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Author: Martina Bengert
Publisher: Neofelis Verlag
ISBN: 3958081738
Category : Social Science
Languages : en
Pages : 209
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Book Description
From epidemics in the 17th century and the Lisbon earthquake in 1755 to Guernica in World War II, the essays in this volume trace the development of the catastrophic imagination, relying heavily on pictorial media and different forms of staging. Catastrophe in its modern sense seems to be inextricably linked to its spectacular representation, be it on the stage, on screen or in popular amusement parks. But the modern relationship between catastrophe and spectacle is also increasingly confronting us with the unimaginable side of catastrophe, particularly with regard to the Holocaust and in more recent times to the daily experience of refugees. The essays in this volume elucidate images of the catastrophes that have inspired them by providing a textual commentary that makes it possible to reconsider how the spectacular and the catastrophic are interrelated. Thus, the essays not only deal with the emergence of the modern spectacular imagination of catastrophe in terms of the history of both discourse and media, they also present themselves as a critique of catastrophe, one based on close readings of the scenes and images in question.
Author: Martina Bengert
Publisher: Neofelis Verlag
ISBN: 3958081738
Category : Social Science
Languages : en
Pages : 209
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Book Description
From epidemics in the 17th century and the Lisbon earthquake in 1755 to Guernica in World War II, the essays in this volume trace the development of the catastrophic imagination, relying heavily on pictorial media and different forms of staging. Catastrophe in its modern sense seems to be inextricably linked to its spectacular representation, be it on the stage, on screen or in popular amusement parks. But the modern relationship between catastrophe and spectacle is also increasingly confronting us with the unimaginable side of catastrophe, particularly with regard to the Holocaust and in more recent times to the daily experience of refugees. The essays in this volume elucidate images of the catastrophes that have inspired them by providing a textual commentary that makes it possible to reconsider how the spectacular and the catastrophic are interrelated. Thus, the essays not only deal with the emergence of the modern spectacular imagination of catastrophe in terms of the history of both discourse and media, they also present themselves as a critique of catastrophe, one based on close readings of the scenes and images in question.
Author: Stephen Keane
Publisher: Wallflower Press
ISBN: 9781905674039
Category : Performing Arts
Languages : en
Pages : 140
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Book Description
Through detailed analysis of films such as The Towering Inferno, Independence Day, Titanic and The Day After Tomorrow, this book looks at the ways in which disaster movies can be read in relation to both contextual considerations and the increasing commercial demands of contemporary Hollywood. Featuring new material on cinematic representations of disaster in the wake of 9/11 and how we might regard disaster movies in light of recent natural disasters, the volume explores the continual reworking of this previously undervalued genre.
Author: Diana Gonçalves
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110477688
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Departing from 9/11’s spectacularity and aesthetical appeal, its eskatastrophic dimension, this book takes up the task of studying 9/11 as a mnemonic singularity, i.e. a catastrophic event that evokes or mimics, albeit in a renewed situation, the structure of past catastrophes. It investigates how 9/11 has been represented/remediated and how it has reintroduced catastrophic thinking into our conceptual framework.
Author: Katharina Gerstenberger
Publisher: Boydell & Brewer
ISBN: 157113901X
Category : Literary Criticism
Languages : en
Pages : 246
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Book Description
Destroying human habitat and taking human lives, disasters, be they natural, man-made, or a combination, threaten large populations, even entire nations and societies. They also disrupt the existing order and cause discontinuity in our sense of self and our perceptions of the world. To restore order, not only must human beings be rescued and affected areas rebuilt, but the reality of the catastrophe must also be transformed into narrative. The essays in this collection examine representations of disaster in literature, film, and mass media in German and international contexts, exploring the nexus between disruption and recovery through narrative from the eighteenth century to the present. Topics include the Lisbon earthquake, the Paris Commune, the Hamburg and Dresden fire-bombings in the Second World War, nuclear disasters in Alexander Kluge's films, the filmic aesthetics of catastrophe, Yoko Tawada's lectures on the Fukushima disaster and Christa Wolf's novel Störfall in light of that same disaster, Joseph Haslinger and the tsunami of 2004, traditions regarding avalanche disaster in the Tyrol, and the problems and implications of defining disaster. Contributors: Carol Anne Costabile-Heming, Yasemin Dayioglu-Yücel, Janine Hartman, Jan Hinrichsen, Claudia Jerzak, Lars Koch, Franz Mauelshagen, Tanja Nusser, Torsten Pflugmacher, Christoph Weber. Katharina Gerstenberger is Professor and Chair of the Department of Languages and Literature at the University of Utah. Tanja Nusser is DAAD Visiting Associate Professor of German at the University of Cincinnati.
