Catalogue of the Flemish, Dutch, French and English Pictures, of the Highest Class, the Property of Edward W. Lake,... who Has Decided on Retaining Only His Examples of Italian Art...

Catalogue of the Flemish, Dutch, French and English Pictures, of the Highest Class, the Property of Edward W. Lake,... who Has Decided on Retaining Only His Examples of Italian Art... PDF Author: Edward W. Lake
Publisher:
ISBN:
Category :
Languages : en
Pages : 41

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Catalogue of Flemish, Dutch, French and English Pictures

Catalogue of Flemish, Dutch, French and English Pictures PDF Author: James Christie
Publisher: BoD – Books on Demand
ISBN: 3385260906
Category : Fiction
Languages : en
Pages : 46

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Book Description
Reprint of the original, first published in 1845.

Catalogue of the Flemish, Dutch, French, and English Pictures, of the Highest Class, the Property of Edward W. Lake, Esq., Who Has Decided on Retaining Only His Examples of the Italian Art

Catalogue of the Flemish, Dutch, French, and English Pictures, of the Highest Class, the Property of Edward W. Lake, Esq., Who Has Decided on Retaining Only His Examples of the Italian Art PDF Author: Christie And Manson
Publisher: Forgotten Books
ISBN: 9780365340386
Category : Art
Languages : en
Pages : 42

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Book Description
Excerpt from Catalogue of the Flemish, Dutch, French, and English Pictures, of the Highest Class, the Property of Edward W. Lake, Esq., Who Has Decided on Retaining Only His Examples of the Italian Art: Which Will Be Sold by Auction, by Messrs. Christie and Manson, at Their Great Room, 8, King Street, St. James's Square, on Friday, July the 11th, 1845, and Following Day, at One O'clock Precisely I. The highest Bidder to be the Buyer; and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and te-sold. II. No person to advance less than One Shilling; above Five Pounds Five Shillings; and so on in proportion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Flemish, Dutch, French, and English Pictures, of the Highest Class

Flemish, Dutch, French, and English Pictures, of the Highest Class PDF Author: Christie, Manson & Woods
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Historical Painting Techniques, Materials, and Studio Practice

Historical Painting Techniques, Materials, and Studio Practice PDF Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241

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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Catalogue of the capital Italian, Flemish, Dutch, and French pictures of the highest class, the property of Mr. Thomas B, Brown, late of Howland Street, Fitzroy Square, long known for his taste and judgment in connecion with the fine arts ... [etc.] [Phillips, 1856].

Catalogue of the capital Italian, Flemish, Dutch, and French pictures of the highest class, the property of Mr. Thomas B, Brown, late of Howland Street, Fitzroy Square, long known for his taste and judgment in connecion with the fine arts ... [etc.] [Phillips, 1856]. PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Corcoran Gallery of Art

Corcoran Gallery of Art PDF Author: Corcoran Gallery of Art
Publisher: Lucia Marquand
ISBN: 9781555953614
Category : Painting
Languages : en
Pages : 0

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Book Description
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

Luxury Arts of the Renaissance

Luxury Arts of the Renaissance PDF Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292

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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.

English Painters

English Painters PDF Author: Harry John Wilmot-Buxton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 256

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Flemish Paintings of the Seventeenth Century

Flemish Paintings of the Seventeenth Century PDF Author: Arthur K. Wheelock
Publisher: Princeton University Press
ISBN:
Category : Art
Languages : en
Pages : 304

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Book Description
"The National Gallery of Art's collection of seventeenth-century Flemish paintings is relatively small, numbering less than sixty, but exceptional in quality. At the core of the collection are twelve paintings by Sir Peter Paul Rubens and his school and seventeen paintings by Sir Anthony van Dyck, including some of their finest masterpieces. Also represented are excellent works by other important Flemish masters, among them Osias Beert the Elder, Adriaen Brouwer, Jan Brueghel the Elder, and David Teniers the Younger." "This catalogue of the Gallery's remarkable collection of Flemish paintings offers new information about each of the individual works. Stylistic characteristics of the paintings have been analyzed; historical circumstances related to their creation have been assessed; and their provenances have been reexamined. A number of the paintings have undergone conservation treatment, while the technical characteristics of other works have been thoroughly studied. This exhaustive research has indicated that the titles, dates, and even attributions of a number of works needed to be changed, and the catalogue includes a concordance of these revisions."--BOOK JACKET.