Catalogues of Old Master Paintings and Drawings PDF Download
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Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Book Description
Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
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Book Description
![Illustrated Catalogue of [the Series Of] 100 Paintings by Old Masters of the Dutch, Flemish, Italian, French Adn English Schools Belonging to the Sedelmeyer Gallery which Contains about 1000 [v.3-12:1500] Original Paintings of Ancient and Modern Artistis PDF](https://books.google.com/books/content/images/frontcover/YR9AAAAAYAAJ?fife=w80-h100)
Author: Sedelmayer Gallery
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Author: Galerie Sedelmeyer
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 152
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Book Description
Author: Dulwich Picture Gallery
Publisher: Trustees of Dulwich Picture Gallery
ISBN:
Category : Art
Languages : en
Pages : 138
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Book Description
Author: Galerie Sedelmeyer
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 306
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Book Description
Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 316
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Book Description
Author: Galerie Sedelmeyer
Publisher:
ISBN:
Category :
Languages : en
Pages : 160
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Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 180
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Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: Julius Bryant
Publisher: Yale University Press
ISBN: 0300102062
Category : Art
Languages : en
Pages : 456
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Book Description
Set high on a ridge in historic parkland less than five miles from Trafalgar Square, Kenwood is London's favourite 'country house'. Remodelled by Robert Adam in the eighteenth century, in 1928 it became the home of the Iveagh Bequest, a superb collection of old master paintings that includes Rembrandt's most celebrated self-portrait, the only Vermeer in England outside the National Gallery and the Royal Collection, Gainsborough's Countess Howe, and classic works by Reynolds, Romney, Lawrence and Turner. The collection was formed between 1887 and 1891 by Edward Cecil Guinness, 1st Earl of Iveagh, Chairman of the world's leading brewery, who gave it to the nation with the house and estate. This book is published to mark the seventy-fifth anniversary of the opening of the Iveagh Bequest and is the first new catalogue of the collection to be produced in fifty years. It discusses each work, revealing the personalities behind the faces in the portraits, the social circumstances of each commission, and the way that art met the ambitions of artists, patrons, sitters and collectors. There are also two introductory essays that provide context for the house and discuss the ways in which Lord Iveagh was a pioneer collector. Beautifully produced, this catalogue of paintings is the essential book on Kenwood.
