Author: Josep Miquel Sobrer
Publisher: Indiana University Press
ISBN: 9780253288837
Category : History
Languages : en
Pages : 262
Book Description
An anthology made up of a number of texts translated by the editor from their original Catalan.
Catalonia, a Self-portrait
Author: Josep Miquel Sobrer
Publisher: Indiana University Press
ISBN: 9780253288837
Category : History
Languages : en
Pages : 262
Book Description
An anthology made up of a number of texts translated by the editor from their original Catalan.
Publisher: Indiana University Press
ISBN: 9780253288837
Category : History
Languages : en
Pages : 262
Book Description
An anthology made up of a number of texts translated by the editor from their original Catalan.
Self Portrait in Green
Author: Marie NDiaye
Publisher: Influx Press
ISBN: 1910312908
Category : Fiction
Languages : en
Pages : 81
Book Description
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Publisher: Influx Press
ISBN: 1910312908
Category : Fiction
Languages : en
Pages : 81
Book Description
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Barcelona and Modernity
Author: William H. Robinson
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552
Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552
Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.
Fire in the Placa
Author: Dorothy Noyes
Publisher: University of Pennsylvania Press
ISBN: 0812202996
Category : Social Science
Languages : en
Pages : 337
Book Description
Selected by Choice magazine as an Outstanding Academic Title Fire in the Plaça is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to Berga, Catalonia, Spain, celebrated annually since the seventeenth century. Participants in the festival are transformed through drink, sleep deprivation, crowding, constant motion, and the smoke and sparks of close-range firecrackers into passionate members of a precarious body politic. Combining richly layered symbolism with intense bodily expression, the Patum has long served as a grassroots equivalent of grand social theory; it moves from a representation of social divisions to a forcible communion among them. The Patum's dancing effigies—giants, dwarves, Turks and Christian knights, devils and angels, a crowned eagle, and two flaming mule-dragons—have provided local allegories for a long series of political conflicts, but the festival obscures its own messages in smoke and motion to enable a temporary merging of opposites. Activists in the 1970s transition to democracy in Spain took the Patum as a model of how old adversaries might collaborate: it helped to shape the mix of assertiveness in performance and compromise in practice that is typical of contemporary Catalan nationalism. The Patum became a focus of resistance to the Franco regime and drew visitors from all over Catalonia, serving as a rehearsal for the mass protests in Barcelona. Later, it provided the newly autonomous region with a vehicle for integrating immigrants and a vocabulary of belonging, culminating in the Patum-derived devils of the closing ceremonies of the 1992 Olympic games. Today, as mines and factories have closed in Berga, the Patum serves as an arena in which provincial Catalans model their relationship to Barcelona, Europe, and the world, and reflects their ambivalence about the choices open to them. Seeking a third way between tourism and terrorism, provincial towns like Berga show us the future of all local communities under globalization. In collective performances such as the Patum, tensions between cultural and political representation are made visible, and the gap between aspiration and possibility is both bridged and acknowledged. In this exceptionally rich ethnographic study, Dorothy Noyes explores the predicament of provincial communities striving to overcome internal conflict and participate in a wider world.
Publisher: University of Pennsylvania Press
ISBN: 0812202996
Category : Social Science
Languages : en
Pages : 337
Book Description
Selected by Choice magazine as an Outstanding Academic Title Fire in the Plaça is the first full-length study in English of the Patum, a Corpus Christi fire festival unique to Berga, Catalonia, Spain, celebrated annually since the seventeenth century. Participants in the festival are transformed through drink, sleep deprivation, crowding, constant motion, and the smoke and sparks of close-range firecrackers into passionate members of a precarious body politic. Combining richly layered symbolism with intense bodily expression, the Patum has long served as a grassroots equivalent of grand social theory; it moves from a representation of social divisions to a forcible communion among them. The Patum's dancing effigies—giants, dwarves, Turks and Christian knights, devils and angels, a crowned eagle, and two flaming mule-dragons—have provided local allegories for a long series of political conflicts, but the festival obscures its own messages in smoke and motion to enable a temporary merging of opposites. Activists in the 1970s transition to democracy in Spain took the Patum as a model of how old adversaries might collaborate: it helped to shape the mix of assertiveness in performance and compromise in practice that is typical of contemporary Catalan nationalism. The Patum became a focus of resistance to the Franco regime and drew visitors from all over Catalonia, serving as a rehearsal for the mass protests in Barcelona. Later, it provided the newly autonomous region with a vehicle for integrating immigrants and a vocabulary of belonging, culminating in the Patum-derived devils of the closing ceremonies of the 1992 Olympic games. Today, as mines and factories have closed in Berga, the Patum serves as an arena in which provincial Catalans model their relationship to Barcelona, Europe, and the world, and reflects their ambivalence about the choices open to them. Seeking a third way between tourism and terrorism, provincial towns like Berga show us the future of all local communities under globalization. In collective performances such as the Patum, tensions between cultural and political representation are made visible, and the gap between aspiration and possibility is both bridged and acknowledged. In this exceptionally rich ethnographic study, Dorothy Noyes explores the predicament of provincial communities striving to overcome internal conflict and participate in a wider world.
