Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

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Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher: Macmillan Reference USA
ISBN:
Category : Art
Languages : en
Pages : 700

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Book Description


Hobbies

Hobbies PDF Author: Otto C. Lightner
Publisher:
ISBN:
Category : Collectors and collecting
Languages : en
Pages : 1012

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Arts Digest

Arts Digest PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 658

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Art Digest

Art Digest PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 660

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Steuben Crystal

Steuben Crystal PDF Author: Steuben Glass (Firm)
Publisher:
ISBN:
Category : Crystal glass
Languages : en
Pages : 56

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Arthur & Georgie Gaskin

Arthur & Georgie Gaskin PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108

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The Working of the National Gallery

The Working of the National Gallery PDF Author: National Gallery (Great Britain)
Publisher:
ISBN:
Category : Travel
Languages : en
Pages : 72

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Period Piece

Period Piece PDF Author: Gwen Raverat
Publisher: Clear Press Ltd
ISBN: 9781904555124
Category : Biography & Autobiography
Languages : en
Pages : 292

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Book Description
A facsimile of a 19th century book is a delightful, quirky account, beautifully illustrated with the author's famous line drawings, of her quintessentially English childhood growing up as a Darwin at the end of the 19th century.

Mary Newcomb

Mary Newcomb PDF Author: William Packer
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848222953
Category : Animals in art
Languages : en
Pages : 0

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Book Description
On New Year's Day 1986, encouraged by her dealer Andras Kalman, artist Mary Newcomb, then aged 64, began to keep a diary. She wrote in its opening pages: "I wanted [...] to remind ourselves that--in our haste--in this century--we may not give time to pause and look--and may pass on our way unheeding." This beautiful new book, compiled by the artist's daughter and grandson, reveals Mary Newcomb as an acute observer of her surroundings, reproducing her copious sketches alongside more finished paintings and short diary extracts to draw out the many themes which preoccupied her throughout her career as an artist. Mary Newcomb's world was rural East Anglia, where she managed a small mixed farm with her husband Godfrey Newcomb. The working life of the countryside engrossed her quite as much as the cycle of nature: she noticed and relished everything, with as keen an eye for the color of the bridesmaids' dresses at a wedding as for the yellow and brown of a dragonfly's body. Mary's daughter Tessa Newcomb, also an artist, introduces the key themes of the book with short texts which provide fascinating insight into her mother's world. A reflective introductory essay by art critic William Packer considers Mary Newcomb's written diary observations alongside the poetic language of her art.

Benton End Remembered

Benton End Remembered PDF Author: Gwenneth Reynolds
Publisher:
ISBN: 9781910787977
Category : Art schools
Languages : en
Pages : 0

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Book Description
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.