Catalogue of Paintings, Drawings, Sculpture and Architecture PDF Download
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Author: Art Institute of Chicago
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 630
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Book Description
Author: Frederick Hartt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1136
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Book Description
Author: Jane R. McGoldrick
Publisher: Government Printing Office
ISBN:
Category :
Languages : en
Pages : 518
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Book Description
Author: George Heard Hamilton
Publisher: Prentice Hall
ISBN: 9780136226390
Category : Art
Languages : en
Pages : 484
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Book Description
PAINTING - SCULPTURE - ARCHITECTURE.
Author: Achim Bednorz
Publisher: H.F.Ullmann Publishing Gmbh
ISBN: 9783833160042
Category : Architecture
Languages : en
Pages : 0
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Book Description
art forms, treatments & subjects.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 402
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Book Description
Author: Charles Holme
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 526
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Book Description
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 0892362219
Category : Design
Languages : en
Pages : 310
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Book Description
This volume includes concise, illustrated entries on the more than 450 examples of furniture, porcelain, and silver from the Museum's collection. New to this expanded edition are sections devoted to maiolica and glass. An index of previous owners and updated bibliographies are of particular help to the scholar.
Author: Houghton Mifflin Company
Publisher:
ISBN:
Category :
Languages : en
Pages : 306
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Book Description
Author: Milwaukee Public Library
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 1030
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Book Description
Author: Dmitriĭ Vladimirovich Sarabʹi︠a︡nov
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 328
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Book Description
As Dmitri Sarabianov tells us in this lively book, Russia first turned its face to Europe at the beginning of the eighteenth century. By the start of the nineteenth century, European ideas had been assimilated into the rich substratum of Russian culture and a unique amalgam began to emerge. Indigenous subjects became the focus of Russian art. In 1870, the Society for Traveling Art Exhibitions, whose members were known as the Wanderers, was founded. Its dual purpose was to educate the people through traveling exhibitions and to work for social reform. At the turn of the century, the dominant mode was Symbolism. But Modernist tendencies and other currents were gaining strength. These diverse aesthetics had to be rethought in 1917, when the Revolution brought the Bolsheviks to power. Functional, applied design came to the forefront. It is here, with the close of the most brilliant and innovative period in Russia's artistic life so far, that Professor Sarabianov ends his account of the pivotal years that led to the dazzling abstract, geometrical breakthroughs of Russian art. -- From publisher's description.
