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Author: Sheena Wagstaff
Publisher: Metropolitan Museum of Art
ISBN: 1588396851
Category : Art
Languages : en
Pages : 273
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Book Description
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.
Author: Sheena Wagstaff
Publisher: Metropolitan Museum of Art
ISBN: 1588396851
Category : Art
Languages : en
Pages : 273
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Book Description
Over the course of his acclaimed 60-year career, Gerhard Richter (b. 1932) has employed both representation and abstraction as a means of reckoning with the legacy, collective memory, and national sensibility of post–WWII Germany, in both broad and very personal terms. This handsomely designed book spans the artist’s rich and varied oeuvre from the early 1960s to the present, including photo paintings, portraits, large-scale abstract series, and works on glass. Essays by leading experts on the artist illuminate Richter’s preoccupation with painting in relation to other modes of representation, and emphasize the ongoing importance of the medium’s formal and conceptual possibilities in contemporary art.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991183
Category : Art
Languages : da
Pages : 366
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Book Description
"When the Metropolitan Museum came into being in 1870, the founders stressed its role in giving popular instruction. Ever since then its public has expressed interest in obtaining a general guidebook to all the multiple facets of its encyclopedic collections. But a museum is a living, constantly changing institution, and the preparation of such a guide presents many problems. The scope and depth of the Museum's holdings are described with flexibility in mind, so that alterations to the building and changes in the collections can be readily accommodated in future editions of this Guide. The number of pages allocated to each department is restricted to multiples of eight pages; this will permit revisions in future editions. A guidebook, however, should not be a straitjacket. It is impossible to locate accurately all works at all times because paintings and objects are constantly being cleaned, restored, loaned to other museums, or rehung within the Metropolitan. In designing a guide that is easily portable and of interest to a large public, severe restrictions have had to be imposed. The text serves an introductory function and is not intended to give the kind of detailed information found in a catalogue or scholarly publication. Many other books published by the Museum are available to anyone wishing to follow his own special interests: a series of popular handbooks and comprehensive catalogues of various aspects of the collections are available in the Museum's bookshops; the Bulletin of The Metropolitan Museum of Art, a general interest magazine covering all phases of Museum activity, appears regularly throughout the year; and the Journal of The Metropolitan Museum of Art, a collection of scholarly monographs, is issued annually. An independent guide covers the collection at The Cloisters, our branch museum of medieval art at Fort Tryon Park"--Introduction
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 350
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Book Description
Author: Josephine L. Allen
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 112
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Book Description
This catalogue was written in 1954 as a full index of the Museum's collection of European paintings and serves as an interesting record of the attributions that have changed since that time.
Author: Sabine Rewald
Publisher: Metropolitan Museum of Art
ISBN: 1588394131
Category : Art
Languages : en
Pages : 206
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Book Description
Catalog of an exhibition held at the Metropolitan Museum of Art, New York, April 5-July 4, 2011.
Author: John Caldwell
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 674
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Book Description
Author: Andrea Bayer
Publisher: Metropolitan Museum of Art
ISBN: 1588397092
Category : Art
Languages : en
Pages : 291
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Book Description
Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.
Author: Kelly Baum
Publisher: Metropolitan Museum of Art
ISBN: 1588395863
Category : Art
Languages : en
Pages : 342
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Book Description
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Author: Charles Kyrle Wilkinson
Publisher: Metropolitan Museum of Art
ISBN: 0870993259
Category : Metropolitan Museum of Art - Egipto - Catalogo
Languages : en
Pages : 167
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990799
Category : Painting
Languages : en
Pages : 235
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Book Description