Surrealism and the Spanish Civil War
Author: Robin Adèle Greeley
Publisher: Yale University Press
ISBN: 0300112955
Category : Art
Languages : en
Pages : 284
Book Description
La obra es una nueva aproximación al tema de la respuesta de los artistas ante la guerra, articulando la relación entre el esfuerzo artístico y la política durante periodos de crisis social. Se analiza la amplia respuesta que la Guerra Civil Española provocó en el trabajo de Miró, Dalí, Caballero, Masson y Picasso, investigando los esfuerzos del surrealismo por establecer un puente entre el pensamiento y el acto político.
Publisher: Yale University Press
ISBN: 0300112955
Category : Art
Languages : en
Pages : 284
Book Description
La obra es una nueva aproximación al tema de la respuesta de los artistas ante la guerra, articulando la relación entre el esfuerzo artístico y la política durante periodos de crisis social. Se analiza la amplia respuesta que la Guerra Civil Española provocó en el trabajo de Miró, Dalí, Caballero, Masson y Picasso, investigando los esfuerzos del surrealismo por establecer un puente entre el pensamiento y el acto político.
Barcelona and Its Rulers, 1096-1291
Author: Stephen P. Bensch
Publisher: Cambridge University Press
ISBN: 9780521525893
Category : Business & Economics
Languages : en
Pages : 488
Book Description
This volume examines the early growth of Barcelona and the formation of its ruling classes. The city did not at first grow because of overseas trade but because of market-oriented agriculture and tribute from Islamic Spain. Only after a difficult adjustment did the city develop the commercial foundations which would later ensure its prosperity. Barcelona's patriciate rose to prominence during the second stage of growth, its rise forming part of a profound restructuring of territorial power in response to the 'feudal crisis' that challenged traditional authority throughout Catalonia. Patrician families did not model themselves after noble patrilineages, but forged marital alliances in which the wife's dowry played a fundamental role. In this new book the family structure of the patriciate receives close examination and many traditional assumptions about the nature of Mediterranean towns are challenged.
Publisher: Cambridge University Press
ISBN: 9780521525893
Category : Business & Economics
Languages : en
Pages : 488
Book Description
This volume examines the early growth of Barcelona and the formation of its ruling classes. The city did not at first grow because of overseas trade but because of market-oriented agriculture and tribute from Islamic Spain. Only after a difficult adjustment did the city develop the commercial foundations which would later ensure its prosperity. Barcelona's patriciate rose to prominence during the second stage of growth, its rise forming part of a profound restructuring of territorial power in response to the 'feudal crisis' that challenged traditional authority throughout Catalonia. Patrician families did not model themselves after noble patrilineages, but forged marital alliances in which the wife's dowry played a fundamental role. In this new book the family structure of the patriciate receives close examination and many traditional assumptions about the nature of Mediterranean towns are challenged.
A Companion to the Twentieth-century Spanish Novel
Author: Martha Eulalia Altisent
Publisher: Boydell & Brewer Ltd
ISBN: 1855661748
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
The Spanish novel in a turbulent century.
Publisher: Boydell & Brewer Ltd
ISBN: 1855661748
Category : Literary Criticism
Languages : en
Pages : 358
Book Description
The Spanish novel in a turbulent century.