Author: Gennifer Weisenfeld
Publisher: Univ of California Press
ISBN: 0520271955
Category : Art
Languages : en
Pages : 414
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Book Description
Imaging Disaster is a rich social history of Japan’s Great Kanto Earthquake of 1923. Drawing on a kaleidoscopic range of images from the fine arts, magazines, cartoons, and other popular sources, Gennifer Weisenfeld has produced an original study of this catastrophic event from an art historical perspective. —Jonathan Reynolds, Barnard College Imaging Disaster is an exhaustive and illuminating study of the visual culture generated by Japan’s most devastating natural disaster. Comprehensive in scope—covering photography, cinema, painting, postcards, sketches, urban planning, and even scientific models—Weisenfeld makes a compelling point that the massive profusion of visual representations that followed the quake must itself be considered an integral part of this tragic historical event.—Seiji Lippit, UCLA
Author: Charles R. Garoian
Publisher: SUNY Press
ISBN: 9780791473863
Category : Social Science
Languages : en
Pages : 178
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Book Description
Examines the interrelationships between art, politics, and visual culture post-9/11.
Author: Marjorie Garber
Publisher: Routledge
ISBN: 1135200572
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Coverage of such major news events as the Gulf War, the AIDS epidemic and the William Kennedy Smith rape trial is analysed by contributors who explore the languages of word and image that produce current events as spectacle.
Author: Matthew Gumpert
Publisher: Cambridge Scholars Publishing
ISBN: 1443839434
Category : Literary Criticism
Languages : en
Pages : 565
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Book Description
The specter of the apocalypse has always been a semiotic fantasy: only at the end of all things will their true meaning be revealed. Our long romance with catastrophe is inseparable from the Western hermeneutical tradition: our search for an elusive truth, one that can only be uncovered through the interminable work of interpretation. Catastrophe terrifies and tantalizes to the extent it promises an end to this task. 9/11 is this book’s beginning, but not its end. Here, it seemed, was the apocalypse America had long been waiting for; until it became just another event. And, indeed, the real lesson of 9/11 may be that catastrophe is the purest form of the event. From the poetry of classical Greece to the popular culture of contemporary America, The End of Meaning seeks to demonstrate that catastrophe, precisely as the notion of the sui generis, has always been generic. This is not a book on the great catastrophes of the West; it offers no canon of catastrophe, no history of the catastrophic. The End of Meaning asks, instead, what if meaning itself is a catastrophe?
Author: Ballard C. Campbell
Publisher: Infobase Publishing
ISBN: 1438130120
Category : History
Languages : en
Pages : 481
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Book Description
Presents a chronologically-arranged reference to catastrophic events in American history, including natural disasters, economic depressions, riots, murders, and terrorist attacks.
Author: Bruce Magnusson
Publisher: University of Washington Press
ISBN: 0295806168
Category : Political Science
Languages : en
Pages : 239
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Book Description
Global media and advances in technology have profoundly affected the way people experience events. The essays in this volume explore the dimensions of contemporary spectacles from the Arab Spring to spectatorship in Hollywood. Questioning the effects that spectacles have on their observers, the authors ask: Are viewers robbed of their autonomy, transformed into depoliticized and passive consumers, or rather are they drawn in to cohesive communities? Does their participation in an event�as audiences, activists, victims, tourists, and critics�change and complicate the event itself? Spectacle looks closely at the permeable boundaries between the reality and fiction of such events, the methods of their construction, and the implications of those methods.
