman comedy, it argues, offered Catullus a common cultural vocabulary, drawn from the public stage and shared with his audience, with which to explore and convey private ideas about love, friendship, and social rivalry. It also demonstrates that Roman comedy continued to present writers after the second century BCE with a meaningful source of social, cultural, and artistic value.
Author: Christopher B. Polt
Publisher: Cambridge University Press
ISBN: 1108839819
Category : Fiction
Languages : en
Pages : 229
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Book Description
Argues that Catullus adapts Roman comedy to explore private ideas about love, friendship, and social rivalry.
Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449
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Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.
Author: George E. Duckworth
Publisher: Princeton University Press
ISBN: 1400872375
Category : Literary Criticism
Languages : en
Pages : 526
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Book Description
This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Brian A. Krostenko
Publisher: University of Chicago Press
ISBN: 9780226454443
Category : Fiction
Languages : en
Pages : 382
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Book Description
Krostenko (classics, U. of Chicago) explores charm, wit, elegance, and style in Roman literature of the late Republic by tracking the origins, development, and use of the terms that described them, which he calls "the language of social performance." His sociolinguistic approach is to describe the relationship between the words themselves and the ideological categories they expressed. Included in his analysis are the growth of elite aestheticism, the Latin rhetorical tradition, performance in Cicero and Catullus, and the rise of Octavian and the death of the language of social performance. Annotation copyrighted by Book News Inc., Portland, OR.
Author: Martin Revermann
Publisher: Cambridge University Press
ISBN: 0521760283
Category : Drama
Languages : en
Pages : 523
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Book Description
This book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Mathias Hanses
Publisher: University of Michigan Press
ISBN: 0472132253
Category : History
Languages : en
Pages : 427
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Book Description
The Life of Comedy after the Death of Plautus and Terence documents the ongoing popularity of Roman comedies, and shows that they continued to be performed in the late Republic and early Imperial periods of Rome. Playwrights Plautus and Terence impressed audiences with stock characters as the young-man-in-love, the trickster slave, the greedy pimp, the prostitute, and many others. A wide range of spectators visited Roman theaters, including even the most privileged members of Roman society: orators like Cicero, satirists like Horace and Juvenal, and love poets like Catullus and Ovid. They all put comedy’s varied characters to new and creative uses in their own works, as they tried to make sense of their own lives and those of the people around them by suggesting comparisons to the standard personality types of Roman comedy. Scholars have commonly believed that the plays fell out of favor with theatrical audiences by the end of the first century BCE, but The Life of Comedy demonstrates that performances of these comedies continued at least until the turn of the second century CE. Mathias Hanses traces the plays’ reception in Latin literature from the late first century BCE to the early second century CE, and shines a bright light on the relationships between comic texts and the works of contemporary and later Latin writers.
Author: Amy Richlin
Publisher: Cambridge University Press
ISBN: 1108216439
Category : History
Languages : en
Pages : 582
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Book Description
Roman comedy evolved early in the war-torn 200s BCE. Troupes of lower-class and slave actors traveled through a militarized landscape full of displaced persons and the newly enslaved; together, the actors made comedy to address mixed-class, hybrid, multilingual audiences. Surveying the whole of the Plautine corpus, where slaves are central figures, and the extant fragments of early comedy, this book is grounded in the history of slavery and integrates theories of resistant speech, humor, and performance. Part I shows how actors joked about what people feared - natal alienation, beatings, sexual abuse, hard labor, hunger, poverty - and how street-theater forms confronted debt, violence, and war loss. Part II catalogues the onstage expression of what people desired: revenge, honor, free will, legal personhood, family, marriage, sex, food, free speech; a way home, through memory; and manumission, or escape - all complicated by the actors' maleness. Comedy starts with anger.
Author: Robinson Ellis
Publisher:
ISBN:
Category : Elegiac poetry, Latin
Languages : la
Pages : 504
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Book Description
Author: Alison Sharrock
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334
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Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