Journal of Medieval Military History: Volume XXI
Author: Kelly DeVries
Publisher: Boydell & Brewer
ISBN: 1783277505
Category :
Languages : en
Pages : 277
Book Description
"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval WarfareThe twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.ingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.
Publisher: Boydell & Brewer
ISBN: 1783277505
Category :
Languages : en
Pages : 277
Book Description
"The leading academic vehicle for scholarly publication in the field of medieval warfare." Medieval WarfareThe twenty-first volume of the Journal of Medieval Military History begins with three studies examining aspects of warfare in the Latin East: an archaeological report on the defenses of Jerusalem by Shimon Gibson and Rafael Y. Lewis; a study of how military victories and defeats (viewed through the lens of carefully shaped reporting) affected the reputation, and the flow of funds and recruits to, the Military Orders, by Nicolas Morton; and an exploration of how the Kingdom of Jerusalem quickly recovered its military strength after the disaster of Hattin by Stephen Donnachie. Turning to the other side of the Mediterranean, Donald J. Kagay analyzes how Jaime I of Aragon worked to control violence within his realms by limiting both castle construction and the use of mechanical artillery. Guilhem Pépin also addresses the limitation of violence, using new documents to show that the Black Prince's sack of Limoges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.moges in 1370 was not the unrestrained bloodbath described by Froissart. The remaining three contributions deal with aspects of open battle. Michael John Harbinson offers a large-scale study of when and why late-medieval men-at-arms chose to dismount and fight on foot instead of acting tactically as cavalry. Laurence W. Marvin reconsiders the Battle of Bouvines, concluding that it was far from being a ritualized mass duel. Finally, Michael Livingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.ingston elucidates some principles for understanding medieval battles in general, and the battle of Agincourt in particular.
The Colors of Catalonia
Author: Virginie Raguenaud
Publisher: Gemma
ISBN: 1934848425
Category : Travel
Languages : en
Pages : 256
Book Description
Catalonia boasts an extraordinary cultural heritage. Its lively Mediterranean villages have inspired artists such as Henri Matisse, Andre Derain, Pablo Picasso, George Braque, Salvador Dali, and many others. Forever linked to three major art movements – Fauvism, Cubism and Surrealism – Catalonia has played a critical role in the development of modern art. This narrative guidebook will offer a unique, behind-the-scenes look at how Catalonia’s landscape, culture and people influenced major 20th-century painters and writers. The Colors of Catalonia steps into this idyllic Mediterranean setting, visiting the same cafes, restaurants, hotels, and homes where the artists drank, ate and lived. The reader can witness the artistic development of now-legendary painters and writers during their travels throughout French and Spanish Catalonia.
Publisher: Gemma
ISBN: 1934848425
Category : Travel
Languages : en
Pages : 256
Book Description
Catalonia boasts an extraordinary cultural heritage. Its lively Mediterranean villages have inspired artists such as Henri Matisse, Andre Derain, Pablo Picasso, George Braque, Salvador Dali, and many others. Forever linked to three major art movements – Fauvism, Cubism and Surrealism – Catalonia has played a critical role in the development of modern art. This narrative guidebook will offer a unique, behind-the-scenes look at how Catalonia’s landscape, culture and people influenced major 20th-century painters and writers. The Colors of Catalonia steps into this idyllic Mediterranean setting, visiting the same cafes, restaurants, hotels, and homes where the artists drank, ate and lived. The reader can witness the artistic development of now-legendary painters and writers during their travels throughout French and Spanish Catalonia.
Raoul Vaneigem: Self-Portraits and Caricatures of the Situationist International
Author: Raoul Vaneigem
Publisher: Lulu.com
ISBN: 0692379061
Category : Art
Languages : en
Pages : 267
Book Description
A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.
Publisher: Lulu.com
ISBN: 0692379061
Category : Art
Languages : en
Pages : 267
Book Description
A translation of what amounts to the autobiography of Raoul Vaneigem, one of the most important members of the Situationist International. First published in French in 2014, this book offers a unique series of self-portraits and caricatures of the members of the situationist movement.